Fall
Fall
| 06 July 2022 (USA)
Fall Trailers

In Orpheus (FID 2021), Vadim Kostrov returned as a young man to the industrial city of his youth, Nijni Taguil, in the Urals. A year later, we’re back in the same city, but in a different timeframe. Little Vadim, ten years old, carries a satchel and wears a yellow cap. The grown-up Vadim follows him as he wanders from shot to shot, day and night, in the changing light of early autumn. With zooms, overprints, velvety DV and variations of points of view, Kostrov works on forms and colours like a solitary painter. The child guides the filmmaker he’s become through the density of time. Leaves and steel merge into the same rusty colour. Although the Soviet tank, a monument to the glory of local industry, is just another game for the schoolboy astride its gun, the young, melancholic filmmaker has no need to comment on it to set darker, more painful harmonies onto the image. (Cyril Neyrat)

Reviews
SeeQuant

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

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Helllins

It is both painfully honest and laugh-out-loud funny at the same time.

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Teddie Blake

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Jenni Devyn

Worth seeing just to witness how winsome it is.

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