Waste of time

Nice effects though.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

It's a feast for the eyes. But what really makes this dramedy work is the acting.

To me, this is a classic movie for the end of war era. The first few reviewers cited the cavalcade type ones already. They need to be viewed and reviewed in the context of the time or the viewer misses the point. It is appropriate to note this, possibly, for people who do not realize there had been an all out world war for the past 4 to 6 yrs, depending on where one lived. mysterymoviegoer hit the nail on the head as far as I am concerned. I like to see the kinds of humor, the environments and attitudes that the movie portrays- not to mention the parade of stars and luminaries from the time. I did not see Maltin's review, gave up on it as a resource many yrs ago and hadn't even considered the intern angle. Nice to see another person take the time to record a most appropriate comment on this special kind of movie theme from a special time in history.

Searching round for movies that I could give to my dad as presents during the Easter holiday,I was delighted to stumble upon a very rare sounding title featuring Bing Crosby,which led to me getting ready to pay a visit to Duffy's tavern for the first time.The plot:Being left to run the tavern as the Duffy family attempt to live the high life as socialites,bar tender Archie decides to take advantage advantage of the situation by allowing 14 of his friends to secretly work and sleep in the tavern,who Archie also secretly pays with money from the Duffy family.After getting a phone call to notify him that Mrs Duffy has decided to pay a surprise visit to the tavern,Archie discovers to his horror that the tavern owes a huge amount of tax,thanks to Archie having secretly used the tax cash for his friends wages.With the axe hanging above the tavern's neck,Archie decides that the only option he has left is to quickly sort out a variety night,which will hopefully keep his dream tavern open.View on the film:Bringing lead actor/creator Ed Gardner's highly successful radio series to the big screen,the screenplay by Melvin Frank and Norman Panama is never able to fully reach the comedic opportunity offered in the plot,thanks to the writers allowing Archie's attempts to organise a show to fade into the background.Along with taking away feelings of excitement as Archie tries to sort out the event,this also leads to the title becoming a sketch movie which plods along,but never truly sparkles in the way it should.Taking on bar hosting duties,Ed Gardner gives a wonderfully dry performance as Archie,with Gardner displaying a sleek line in wit,as Archie attempts to save the tavern,whilst also keeping his eyes on the ladies in a number of great scenes perfectly played by Gardner.Joining Gardner in this pretty star-packed cameoing film,Betty Hutton gives a fantastic over the top performance as an extremely pampered version of herself,whilst Bing Crosby gives the movie dollops of charm,as Archie gets ready to discover if he is about to make the tavern's last orders.

The previous two reviewers do a very good job of detailing this film. It has greater historical value now than entertainment value because the type of humor --- radio and vaudeville--- are long gone and the stars like Ladd and Hutton and Lake and Crosby don't mean that much now. Leonard Maltin labeled it a Bomb. It's no masterpiece, but that's a gross injustice. Wonder which intern came up with that? Leonard needs to look at it himself. My guess is that it appealed to older viewers even at the time of its release 1945, the end of WWII. And it has a certain ethnic charm as well that will puzzle today's audiences. But a bomb? We are producing more bombs per season now than we were in 1945 with far less historic value. I shutter to think what Maltin's intern of 2075 will have to say about The Lone Ranger and Hangover 3. Worth a peek if you like old movies.

"Hello - Duffy's Tavern where the elite meet to eat, Archie the manager speakin', Duffy ain't here. – Oh, hello Duffy." This greeting, preceded by "When Irish Eyes are Smiling" played on a tinny piano, announced to millions of radio listeners that it was time for DUFFY'S TAVERN. Fans of this popular program knew they were in store for laughs, big-name guest stars, sometimes a little music and always their favorite characters holding forth at the New York dive headed by Archie himself. Ed Gardner, a former piano player, salesman, talent agent and radio director (in that order) created the program and cast himself in the lead when he couldn't find an actor that spoke "New York bartender" as well as he did. The series ran from 1941-1952, premiering on the CBS Radio Network and later moving to NBC. Each episode opened with the proprietor Duffy, who never appeared, phoning his manager and setting up the action that would follow in the next half hour. Archie was known for insulting his guest stars and his Damon Runyanesque speech. (In fact Abe Burrows, co-writer with Runyon of GUYS AND DOLLS, got his start on DUFFY'S TAVERN.) Regulars included Eddie Green as the wise-cracking Eddie the waiter and Charles Cantor as the intellectually-challenged Finnegan. Gardner's wife Shirley Booth originated the role of Miss Duffy, the ditzy, man-hungry daughter of the owner. At least a dozen other actresses played the role during the series 11 year run. Though DUFFY'S TAVERN made the transition to television in 1954, it only lasted for one season. The program inspired future TV shows with a friendly neighborhood bar as the setting, most notably Jackie Gleason's "Joe the Bartender" sketches with Crazy Googenheim (Frank Fontaine) filling in for Finnegan, ARCHIE BUNKER'S PLACE, and the 1980's sitcom CHEERS. Lucky for us, at least 100 episodes of the radio series survive and are available on cassette and MP3.Attempting to duplicate the success of other radio programs that made the transition to the big screen (FIBBER MCGEE & MOLLY, THE GREAT GILDERSLEEVE, HENRY ALDRICH, etc.), studio executives at both MGM and Paramount set their sites on Duffy's for their next radio crossover picture. Paramount's proposal of a "stars-go-all-out-for-the-war-effort" variety film in the vein of Hollywood CANTEEN and THANK YOUR LUCK STARS caught Gardner's fancy. And so it was that contract players Bing Crosby, Betty Hutton, Eddie Bracken, Robert Benchley and more than two dozen others were signed up for cameos while the radio actors (save for Broadway actress Ann Thomas as a new Miss Duffy) reprised their familiar roles.The story is a pretty basic "let's put on a show to save the __________." Unbeknownst to his boss Duffy, soft-hearted Archie has been providing out-of-work veterans with free meals and spirits. The servicemen had worked at a phonograph record company owned by Archie's pal Michael O'Malley (Victor Moore) before the war. The factory was forced to close because of a war time shortage of shellac and the bank turned down a loan to O'Malley to reopen the plant. O'Malley's daughter Peggy (Marjorie Reynolds) works as a switchboard operator at a hotel where a number of celebrities are staying. In due course the stars are persuaded to help raise funds to reopen the plant by performing at a block party hosted by our favorite barkeep. There are some yucks along the way, a little romance between Peggy and soldier Danny Murphy (Barry Nelson) and plenty of entertainment at the big show.Betty Hutton is a tornado of energy performing "Doin' it the Hard Way" and Cass Daly, the gangly gal with the overbite, sings a rousing number, "You Can't Blame a Gal for Trying." Bing and Betty parody the Oscar winning song "Swinging on a Star" from Paramount's 1944 hit GOING MY WAY and Bing shares a scene with his four young sons Gary, Lin and twins Phillip and Dennis.Variety posted a mixed review, finding the translation of weekly audio program to celluloid "stale," but they praised the vaudeville portion of the film. Eddie Bracken was singled out for "….playing the double role of a cowboy here, taking successively a beating by a bandit mob, a water dunking and some pies in his face, all constituting a nostalgic throwback to the good old Mack Sennett days and as hilarious a sequence as one will find in any film-comedy." Admittedly, DUFFY'S TAVERN may not hold up well with most present-day viewers who haven't known the wonder of old-time radio and have little or no knowledge of Betty Hutton and Bing Crosby, let alone Cass Daley. Fans of movies from the 40's and Olt-Time radio buffs however, should find DUFFY'S TAVERN an elite place to meet many of their favorite old stars and have a great deal of fun along the way.