Just perfect...

Excellent, a Must See

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Not being a native speaker it is sometimes hard for me to understand what is the meaning of some words because we don't have an equivalent in my language. One of such words is cute, neither beautiful nor attractive. I was explained it's like somehow good or beautiful but not enough. This movie is just like that. Unless you are totally romantic you gonna hate this film. I mean predictable story, lots of overused moments and twists, classical ending... I loved it! The thing is the film is good at it's main purpose, it is romantically charming. And that means a lot, at least to me. It's a good-natured film about good-natured people for the good-natured viewers.

I found that this was a very enjoyable film and even though films like this(probably smaller budget, not a lot of hype, etc.)may not get the critics raves, it IS a good rental or cable view for anyone who likes the "star-crossed" lovers theme with a lot of the silly hi-jinx that usually surround them.I absolutely ADORE Steve Guttenburg no matter what he plays in especially due to his boyish likability and the "attainable" characters he usually plays. Not to mention, he is an absolute HOTTIE! As for the rest of the cast, they were all chosen well especially Jami Gertz and Shelly Long. All in all a good, CLEAN(which is hard to find these days) and fun little movie. My thumbs up! lol

Another engrossing and insightful piece of filmmaking from Malcolm Mowbray, proving once and for all that his name deserves to be mentioned in the same breath as Truffaut, Godard and Chabrol. However, it is not for Mowbray's talents that this film will be remembered always; in 'Don't Tell Her...', we at last find a stage upon which Steve Guttenberg's talent may shine, and shine alone.Guttenberg essays the role of Gus Kubicek, recovering from a recent illness which has forced him to confront the truth of his own mortality. In a touching scene, clearly reminiscent of the closing moments of Nagasa's Ai No Corrida, Kubicek's sister (Shelley Long) pledges to support him in the quest to recover a semblance of his sense of self.What follows is a poignant and moving account of one man's struggle to pretend to be a biker from New Zealand. Surprising, shocking and at times brutally honest, it is only by virtue of Guttenberg's sheer, uncompromising talent that the film remains as fluid and engaging as it is. He gives a breathtaking performance, the unique subtlety of his acting almost imperceptible as he deftly switches between the persona of the overweight cartoonist and the biker from New Zealand. Unencumbered by having to share the screen with the clumsier talents of Selleck, Danson et al, Guttenburg turns 'Don't Tell Her' into a stunning and exhilarating tour de force, elevating the film to a supern example of highly original post-modern cinema verite.

Lightweight romance would have been better with stronger leads. Jami Gertz is OK, especially since the female role isn't particularly interesting. The biggest problem with this is Steve Guttenberg. He is a likable actor, but has next to no sex appeal, at least in this role. The alter-ego, "Lobo," comes off as completely ridiculous in his hands. Outside of him, though, the film is pretty good. This is one of Shelley Long's best performances--she's much better as a supporting player where her oddball and sometimes offputting personality doesn't have to carry the emotional baggage. Also excellent (as usual) is Beth Grant; she is one of my favorite current character actresses (make sure you see "Sordid Lives"). All in all, this is an OK Sunday afternoon movie, but I wouldn't go to too much trouble to see it.