Very well executed

Brilliant and touching

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

You can tell that "Double Deal" is a B-movie. At a little over one hour and a cast of mostly B-list actors, it's clearly meant as a second feature. However, it's a pretty good film regardless.When the story begins, Buzz Doyle (Richard Denning) arrives in town and soon ends up working for a guy who is trying to strike oil. But, oddly, the man's biggest rival is his very own sister and she seems willing to do just about anything to ensure that the well comes up dry. First, she tries to hire away Buzz and when he won't throw in his lot with her, she has him beaten. Is this the end of it? Nope...soon folks start dying.The film offers an excellent and unexpected twist ending. My only complaint is one of logistics...why would the killer bother to take Terry (Marie Windsor) to his place to kill her? Why not just kill her where he abducted her and be done with it? Oh, well...it ain't perfect...but it is still pretty good.By the way, if you don't recognize Denning, he played the Governor of Hawaii during the entire run of the original "Hawaii Five-O". He also starred as Lucille Ball's husband in the very successful radio show "My Favorite Husband"...the show that was later re-tooled into "I Love Lucy"...minus Denning, of course.

Now this film does have its faults and plot holes - an able-bodied able-minded engineer in post-war America (Richard Denning as "Buzz") who is living life as a drifter in need of a job, an alcoholic lawyer, not practicing for years who doesn't have the money for a drink or a smoke but DOES have a home and plenty of food AND an exotic pet, and plenty of people turning up murdered and yet the police who are apparently not corrupt can't figure out who has done what but really do enjoy slapping suspects around.The story revolves around a feuding brother (Reno) and sister (Lilly). Lilly inherited three oil wells, and brother Reno inherited just one, yet Lilly wants Reno's well too because Reno shot Lilly's fiancé in an argument over gambling. It was judged a justifiable shooting, but considering how poor the legal system works in this town, maybe Lilly has a point with her legal dissatisfaction. Buzz agrees to help Reno bring in his well...in a small town where the sister is known to cause trouble of both the economic and physical kind for anybody who gets in her way? In 1950 why didn't he just get a job with an oil company? Because then we'd have no story.This film is very sexually provocative for 1950, considering the production code was still in full force. My assumption was that Terry and Reno were husband and wife - they are in and out of each other's hotel rooms without knocking and just give off that impression. But they are not married. The conclusions are unspoken but inevitable. Also, wealthy vindictive sister Lilly seems to be married to somebody who has lost her interest and respect. Well, he (James Griffith as Walter) has lost her interest and respect, but they are not married either although Walter is apparently living at Lilly's home. Again the conclusions are unspoken but inevitable. Also, Lilly seems to be laying every man in town who is involved in the oil business. This is apparently how she keeps them under her thumb - that and money. Don't these guys ever compare notes or do they care? Again, quite sexually frank for 1950.Don't let the clichés in the opening moments of the film fool you - things are not as they appear. I'd recommend this one as a good but not great film noir.

The material here would have made a fine noir had it been made by a visual stylist; and coming from the Mecca of noir, RKO, I'm surprised at the straightforward filming. After all, many icons of noir are already present—the lonely bus, the seedy bar, the penniless male lead, and, of course, the queen of slutty vamps, Marie Windsor. Except here, she's playing a good girl, of all things, a role a thousand lesser actresses could have handled.Nonetheless, it's a good little potboiler that manages to avoid many clichés of its kind. Everybody's conniving to get hold of an oil well that has gusher potential, including good guy Denning. But I'm especially impressed by Fay Baker who makes a scary hard-nosed villainess, plotting as ruthlessly as the men. The cast itself is full of colorful characters, especially Taylor Holmes who can't pass up anything that's spelled a-l-c-o-h-o-l. The script also includes a good surprise ending I didn't see coming. All in all, the 70-minutes is better than most programmers of the time, even if the great Marie Windsor is wasted.

Marie Windsor and Richard Denning as "Buzz" pair up to bring in her oil well against the forces at be.Great quickie with actors who have all been in heavier fare.Cheesy dialogue,fist fights,gunplay,sexual tension and plot twists keep this trash-daddy moving at a clip pace in glorious black & white.At times the actors seemed amused as they delivered their lines.Dark and serious oil field trash film see Stark Fear with Beverly Garland.