That was an excellent one.

Great Film overall

Excellent, Without a doubt!!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Film critic Barry Norman's last contribution in his long running Radio Time's column before his death was about the film Dunkirk directed by his father Leslie Norman. This was obviously written in anticipation of the release of Christopher Nolan's version of Dunkirk.The 1958 version is an efficient but low scale re-enactment which still has elements of propaganda about it even though it was made 12 years after the war had ended.There are two parallel stories in this film set in 1940. John Mills plays an out of his depth corporal whose soldiers are separated from their unit and they attempt to join them as the troops retreat from the beaches of Dunkirk.Then you have a band of civilians helping out and sailing their small ships to rescue the soldiers stranded at Dunkirk.Bernard Lee plays a journalist rather hacked off by indifferent civilians and Richard Attenborough a businessman who is complacent about the outbreak of war.Eventually both strands of the story merge but it all feels a little stiff and starchy, Leslie Norman stills manages a few interesting shots.

Film Dunkirk (Directed by Robert Nolan). Me and my wife went to see it. (we are avid war film and war documentary watchers). Most noticeable right from the start was the constant "booming" and "hissing" background sound throughout the film. We found this was annoyingly intrusive, and sounded like the story was building up to a climactic event - which never came. (it was actually a welcome break to hear the very scary screaming sound of the Stuka bombers diving into attack!). The special effects were great, but the story was a bit of a mishmash. We found the cinematography a bit too "clinically" clean. The three spitfires flew in perfect formation without any normal undulations in their flight. They turned in perfect unison, and they all looked as though they had just flown directly out of the factory! The ships, small boats)and most of the troops (especially the soldiers helmets) all looked brand new and unmarked! When hit by bombs, almost all the ships rolled over to one side before sinking. None settled on the shallow seabed. We never really experienced the true scale of the event. There wasn't enough men, or abandoned equipment on the beaches. Also, because the story was portrayed from three different perspectives (Army, Navy and Air Force)we couldn't "feel" for the characters. No "one" character stood out. We didn't feel as emotional as we've felt watching some other war films. Finally, we didn't see one single German soldier (apart from a couple of blurry images at the end - when the downed pilot was captured), and the word "German" or "Nazis" was never once uttered. (even on the pamphlets that the Germans dropped on Dunkirk. We thought the film wasn't half as good as the 1958 Leslie Norman version with John Mills.

Director Leslie Norman's "Dunkirk" tells the story of Operation Dynamo, the evacuation of British and French troops from the beaches of Dunkirk during WW2. Much of the film follows Corporal Tubby Binns (John Mills), an out-of-his-depth platoon leader who finds his unit trapped behind enemy lines. The film's best moments watch as this rag-tag bunch navigate the French countryside, skirmishing with Germans and doing their best to evade superior forces.Another subplot tells a familiar, propagandistic tale of war-time responsibility. Here Richard Attenborough plays a businessmen who casts aside cowardice and complacency in favour for rallying behind Britain's war effort. Running parallel to this is the story of Charles Foreman (Bernard Lee), a journalist who tries to shake up his indifferent readers."Dunkirk" ends with a massive set piece which won't impress modern viewers. Still, this is an interesting, idiosyncratic war film, and one which offers some fine views of rural, post-war Britain.7.5/10 – See "The Big Lift". Worth one viewing.

This is an above average account of the evacuation of almost half a million British and French troops from the beaches of France near the beginning of World War Two, when the German Blitzkrieg seemed unstoppable. There are good performances, nicely staged battle scenes, a well-written script, and impressive visual effects. A good job.The story alternates between Corporal John Mills' confused attempts to get his squad from the front line back to his unit on the beach, and the growing realization across the channel that the English will need to muster more than a handful of destroyers to get their army home. Bernard Lee and Richard Attenborough are two civilian small-boat owners who are swept up in the massive effort.It's really an impressive adult movie, free of heroics and flag-waving rhetoric. The Germans are not demonized. And when men die, they don't die Hollywood deaths, twirling around and collapsing. They die in pain, sometimes crawling helplessly before expiring. At the beaches, as the hordes of clumsily outfitted soldiers line up to board the motley fleet of dinghies, yachts, and ferries, they are shelled by artillery and bombed by Stukas. And when a shell or a bomb hits, the explosion is followed by hundreds of ululating howls of distress, a long collective moan of pain. Marvelously done.Bernard Lee is the thoughtful civilian Londoner who is critical of both the generalship that allowed the Allied forces to be surrounded in a small pocket on the channel, and the citizenry that has never taken Adolf Hitler seriously. Attenborough keeps finding excuses not to join the rescue effort because his wife tells him, "Promise you won't leave me and baby." "Fools at the top and fools at the bottom," remarks Lee. John Mills as the reluctant squad leader continued to surprise me. He's "Tubby" Bins, just one of the guys, until the sergeant is killed in action. One of the men points out that he now has the stripes. "I suppose I do," says Mills, surprised, uncertain, but not making a big deal out of it. He's not much at giving orders and having them followed. (He's the kind of non-commissioned officer I was.) But he gradually grows into the role and although the squad incurs casualties he manages to pull most of them through. Mills does everything possible with this character arc. A lesser actor would have played it as a stereotype -- stern from the start, adamantine and unchanging. It would have been easy.There are some remarkable, sweeping shots of the cold, wet beaches showing hundreds of shivering, frightened men. At some moments they recalled the ligament-stretching efforts at gigantism of "The Longest Day." They're all the more strange for appearing in a movie that at all other times seems to have a limited budget.The writing and editing slip towards the end. We see multiple attempts to get the men off the beach in fully loaded boats and ship. They all fail until Attenborough gets Mills and the others on his small yacht and takes off for Dover -- and they're among the last to go. The impression we're left with, until it's corrected by the narrated epilogue, is that hardly anyone escaped from the pocket. Some of the minor roles are less than well executed.But none of that detracts from the overall impact of the movie. It has all sorts of incidental trouvees. A German grenade detonates near one of Mills' men and knocks him down. As time passes, it becomes clear that there's something wrong with the man. He's dizzy. His judgment is clouded. "It's just concussion," decides Mills, "and he'll be alright." Now, in a by-the-numbers war movie, we know this will not turn out to be the case. The man will continue to deteriorate before finally collapsing and gasping out a few last sentimental words before passing away from brain damage. But what happens here? Exactly what Mills says. The guy recovers after getting some sleep and is fine again. His temporary impairment could have been eliminated entirely from the script with nothing lost except a slight but incisive touch of realism.