just watch it!

This film is so real. It treats its characters with so much care and sensitivity.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Exactly the movie you think it is, but not the movie you want it to be.

While watching this film I first thought, "this Director of Photography should never make another film again." Then the characters drew me in a bit. That only lasted so long before I thought, "the Director AND Editor both should never work in film again." At the end of the movie I laughed comically loud at the fact that all of those roles were the same man. The story is one draft away from a really solid script. There are some overwritten writerly moments that took me out of the film. This tends to happen in most indie films because of filmmakers trying to be hip, or just generally trying to hard. Those moments were minimal enough that I could look past it and watch the film comfortably.The performances, sans one detail, are all very credible and deserve credit. Mary Kate Wiles and Nora Kirkpatrick do an excellent job. Whit Hertford does a good job as well, but the director should have reigned in the twitchy/blinky actor thing. No one looks around that much except nervous shady folks and Hugh Grant. The movie is only watchable because of two factors. The actors and… The score for the film is one of its greatest strengths. The man knows when to queue his music and what tone it should have to support the scene. He makes the painful decisions by Darst just a bit more bearable when combined with the performances.Another audio note, the audio mixer for this is absolutely terrible. There are peaks of overly loud music mixed with painfully low dialog. Overall there is no balance to the audio's levels.Darst needs to understand that lighting, color grading and lower ISO settings are your friend. It looks like he made enemies with them all on this project.The movie gets three stars; one for the script, one for the performances and one for the score. It deserves nothing else.

It is hard to understand such a high rating and raving reviews for Dreamworld. I can only assume that most of the contributors have either worked on it or are in some way related to the authors.The production didn't annoy me, although the home video aesthetics pushed the limits of my patience. There are low budget movies that turned this into their advantage, yet Dreamworld is not one of them. The way i see it, it brought to life a world depicted in a cartoon presented by the main character in the beginning. We only see the excerpts, but i wouldn't waste a full length movie on the idea.After a couple of minutes i simply lost interest in what was going on. The protagonists were deadbeat oddballs who didn't arouse any sympathy. Almost as if they deserved their fate.As far as description is concerned, this was definitely not a comedy. This comes from a person that laughs at jokes even at those that leave the rest of the audience silent. Romance was there, although in a form that suits aforementioned oddballs. As far as drama is concerned, the most dramatic thing was trying not to fall asleep before the end of the movie.Dreamworld is exactly what mainstream moviegoers have in mind when art-house cinema is mentioned. And you can't blame them they don't like it...

I was really impressed by this film. For me, the film evokes a rare sense of nostalgia. It's honest, sometimes joyful, sometimes painful story is shot and acted so purely that I could nearly feel the tires beneath me. As the couple's station wagon puts Los Angeles in the rear-view mirror, I was completely entangled in the exuberance of their budding romance. Their adventure was seamlessly woven against the backdrop of the California coastline.Maybe, it was the emotional ride that Director - Ryan Darst takes us on? Maybe, it's the actual ride that Oliver and Lily take us on? Regardless, it inspired me and left me wanting more.

I absolutely loved and enjoyed this movie. The film is technically sound, the direction is superb, and it's beautifully shot. Every frame is wonderful to look at. The actors are so believable as their character/s that you almost forget you're not watching a documentary (almost). They're incredibly realistic and communicative with more-than-words - their language, facial expression; the story just lingers in their eyes.You can't not-watch every second, you want to keep going. Quite honestly, I wanted more at the end - I wanted to explore more, I wanted to know 'what next'. However, I was immensely satisfied and happy with how the film left off - it was a perfect ending without being that 'too perfect' of an ending in the unrealistic sense - it's perfectly satisfying, to where a 'sequel' might ruin the way you feel about the characters and their situation/s.The story and the characters are easily related to without being stereotypical or cliché. You feel for them, you know them. They're so.. tangible.. by the end of the movie, that you feel like you've known them for ages. The story is wonderfully told, from all sides, and unbiasedly so. The visuals flow so nicely, the soundtrack is a great flow as well - they pair up so naturally you almost feel like it they were built around/for each other.I had not one complaint about this movie. After the screening and Q&A at the Florida Film Festival, I was able to speak to others in attendance, and I wasn't able to gather one complaint from any of them, either. This is an excellent film, certainly worth the watch, if only to see that there will be more from this cast and crew.