Let's be realistic.

brilliant actors, brilliant editing

Watch something else. There are very few redeeming qualities to this film.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This film starts really crazy (well, it's a sanatorium), with a patient handling an axe repeatedly and a stupid doctor staying too close to him... Until he gets close enough and is beheaded (no actual gore is shown). That is just a sample of the rest of the film. People dumbly do random things, for dumb random reasons (when there is any). There is no actual plot, but a bunch of weak excuses for people to kill and/or get killed, until only one is left. With almost no character development, it becomes impossible to care for anyone. Also, the random violence makes the film uninteresting, as there is no build-up of anything. The ending is ridiculous, one of the patients (a giant with a child-like mind) simply kills everybody that was left, for no particular reason (I don't know, maybe in his mind, everybody left was evil, so they deserved to die or whatever).Considering the year this film was made, I guess the production staff thought something like "everybody nowadays love to see people getting killed, so let's make a movie where everybody kills everybody", and that's more or less what goes on there, except there are not so many characters to begin with and most deaths happen only in the last few minutes (and in just a few seconds, mind you!)Even if you are a fan of gore, stay away from this one, as there is almost no special effects (I really don't remember any, and I won't watch it again just to check that!) People are alive in one shot, someone attacks them, then they are covered in red syrup the next shot, playing "dead", and that's the extent of the special (d)effects.With no thrills or plot, no memorable characters or acting, no good soundtrack or effects, no remarkable deaths or moments, and no anything or whatever, this film has no entertainment value, even if it's the only thing on television, on a rainy day, without Internet connection, with the batteries on your portable dead and no compatible recharger (plus, you can't sleep...!) I've seen worse films than this one, but they don't redeem this aimless mess.

This is a film that if you watch it today and you have seen a more than a couple of horror films, you are going to know exactly what is going on. By the title of the film and by the description on the box I figured out what was going to happen before I even saw a minute of the film, and if it is not obvious then it will be during the first five minutes of the film. There are no real surprises to be had here, suffice to say. It does play out somewhat interestingly in areas and there are a couple of pretty good kills, but it is simply too obvious what is going on and how it is going to play out. I see the original title of this one is apparently, "The Forgotten" and perhaps that would have made for a better title, because as I have said, you read the description for this on and you will probably figure out what is going on or if you do not, you will still know how it is all going to go after you watch about five minutes of it with its title of, "Don't Go Into the Basement". Still, there are a couple of surprises as I was not quite expecting the way it ended and there was even a rather funny scene involving a phone repair guy, so I would say while not a particularly good film, it is not terrible either.The story has a house for those who are crazy in the middle of nowhere. At this facility, the doctor in charge allows the patients to roam free and employs some very questionable methods to help his patients. A nurse there has had enough as the only one she seems to like is Sam, a man who has the innocence of a child. The others are getting on her nerves and after she is threatened by one of the patients she is ready to leave! The doctor doesn't take this news well, and he takes what is coming to him next even less well as he is hit with an ax. A new nurse is soon seen coming to the place and a new doctor has taken over saying the previous one has been killed. Well the new nurse is quickly warned to leave the place by one of the patients, but she sticks with it, but things begin to unravel quickly as the patients start losing control!Like I said, it has its moments, but just not enough for me to really say it was an okay film. Some things were cool in it, but at other times things going on were a bit perplexing, such as the new nurse being unable to find the exit to the house. The people being treated did okay for a low budget film my favorite being the super sexed up woman who simply wanted the love of a man and was stuck in a place where the guys all seemed to pass on her despite her being rather attractive. The one dude who would just scream and grab stuff was my least favorite as he just seemed to be doing a stereotypical crazy person. One thing that also surprised me was that during the course of the entire movie, no one told the nurse to no look in the basement...I was kind of expecting that within the first few moments she arrived.

I have to admit that my preference is for psychological horror where the imagination is left to roam. Thus I thought the lead-up to the unfortunate bloodbath was both interesting and different. Each of the asylum patients in the lead-up is given a chance to demonstrate his or her particular disorder— the compulsive soldier, the nympho hungering for love, the obsessive mother with her doll baby, the partially lobotomized black man, et al-- and except for the judge (Ross) none seems particularly homicidal. And, of course, there's the power-crazed "doctor" (Weenick). Then, into this loony bin arrives poor drop-in nurse Charlotte (Holotik) not realizing that a loony is in charge. This sets up an interesting and fairly suspenseful storyline since we can't be sure where the plot is headed since the murder, mayhem and gore so far is at a minimum. Plus the acting is pretty darn good—Weenick & Holotik, especially. (And after 60-years of movies, I've never seen a cast with more un-Hollywoodized names!) Now, in my view, had the creators exercised more imagination, they could have come up with a less hackneyed climax than the gore-fest we're subjected to. Of course, the blood-letting may satisfy many horror fans, but to me, it betrays the subtler possibilities posed in the lead-up. For example, why not have the real doctor murdered by one of the patients, and then try to figure out which of the patients is actually homicidal. A sort of loony-bin whodunit.Anyway, the film is mostly well-crafted for a cheap-jack production. Still, I wish IMDb provided more background info, since what does appear looks like a wholly Texas production with a local cast. To me that would amount to quite an achievement, regardless of budget or fall off in imagination.

Super sexy Rosie Holotik plays Charlotte Beale, a psychiatric nurse who goes to work at the isolated Stephens Sanitarium. She gets there to find that the Dr. Stephens who (loosely) ran the place was murdered by one of the patients. Geraldine Masters (Annabelle Weenick), who seems to have inherited the supervisory position, has her misgivings about Charlottes' presence, but agrees to take her on as an employee anyway. Among the unbalanced people Charlotte meets are the gentle giant Sam (Bill McGhee), the desperate-for-love Allyson (Betty Chandler), former military man Sgt. Jaffee (Hugh Feagin), and possessive "mother" Harriet (Camilla Carr).This is actually a pretty good, if overly talky, effort from regional filmmaker S.F. Brownrigg. The low, low budget merely enhances the overall atmosphere. This is a grim, gritty film that goes far based on the personalities of the characters and the performances. Holotik is appealing, but it's Ms. Weenick who takes the acting honours. Things get appropriately gory, especially in the disturbing ending. One great scene takes place between Dr. Masters and the Sargeant, as she insists on asserting her authority.We know early on that we're going to be in for something amusing. Dr. Stephens, who had an unorthodox way of treating mental illness, is just foolish enough to give Judge Oliver W. Cameron (Gene Ross) an axe in order to work through his aggressions. People who saw this film back in the 70s must have gotten a real sense of deja vu if they ended up seeing "Friday the 13th: A New Beginning". One of the major delights is the refrain spoken by the cackling old lady Mrs. Callingham (Rhea MacAdams).Deliberately paced and very moody, "Don't Look in the Basement" (a.k.a. "The Forgotten") is an affecting exploitation-horror flick.Seven out of 10.