The greatest movie ever made..!

This is a must-see and one of the best documentaries - and films - of this year.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This silly but none the less enjoyable "pirate" musical is hysterical, intentionally and unintentionally for many reasons. It's a total fantasia on the real life of pirates, where an energetic young lad (Donald O'Connor) pretends to be a pirate so he'll get some notice from the film's heroine (Helena Carter) who thinks he's just a nice kid and nothing else. O'Connor manages to impress a tribunal of pirate leaders, most hysterically Hope Emerson's towering version of pirate queen Anne Romney, a far cry from Jean Peters' portrayal the previous year.Another colorful popcorn movie, this gives the limber Donald a lot of chances to show his dancing talent, doing some of the moves he would later perform in one of "Singin' in the Rain's" most popular sequences, "Make Em' Laugh". Fans of classic TV will delight at early screen appearances by Will Geer and James Arness. For me, however, it's most memorable for "the Donald" and for Hope Emerson's almost motherly affection for him. I almost choked when she tells him, "We can have some gay times, kid", considering her much more serious performance in the previous year's "Caged".

Double Crossbones is directed by Charles Barton and written by Oscar Brodney. It stars Donald O'Connor, Helena Carter, Will Geer, John Emery, Charles McGraw, Hope Emerson and Morgan Farley. Music is by Frank Skinner and cinematography by Maury Gertsman.Davey Crandall (O'Connor) and friend Tom Botts (Geer) are falsely accused by the corrupt Governor Elden of Charleston (Emery) of fencing stolen pirate booty. Bluffing their way onto the ship of local buccaneer Capt. Ben Wickett (McGraw), the pair soon become embroiled in piracy purely by accident and then have to pretend they are in fact pirates just to prove their innocence!Nothing to dislike here, it does exactly what it promises to do, it's avast yee frothy merriment with a little song and dance routine thrown in for good measure. It's comedy satire on the seven seas where everybody seems to be having great fun. There's treachery and trickery, a gorgeous dame to be spared from the villain's plans and a splendid narrative set up that puts all the famed pirates of Tortuga in one "brotherhood" meeting room. O'Connor comes off as a poor version of Danny Kaye, but he is an amiable lead here, with energy unbound and a quip on the lips he makes the most of the standard screenplay. The production design is mightily handsome and Gertsman's Technicolor photography is quite simply stunning. Support cast list is impressive, with McGraw (sadly not in it enough) and Emerson (stealing the film) the highlights.It's all very playful and colourful and not intended for deeper dissection, accept it on its own frothy terms and it becomes a fun 75 minutes of film. 6.5/10

Swashbuckling comedy, not as bad as I had anticipated but clearly no more than a footnote within the annals of this colorful action genre (here in its heyday). Donald O'Connor is an amiable and undeniably energetic lead (obviously, he gets to sing and dance too) – playing a shop-keeper's assistant who wants to make good for love of heroine Helena Carter. She, however, is coveted by her much older guardian…who also happens to be the (actually treacherous) Governor of the colony in which events are set.Immediately falling foul of pirate Charles McGraw, O'Connor eventually finds himself serving under him – after he, his pal and their employer are accused (by none other than the Governor himself) of accepting and selling stolen goods. The villain, in fact, is in cahoots with a society of legendary pirates comprising Sir Henry Morgan, Blackbeard, Ann Bonney (Anne Of The Indies – whose story, incidentally, was being told contemporaneously in a much more satisfying film by that title), Captain Kidd, etc.; apparently, this Governor's so mean that even they are no more than his mere underlings! Anyway, O'Connor eventually captures a ship practically single-handed (and sets free the convicts within, among them James Arness, on their way to Debtors' Prison), which wins him the moniker "Bloodthirsty Dave" and – naturally – a place in the pirate brotherhood. Recognizing the Governor's right-hand man as the courier of his message to them, the hero realizes the statesman's dual nature and determines to meet Carter in order to stop her impending marriage (she had earlier shunned O'Connor for his own buccaneering activity!).This he does by impersonating a foppish aristocrat at a ball (whose presence causes a snobbish lady to enquire "Who is that weird creature?"), though his ruse is discovered soon after and lands him once again in jail. Needless to say, everything comes out right by the end: the villain receives his come-uppance after engaging in a fencing duel with O'Connor on a ship's mast, hero and heroine marry, and the pirates – given a royal pardon – turn respectable…or do they?

A very strange movie featuring Donald O'Connor as a pirate-by-mistake who sings, dances and farces his way out of trouble to win the hand of comely Helena Carter. Notable for an outstanding supporting cast of players including Charles McGraw, Hope Emerson- a fearsomely funny Amazonian female pirate- Will Geer, a young Jim Arness and many other familiar faces in glorious Technicolor.I am intensely curious who came up with the idea for this film and successfully got it funded and made by Universal-International. Whoever contrived and made the pitch could have sold the Brooklyn Bridge several times over.An odd attempt that doesn't work due to an over talky, gimmicky script that simply isn't very funny. Director Charles Barton had better luck with Abbott and Costello. Handsome production design and earnest performances just don't click, but how can one resist Charlie McGraw and Hope Emerson in pirate mufti toasting their collective health and prosperity?!