Who payed the critics

The Age of Commercialism

This story has more twists and turns than a second-rate soap opera.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

In the 1770s, a 10-year old independent upper-class girl named Felicity (Shailene Woodley) is living in Williamsburg, Virginia and handling the many challenges life brings to her: taming a stubborn horse, taking care of the family when the mother is ill and choosing sides when tensions rise between the loyalists and the patriots in the American Revolution.Like Samantha: An American Girl Holiday (the previous installment in the An American Girl series), the film is technically well created: the costumes, music, scenery and photography are all well above the average TV movie level. The story, however, is less diverse and the overwhelming righteousness of Felicity starts getting uninteresting soon. There are also some excruciatingly cheesy moments in the film. Even so, the target audience (young girls and their families) can expect to like the movie alright.

I just happened upon this movie last night on TV. And, I was pleasantly delighted by it. It was a nice, wholesome film that also had a great lesson in history. We're taught history in school, but what I've always enjoyed is knowing the "real life" parts of what happened. What were people doing at that time? What were their pastimes? How did they dress? How did they interact with each other on a daily basis? This movie was an example of that. It took a key time in American history (right before Revolutionary War) and explored the day-to-day lives of a family. That's what I love to know about.I loved that this was a movie that the whole family could enjoy together. It's a refreshing change from what we usually see on TV and in the movies.Please, Hollywood! More of these types of films! There IS a market for it out here!

Having stayed up way too late on Saturday night to watch a key football game that I'd recorded while out at a concert, I was feeling feverish on Sunday from too little sleep. By mid-afternoon, when I got home from church, etc., I wasn't up for anything challenging; so in order to recuperate, I went to bed for the easily-watchable American Girl double feature on the Hallmark Channel. This was the second-made, but first-shown, of the two.This review may contain spoilers, but who cares? This is one of those happy-sad family movies with no big surprises. It has all the required elements of such a film, including the loss, and threat of loss, of certain family members. But you know such elements without my saying, elements which, if well-executed, can make one weep for joy.When I first started watching, I thought, "Oh, another girl-and-her-horse story. How trite." But it turned out to be more. "More" in this case includes the following.A. There are no BAD people in this movie, not even one. Not the boy who breaks his contract of apprenticeship in hopes of joining the Revolutionary War militia, not the bounty hunters who go after him, not even the man who abuses his horse in trying to break it, the horse that Felicity loves, trains in secret, releases from captivity, and eventually owns. There are people who do bad things, to be sure, but all are redeemed in the end. ("God bless us, every one.") B. The title character, Felicity, is especially and particularly GOOD. As played by Shailene Woodley, she is forever bright and cheerful (but not overly so); and of her own volition, she commits a series of kind and generous acts toward others (doubtless due to her upbringing by good and understanding parents, played to type by Marcia Gay Harden and John Schneider), including one beyond expectation (especially for a child of 10) toward the imprisoned horse-beater, whom she had every reason to dislike and avoid. Had I watched this film when it was first released, I might be watching Woodley's "The Secret Life of the American Teenager" today. (Season 1 is on hiatus with but two episodes remaining as I write this.) I called this a weeper because in my weakened state, the tears flowed perhaps a bit more easily than they would have otherwise. But tissues were not necessary -- the overflow was caught by the blanket on my bed. Needless to say, I recommend this film, whether you're sick or not. Special kudos go to Valerie Tripp for the books and to Anna Sandor for the teleplay, writers who, along with director Nadia Tass, are responsible for creating another worthy entry in the body of American family films.

We have all three of the "American Girl" movies currently available and this one is my favorite. The plot may sound a bit corny, but it's a captivating story and the cast is wonderful.Felicity lives in a difficult era -- her father and grandfather, though they live in the same house, are on opposite sides of the issue of American independence. All the adults seem to have strong feelings one way or the other about the war and undertones of uncertainty are everywhere, making it confusing for Felicity and her friend Elizabeth.Intertwined with this question of American freedom is Felicity's strong commitment to free an oppressed horse from its abusive owner. She is a bit disobedient at times, but you can't help admiring her determination to do what's right, especially given that she lived in a time when a girl's "education" was limited to lessons in dance and tea-service.The historical value and the human themes make this a fascinating movie for the whole family.