Dr. med. Hiob Prätorius
Dr. med. Hiob Prätorius
| 14 January 1965 (USA)
Dr. med. Hiob Prätorius Trailers

Dr. med. Job Prätorius enjoys great popularity among patients, doctors and students alike thanks to his kindness and philanthropy. Only his colleague Prof. Speiter begrudges him his success. When his patient Maria Violetta wants to commit suicide because of an extramarital pregnancy, Prätorius takes care of the young woman. When he tries to gently prepare her father for the news, the latter considers Praetorius to be a more than welcome admirer of his daughter. As a deep affection develops between the doctor and his patient, the two eventually marry. Their private happiness fuels Prof. Speiter's envy. With the help of Praetorius' mysterious factotum Shunderson, he finally believes that he can uncover some dark secrets from the doctor's past. But Praetorius manages to refute all the accusations in a court of honor with wit and astonishing revelations.

Reviews
Ploydsge

just watch it!

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InformationRap

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Clarissa Mora

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

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Tyreece Hulme

One of the best movies of the year! Incredible from the beginning to the end.

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jan onderwater

Another (the 3rd) film adaptation of Curt Goetz' play and plea for humanity and human dignity. It is a far better film than Goetz' own film adaptation ("Frauenartz Dr. Prätorius", 1950, q.v.); enjoyable and well-made with good direction by Kurt Hoffmann, though - sadly perhaps - it is no improvement on the version Joeph L. Mankiewizc made in 1952: "People Will Talk". Heinz Rühmann makes a good Prätorius that is different from Goetz' own interpretation: more quite. Liselotte Pulver and Rühmann make a fine couple.Within the career of Kurt Hoffmann the film is also proof that his once very personal style for light comedy is disappearing: it is very good routine but nothing more than that. But still, German cinema could be glad to still have a director who would be up to this kind of comedy.

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