The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

It receives one star, only because it cannot have zero.I would like to post simply that, but apparently I must continue for a minimal length of 10 lines. So: Character on cover is not seen in the entire movie (neither are any characters wearing chainmail to my recollection).Car chase scene appears to be filmed at a top speed of 15 MPH.Dialog could quite easily have been delivered and written by a pubescent teenager full of 'angst' (by angst I mean he really just wanted to see some random actress's breasts).Please, for your own sake, do not even illegally download this movie.

I basically watch anything with Lance Henriksen in it; even if the movie is bad he's always gives a high-grade performance. This movie had a really cool idea with a very poor execution. If it only had a decent script backing it up, any kind of budget, a director with some kind vision, or even half-way capable actors (Henriksen excluded of course) it would have been much more enjoyable than what we have here. It's like a low-rate X-Men with a post-apocalyptic backdrop. A everything settles man named Parish (Lance Henriksen) becomes the leader (really more like a king) of the new world. Under his rule anything he deems unholy is banned, the main atrocity being people with supernatural, or mutant, powers. Then a mutant named Rage (horribly play by Daniel Goddard) decides to stand up a bring Parish and reign crumbling down. Too bad a cool concept, even if it's not that original, doesn't make a good movie.

Throughout the late 1950's and early 1960's, motion picture studios capitalized on the popularity of film by churning out hundreds of B movies. Most of these are forgettable, but, every so often, a picture managed to capture the imagination of an audience and, consequently, turned a tidy profit. As digital film-making technology in the 21st century continues to become available to the booming population, any cinemaphile armed with a camcorder believes he's the next Spielberg, Scorsese, or – could it be – George Lucas. The resulting explosion of horror, thriller, or low-grade science fiction titles available at your corner Blockbuster Video continues to grow. In an era of modern film-making when any Tom, Dick, or Harry possesses affordable technology to make a motion picture, it only stands to reason that there will eventually be more folks making motion pictures than those who should truly be allowed to make motion pictures, and rarely has there been better evidence than that of the direct-to-DVD schlock, "Dream Warrior, " also known as "A Man Called Rage." Rage (played by an unshaven Daniel Goddard) is no ordinary man. Though he's blessed with 'Men's Health' spokesmodel good looks, he's little more than a mutant with superhuman abilities … abilities that start and stop with the gift of grunting and flexing and throwing a grenade on cue. That, and he packs a mean air pistol. He's on the run from Parish (played by ever-reliable and, apparently, always affordable Lance Henricksen), the future's 'man of God' who wants to wipe the impure mutants – like Rage – off the face of the planet … if he could just find then all hiding outside his single building. But when Rage is rescued by a beautiful mutant (the lovely Sherilyn Fenn of 'Twin Peaks' fame), he throws caution to the wind in favor of saving Parish's infant son from the evil leader's nefarious plan … which never quite gets fully explained.Made in a derelict warehouse with wooded exteriors shot a stone's throw away, "Dream Warrior" presents the story of an uninteresting apocalyptic tomorrow not unlike the world seen in the 'Mad Max' films only with much less desert: shabbily-dressed survivors – normal in every sense of the word save their psychic abilities to hurl lightning, heal the injured, and sense water (woohoo!) if they're not dressing 'Goth' and watching men fight to the death on top of a truck bed – march through the woods in search of 'The River,' a place of legend where mankind's last hope for survival can be realized. Of course – with a plot this thin – you know it's only a matter of time before all of these characters are thrown together. Blacksploitation legend Isaac Hayes even makes an appearance as a shadowy religious loner sent to explain it all to the mutants because they apparently don't have enough sense to figure it out for themselves.At best, the film is a guilty pleasure. At worst, the film takes pleasure at being just plain guilty. "Dream Warrior" boasts no real dreams nor any real warriors, and it takes just over 91 minutes for Rage to discover that he's Parish's firstborn, to help kill his maniacal father, and to march off into the woods intent on saving the world. From what? We're never told.Written and directed by Zachary Weintraub, "Warrior" proves definitively that there is one too many Weintraub's working in the film industry.

In a cast of pros, Lance Henriksen and Richard Norton as villain and henchman respectively portray a complex chemistry between their characters that elevates "Dream Warrior" aka "Man Called Rage" above standard action movie fare. The chemistry between these two excellent actors is also obvious, and their scenes together give this movie its best moments of tension and drama. An opening stunt featuring Norton, also the film's stunt coordinator, sets the swift pace for the science fiction epic which will please the "Beastmaster" fans of Daniel Goddard, playing the hero. It's always a thrill to watch actors who excel at their craft, especially when they work together. Norton and Henriksen more than qualify!