When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This story has more twists and turns than a second-rate soap opera.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

"The Flight of the Phoenix," Robert Aldrich's plane crash survivor story from 1965, was based on a novel. If it hadn't been, I might have thought it was a loose remake of "Five Came Back." In this 75-minute movie from director John Farrow (father of Mia), a group of passengers are stranded in a Central American jungle when their plane crashes en route from L.A. to Guatemala. Holding out no hope for a rescue, they take it upon themselves to fix the plane and fly to safety while the various dramas introduced with the characters play out. They succeed in fixing the plane just in time for a swarm of savage headhunters to come calling; the hitch is that the plane can only carry five of them to safety, meaning four have to stay behind.The headhunter and "who gets left behind?" plot twists are the most talked up in reviews of the movie, but really these events comprise only the last 5 minutes of the film. We never even see the headhunters, aside from a stray leg or arm peeking through Cedric Gibbons' impressive jungle set. And even the dramatic threads of these characters' stories aren't that dramatic. After all, a screenplay can only do so much in 75 minutes. The appeal of the film is the cast, featuring a fetching Lucille Ball, who doesn't get to do much but mope around the set and drop hints about a hard-luck-girl backstory, but who nevertheless displays a tremendous screen presence. C. Aubrey Smith and Elisabeth Risdon make probably the biggest impression as an older couple whose romance is rekindled as a result of being stranded in a jungle together. And Joseph Caiella is impressive as well as an anarchist on the run who meets the bleakest fate of any of them.The most fun to be had from the movie is the antiquated peek it gives into air travel from long ago, when passengers could mosey into the cockpit anytime they wanted to chat with the pilots. It's also a hoot to watch Ball stroll around the jungle campsite in a luxurious bathrobe. I wouldn't mind being stranded in the wilderness if the wilderness were as comfortable as it's portrayed in this film.Came across this late at night on TCM. I would probably never have discovered this film on my own.Grade: B-

I was hoping for even better, given that the screenplay was written by (forgetting Jerome Cady) the formidable Dalton Trumbo (Lonely are The Brave, Papillon, etc.) and truly great Nathanael West. In fact, this movie came out the same year, 1939, as West's masterpiece, "The Day of the Locust," so he must have worked on them simultaneously to some extent.No wonder it's a good screenplay, especially for a B movie. Although the plot is formulaic, there's no shortage of surprises, or terse observations, and director John Farrow keeps it clipping along, at least until the rather abrupt ending. We're short-changed on John Carradine, who's hardly in it, but that's compensated for by plenty of C. Aubrey Smith (as the Professor), Wendy Barrie (Mary Ann), Patrick Knowles (young Thurston Howell), Lucille Ball (Ginger), and particularly by a key character named Vasquez, played by a Maltese actor named Joseph Calleia, whom I'd never heard of though he was in almost 60 films.It's a must for any fan of Nathanael West, who ultimately contributed to only about a dozen movies before his death in 1940.

FIVE CAME BACK is a standard RKO B-film, capably directed by John Farrow with a cast headed by a bunch of veterans who were now entering the B-film phase of their careers--CHESTER MORRIS, KENT SMITH, PATRIC KNOWLES, WENDY BARRIE--and some very good character actors like Joseph CALLEIA, SIR C. AUBREY SMITH and JOHN CARRADINE. At that time, even LUCILLE BALL could be called a veteran actress, having adorned many a B-film in less than impressive ingenue roles, usually as a brassy type with a heart of gold--but this is certainly one of her lesser early assignments. It's easy to get the feeling that you've seen this sort of plot before, perhaps in a different setting.She's rather wasted here since most of the footage concentrates on the men who have more to do in this tale of a plane crash in the Amazon jungle that leaves them stranded near some dangerous natives until they can get the plane fixed. The pilots (CHESTER MORRIS, KENT SMITH) then have to give the others the bad news--the plane can only take off if there are five passengers aboard it. As it turns out, it's up to reformed revolutionary Joseph CALLEIA to choose who stays and who goes. PATRIC KNOWLES is the cowardly suitor of WENDY BARRIE who gets his comeuppance at the hands of the reformed man when he attempts to bribe his way to escape.If this sounds familiar, it's because Farrow directed the same story again years later, called BACK FROM ETERNITY.It's absorbing but obviously a low-budget film, rather murkily photographed using some of the old KING KONG jungle sets (unless that's the fault of the print I viewed on TCM), and the script is better than average for this type of story. But if you have the feeling that you've seen this all before, you probably have. The stock characters facing peril will remind you of those STAGECOACH characters, most of whom had to worry about their fate, some brave and heroic, others more like cowards. Still, it works.

Twelve passengers in a twin-engine plane crash-land in a rain forest just east of the Andes. While the two pilots attempt to fix the aircraft, the travelers get to know each other. Fast-paced drama rolls right along, with the usual cast introductions handled this time with flair and flip sarcasm (Lucille Ball, apparently playing a tart, keeps getting put down by the others but takes all the criticism in stride!). Film is extremely compact, but this hinders it in the end as the final sequence doesn't feel fully played-out and the last shots are disappointing. Otherwise, well-scripted (Dalton Trumbo and Nathanael West are just two of the writers credited), acted with high style and briskly directed by John Farrow, who later remade this story as "Back From Eternity". *** from ****