a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Watching the latest movies of that director is not a very pleasant experience. The experience is even worse, if you had seen his earlier work. I doubt many people did though, and I would like to encourage everyone to try to see this movie.It is a deeply engaging drama - a story of love that got broken by the history but gets another chance. After all these years passed, however, the question is, are the people even capable to try for something that would change their whole life? Leading roles are acted superbly (supporting kids have their worse and better moments), the story is told in an extremely tight manner and the final master shot is simply breathtaking, and perfectly rounds up the meaning of this movie. It is a showcase of an incredible talent. Whatever happened to Nikita after he made "The Sunburnt"?

Nikita Mikhalkov's adaptation of Bolodin's 1958 play "Five Evenings" is a wonderful Chekhovian film on interrupted love, dashed hopes and dreams, and unfulfilled happiness. This poetry of everyday life is put together with extreme flair by Mikhalkov who elicits pitch perfect performances from all of his cast members while assiduously using the cinematic means at his disposal to their expressive maximum. Such mastery of style becomes apparent after realising that although the film takes place exclusively indoors, there isn't the slightest tinge of filmed theatre. The subtle but brilliantly effective use of music, along with some innovating editing contribute to strengthening of the the emotive power of a film that occasionally reaches moments of transcendence.

I stayed once late to watch this film on TV. I've never seen anything by Mihalkov and I didn't know what to expect, but I am only glad that I saw Five Evenings. It's a thorough study of a two characters and how they respond to the conditions they live in. They eventually fall in love but after a lot of doubt, uncertainty and lack of feelings. They want to live a happier life, but are not sure how to achieve it. In a broad sense I thought it aimed at presenting the state of the Russian people(and of any other people for that matter) after the Second World War. Mihalkov made me experience the discouragement and the loss of faith in good that these people felt. I have to note that the actors were simply flawless and it was through their acting that the film was able to breathe and fascinate. And the ending was simply beautiful. Most of the film was black and white, but in the last few minutes, we see wonderful colour details from inside an apartment, as if the whole film, together with the characters overcame the alienation and lack of feeling. Very much recommended! I can't wait to see something else by Mihalkov.

Simple at first sight and entertaining story. Characters are shown very well: actors are very convincing and you can see the change of people over very limited time. Everybody is "good". Conflict arising between different understanding of the meaning of being "good": should you follow your way only or should try to adjust to others. Is this question important in comparison with love? I would definitely try to see it again: to understand better.