El Paso
El Paso
NR | 22 March 1949 (USA)
El Paso Trailers

Ex-confederate officer Clay Fletcher jumps at the chance to reunite with his once lady-friend, Susan Jeffers, when his father, Judge Fletcher, sends him on an errand to El Paso, Texas to get the signature of Susan's father, Judge Jeffers, on a legal document. Once there he finds the judge has become a drunk and a laughing stock, doing the bidding of local magnate Bert Donner and his running dog, Sheriff La Farge. Just as Clay starts straightening out the town's problems, events occur which force him to abandon the legal system and instead adopt the murderous tactics of a vigilante.

Reviews
Solemplex

To me, this movie is perfection.

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Protraph

Lack of good storyline.

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Sameer Callahan

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Sarita Rafferty

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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mark.waltz

Way too many familiar faces, plotlines, plot twists, graveyard plots and potholes on the streets of this Rio Grande River locale. John Payne takes the opportunity after the end of the civil war to move out west from Savannah and finds himself in trouble with the law while fighting against the corruption. This Pine/Thomas western, beautifully filmed in color, has the potential of being a great saga of settling and civilizing, but overstuffs everything like a 10 layer burrito. When the plot is set up with a pretty stagecoach con-artist Mary Beth Hughes hoodwinking the passengers, the predicted plot goes nowhere and her character simply vanishes until an appearance at the end. For romance, there's pretty Gail Russell; for conflict, Sterling Hayden, and for the bulk of the laughs, George "Gabby" Hayes. The white folks live peacefully among the Spanish folk, joining in their fiestas and picking up their culture. There's hardly any racial tension, just the fights for justice between the good guys and bad guys. It is impressively filmed, but for a good majority of this 100 minute film, I pondered the basic plot, and could only come up with a simple story with a bunch of conflicts, and nothing to really tie them together. There's a touching cameo by the ancient H.B. Warner as Payne's worried grandfather, and a shootout amongst a giant windstorm, but those are "moments". The lack of a continuity factor is the nail in the coffin of this not bad but obviously missed opportunity western

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Spikeopath

El Paso is directed by Lewis R. Foster and Foster also adapts the screenplay from a story written by J. Robert Bren and Gladys Atwater. It stars John Payne, Gail Russell, Sterling Hayden, George 'Gabby' Hayes, Dick Foran, Eduardo Noriega, Henry Hull and Mary Beth Hughes. Music is by Darrell Calker and cinematography by Ellis W. Carter. Location filming is at the Iverson and Corrigan Ranches and El Paso and Gallup. El Paso, and lawyer and ex-Confederate captain Clay Fletcher (Payne) is forced to go against his principles and go outside the law to bring order to the town. It's a town where the judge is alcoholic and manipulated by the corrupt sheriff and a nefarious landowner.In the mix here is a very decent film, and certainly there's a story that if given a bit more meat could have been most potent. Unfortunately it's a bit choppy in its telling and execution, while the Cinecolor it was shot in looks washed out and cheapens still further what was already a picture being made without a big budget.Thematically it's strong, there's a vigilante thread that's attention grabbing, with some nice suggestive shots used by the director, and a theme of ex-soldiers returning from the war - only to find their land and rights being vanquished by the self imposed powers that be - carries with it some pertinent sting. There's also some good humour in here, notably a running gag involving Hughes' Stagecoach Nellie.Cast are fine, with Hayden and Payne fronting up for their fans, Hayes does another grand grizzled old coot turn, and Noriega, in spite of being under used, is excellent. Crude back projection work undermines some half decent action sequences, whilst the extended shoot-out finale is nicely played out during a dust storm - which may be to hide some flaws in the production? But regardless it has good effect.Frustrating picture for sure, but for Western die-hards there's enough here to enjoy and not feel angry about. 6.5/10

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MartinHafer

"El Paso" is an ugly looking film. I assume it looked a lot better when it first debuted, but the print from Netflix is yucky looking. Part of this might be because it used Cinecolor (a very inexpensive but far from perfect color system) and part of it surely is due to the effects of degradation over time. All I know for sure is that the film is full of sepia tones and green-grays but many other colors are absent.The film begins just after the Civil War. A lawyer (John Payne) is sent from Charleston to El Paso to get some papers signed by a judge who used to live in South Carolina. Unfortunately, when Payne arrives, he finds that the judge (Henry Hull) is a drunk and the town is run by an evil boss (Sterling Hayden) whose aim is to steal away everyone's land. Can Payne use the law to his advantage or will he and his new friends have to take the law into their own hands? The evil boss-man theme is a very, very familiar one in American films of this era--perhaps THE most familiar. I am pretty sure it was used long before it was in "Birth of a Nation" (this was an evil boss film despite its sick racist message). Because it's become a bit of a cliché, "El Paso" certainly lacks originality. But, despite the familiar, the film is handled well on several levels. While the boss-man story is overused, using an alcoholic judge to help make the land-grab 'legal' was an inspired change to the standard story. Additionally, Payne and Hayden are both good actors and make the most of the material. In addition, it was nice to see the way Mexicans were handled in the film. Too often, they are simpletons in westerns, but here they are both noble AND manly--with Eduardo Noriega's character being one of the better ones in this era. Along for the ride is old reliable Gabby Hayes for a nice bit of comic relief. In addition, while the film might be a bit blood-thirsty, it sure did make it exciting and better than the usually over-sanitized western of the day. The overall package manages to breath life into an ancient sort of story and makes the film a lot better than it should be. Worth seeing--particularly if you like westerns.

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revdrcac

This Cinecolor Western from 1949 boasts a terrific cast and an interesting storyline. John Payne stars as a gun-toting attorney who takes on the so-called "lawmen" of El Paso. Sterling Haytden and former singin'cowpoke Dick Foran have fun roles as the bad-guys running the town. With the help of a drunken Judge, they rule with an iron fist .... until Payne arrives !Gabby Hayes has a featured role and is as endearing as ever. This film is fun and well-produced, but is a little long & drags a bit in the middle.Those with patience and a 100+ minutes to spare should enjoy this old-fashioned cowboy movie.

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