Estranged
Estranged
| 28 August 2015 (USA)
Estranged Trailers

Due to a near-fatal accident that has left her incapacitated and depleted of her long-term memory, a temporarily wheelchair-bound woman returns home after being abroad for six years accompanied by her bohemian boyfriend, the apparent cause of the accident. Unable to remember her family or her own childhood, she sets out, with the help of her boyfriend, to find the reason for her leaving all those years ago and quickly discovers her relatives may not be as loving as she’d thought

Reviews
Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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Plustown

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

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Humbersi

The first must-see film of the year.

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Roxie

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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beorhhouse

It isn't often at all that a director will treat his audience to the actual making of a haunted house. I should say that this film is not for the faint of heart, and it is not for any viewer who has any problem at all with perversity of any kind. Perverse a'plenty, folks! So, we have a decrepit stone Georgian mansion, a family of weirdos, and a girl who doesn't know head from tails. This is a classic Gothic film, Mystery, and, yes, Slasher all rolled into one. No jump scares, though, which usually makes or breaks a film for me, though I will still watch The Innkeepers and a few others, jump scares and all. Ever really wonder what the "prequel" of a haunted house is? This film will give you some idea.

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jackiehopkins

BLEAK AND BRUTAL,THIS FILM IS RELENTLESS. NO HAPPY FAMILIES OR HAPPY ENDINGS HERE, JUST LOTS OF SECRETS, SUCIDES, INCEST, RAPE AND DEATH. ALL IN ALL, A GOOD FILM, ALTHOUGH I WANTED THE BOYFRIEND TO LIVE A BIT LONGER.

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Jeremy Richardson

This movie brings to mind the hey day of early seventies low budget British shockers from the likes of Amicus, Tigon, and Hammer. The days when all you needed to make a film was a spirited cast, a largely unknown bolstered by a single "name" performer recognisable to Americans (in this instance James Cosmo), and free access to a down at heel stately home.It's hard to classify this movie in terms of genre, neither truly a thriller nor a horror. – it's more of a "creeper" than anything else. The sense of unease is ramped up throughout the convoluted twists and turns of the plot before plunging into true horror in the final third.I think this has presented a problem for the marketing department and I feel that they may be making a mistake in the way that they are presenting it. Many people will feel mislead and disappointed that this isn't the horror movie that the posters suggest, which is a shame since it's more than that, it's a taught, well acted chiller that deserves to be more widely seen.

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albereinstein

If art imitates life, then there are some really sick people in the world. This film was about a young woman who suffers a accident, winds up back at her childhood home where some real dark colorful characters pretending to be her family all reside. Although the story unravels from inside the home, at no time did I feel like you needed more locations to make the story work. In fact, the happenings unfolding to this young woman couldn't happen anywhere else, because of the graphic nature in which things are done to her. Overall, I've seen this story before in other films that deal with family issues. I think on a whole, all families have dark secrets And if ever found out, lives would be completely destroyed, and the jails would full of family members. A lot this film was cliché and predictable. I endured it to the end, and for me, the ending was the best part. It just took a little to long to get to it.

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