Every Pixel Tells a Story
Every Pixel Tells a Story
| 02 November 2002 (USA)
Every Pixel Tells a Story Trailers

In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.

Reviews
Wordiezett

So much average

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ActuallyGlimmer

The best films of this genre always show a path and provide a takeaway for being a better person.

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Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Gary

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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David Eckelman

Every Pixel Tells A Story gets to the roots of the digital film-making revolution. Instead of focusing on the high-profile big budget digital applications used by movie studios, director Peter Hanson shows us a world where the pure drive and determination to make a movie is made possible with the use of these new tools.I enjoyed the use of upstate New York. A region far removed, both geographically and in lifestyle, from Los Angeles. It gives it a small town feel, making the interviews with the vast array of filmmakers more honest and refreshing. Filmmakers and artists using digital tools to transfer their visions into a viewable medium.The doc itself feels produced with the same tools it educates us about. The raw intimacy of the digital video brings us closer to the subjects. If there is one area where this doc and digital film-making could use a boost is sound quality. The same can be said for most independent films.Overall a solid doc that wouldn't have been the same if shot with the high gloss of 35mm.

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