Masterful Movie

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

The website claims that this film is presumed lost. Would that that were true. "Ex-Bad Boy" has been restored by Universal for our viewing pleasure(!), and is based on a 1923 Broadway play by Anita Loos, and must have suffered a great deal in the transition. As presented on screen it is unfunny and implausible and becomes an excruciating 75 minutes before finally grinding to a halt.The star of the picture is Robert Armstrong, who was to find fame two years later as Carl Denham, the impresario who brings King Kong to Broadway. Here he plays a slow-witted, withdrawn shop clerk to his boss, Spencer Charters. Caught in an affair, Charters asks him to take the fall and to portray himself as a ladies man who, in fact, has dated many Hollywood stars. Naturally, a Hollywood star comes to visit this small town, a star Charters had persuaded Armstrong to tell people he has dated.Straight downhill from here, although the downhill trend had started much earlier. Armstrong is completely unsuited for his role and his severe overacting single-handedly sinks the whole far-fetched production. It is a movie which grates on the nerves as a result, and a good supporting cast, including Lola Lane and George Brent, suffers. Cast members all went on to bigger and better movies, but sometimes I think some 'lost' films should stay that way."Ex-Bad Boy" was shown at Capitolfest, Rome N.Y., 8/12 on a restored 35mm print.