A lot of fun.

It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Here's a film that was a warm welcomed surprise. If you want to be entertained, get Mark Lester to do it. And when you have great actors like Glenn and Phillips as the leads, you know you're in for surefire entertainment. Here, it's more explosive entertainment, in a well polished and slick actioner about loose vigilante justice, only the justice here is wearing a badge. SIS is Special Investigation Section, a secret division of cops, who are out to take out the worst high profile offenders, ready at the assigned locale, for when they strike, only we have more murders than arrests. Losing his cool with a scummy piece of s..t, undercover cop, Jeff Powers (Phillips) is the latest to join Glenn's warm posse of cops, but being a witness to long time friend, Glenn's reckless actions, puts a strain on the work relationship, where soon at first hand, Jeff begins to see the real truth about this organization. The films has great shootouts and action, brilliantly staged, with no dull moment to spare. Chelsea Field, a really good actress, plays Phillip's older girlfriend, an avid reporter, out to bust this squad. The last scene, a stand off between Glenn and Phillips, where all out war is declared, is my favorite. Have to viddy this surprisingly well made film again. To bag this film, you'd have to be a bit off. Great, exciting entertainment, based on real incidents. Watch.

The film open with a prologue telling us that what we are about to see is inspired by a true story, and the next credit tells us that the following film does not resemble any living human being, or any dead ones either. The first scene has half a dozen members of the Special Investigation Section (or whatever), under the leadership of Scott Glenn, shooting a hold-up guy to pieces. We get the impression that these are some tough fellas.Then there is a cut to Lou Diamond Phillips, enraged, behind the wheel of his car in a high-speed pursuit of a child-molesting perp. Phillips repeatedly bumps his car against the other -- a requirement in movies like this -- until he forces the fugitive through a plate glass window in slow motion. Then Phillips leaps from his car, pulls the bleeding perp from his wreck, and beats the unholy hell out of him before being restrained by his partner and the other newly arrived cops. A loose cannon alright, and a prime recruit for the SIS.What the SIS does, with the complicity of the higher authorities, is follow the suspects, wait until after the crime is committed, then walk in and kill the perpetrators. It's a death squad.When Phillips' girl friend, Chelsea Fields, a crime reporter, discovers her lover's involvement, they have an argument and he leaves their love nest. As you can see, not a lot of imagination has gone into this production, beginning with the title -- "Extreme Justice." You can, after all, have justice, but if it becomes somehow "extreme" it's no longer justice.The conflict between Phillips and his girl friend echoes the opposing values of lovers in previous police movies -- "Bullett," "Heat," "Serpico." And it belongs to a more inclusive genre -- career vs. marriage. See reporter Kurt Russell wrestle with Mariel Hemingway in "Mean Season." Watch John Wayne try to balance his love life in military films like "Wings of Eagles" or "In Harm's Way" or "Rio Grande." Now a member of the elite SIS, Phillips is happy as a clam, but when he finally grasps what's up, he turns to his girl friend and spills the beans. She prints it. There is a final brutal fight between Glenn and Phillips. The politically correct person winds up decked.The two leads turn in professional performances and Chelsea Fields is sexy. Yaphet Koto stands out among the squad members. The weakest performance is by an SIS member who kills a young girl by mistake and later blows his brains out. The direction is what you'd expect from a police movie built around several episodes of violence.

Mark L. Lester has directed some of the most enjoyably trashy movies ever ("Roller Boogie," "Class of 1984," "Gold of the Amazon Women" etc.), mostly working in the low-budget direct- to-video or TV movie realm though he briefly entered the mainstream with the Stephen King adaptation "Firestarter" and Stallone vehicle "Commando." I haven't seen much of his more recent work, but always perk up when I see his name on a DVD or old VHS tape--his movies are sometimes ridiculous but they're almost always energetic and entertaining.This is actually one of his more respectable efforts, as it's a fairly effective indictment of police corruption that was made at a time when LAPD was under close scrutiny for just that. Lou Diamond Phillips plays a conscientious (but incongruously long-haired) young police officer recruited to a special unit, teamed with his mentor Scott Glenn. They're assigned to track down serial murderers, rapists and robbers, but somehow every time they apprehend the bad guys, all the perps and usually a few innocent bystanders end up dead--the whole squad is way too trigger-happy, esp. Glenn. Phillips gets increasingly uncomfortable with this, leading to the inevitable tension (a la the later "Training Day") between cop veteran and newbie partner.Both leads are good, the violent action is solidly handled, and the movie is less campy but no less fun than many of Lester's other films. It's nothing great, but it's a solid "B" flick.

In a plot strikingly similar to that of Eastwood's "Magnum Force", "Extreme Justice" deals with cops that take the law into their own hands and execute criminals in cold blood. The blurring of the line between law and justice, and between vigilantism and paranoia, is done here more efficiently than it was in "Magnum Force", so the movie holds your interest, despite the routine on all other accounts script and Mark Lester's unimaginative direction. The entire male cast is solid, but Chelsea Field is unconvincing as the hotshot reporter. (**)