Donovan's Echo
Donovan's Echo
PG-13 | 15 February 2012 (USA)
Donovan's Echo Trailers

A series of uncanny déjà vu events force a man to re-examine his tragic past, memory, instinct, and future.

Reviews
Stometer

Save your money for something good and enjoyable

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MoPoshy

Absolutely brilliant

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Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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Verity Robins

Great movie. Not sure what people expected but I found it highly entertaining.

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Urantia

For me, Donovan's Echo was an inspirational reminder that the sovereignty of God is unlimited. The universe was not inevitable. It is neither an accident nor some self-existent entity of ethereal proportions exploding upon the empty stage of nebular nothingness. The universe is a work of creation and is therefore wholly subject to the will of the Creator. And unlike any documentary that may have attempted to encapsulate portions of these philosophical mysteries in a few condensed scenes featuring talking heads that move their lips in a rapid succession of lingual fireworks but who fail to say anything spiritually significant, this suspense-filled flick was enlightening and entertaining. By the way, God was never mentioned by name or even indirectly referenced in this movie although you might not know that after reading my review thus far (unless you have already seen Donovan's Echo). The topic that is dealt with has to do with how someone can be called upon to do something of the utmost importance that is beneficial to the long-term welfare of the planet perhaps by those Beings who are unseen and uncredited yet work diligently behind the scenes for the good of the many (and since they exist on a cosmic plane far above planetary mortals, they know more than any of us about everything there is to know). The chosen individual might be completely unaware that he or she has a supremely significant task to be completed during their mortal lifetime. At times when Doubt temporarily wins the tug-of-war with Faith, they might even think they are deluded or even crazy. Others who know them might share that opinion. But what matters in the end is only if the spiritually-guided person chooses to act or not to act (this going way beyond Shakespeare's "to be or not to be" since active participation can only be directly invoked by an act of will) and I choose not to mention anything more pertaining to what happens in this thriller so as to allow the ending to appear when scripted.

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hoytyhoyty

Maybe even a 7/10.Danny Glover has been in so many garbage films and series that he has become a bit of an underrated actor. In this film at least he gets to be the focus, and show us some of his ability. Also the child supporting lead is not the usual vile little snot-nosed thing, instead she's quite restrained and engaging.But overall, this film is so 'un-demanding', when really it should be an edge-of-the seat jobby. For some reason it just fails to scare.It's not boring, it's just ... more innocuous than it should be. We watched it late at night before work, and it made almost no emotional impression whatsoever.All of which makes it sound like a bad film!It's not, it's got a good little story and a couple of nice twists.You could sum it up by "I didn't mind it."

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bob-rutzel-1

Donovan (Danny Glover) returns to his home after 30-years of roaming (which was never really explained) due to the deaths of his wife and child in a vehicle accident. He was a nuclear physicist and blames himself for paying more attention to his work rather than his family. He was also a member of the Manhattan Project back in the day and later became obsessed with Cold Fusion. Now that he is back he has visions of the future that correspond to the date he lost his family. Remember the saying or slogan "we are all connected" from other movies: CRASH and CLOUD ATLAS? Apparently the message didn't get through as we have this movie to drill it into us again. Donovan sees visions of what will happen in the future and Finn (Bruce Greenwood) the local Canadian policeman and Donovan's best friend doesn't believe him; and Finn thinks Donovan is becoming dangerous. Donovan believes there is a reason he came back - at this time - and he sees things and attaches the visions to the date of the death of his wife and child. We decide Donovan is not mental (hey, that would be another story) but he cannot seem to get thru to Finn, Maggie (the 11-year old who has the same name of his daughter who died in that accident), or to Maggie's mother Sarah (Sonja Bennett). We have dialogues in our heads that would help but our dialogues are never used. Bummer. We try to connect the dots with Donovan. However, the way these dots are presented make it difficult to follow any logic and it is here the script confuses us. Sad to say much of this story is disjointed and we are on the verge of looking for the remote to end this because we find ourselves no longer caring. I don't believe the connection message got thru this time. In the other movies mentioned above the connections are universal; but here the connections seemed to be relegated to Donovan and the immediate cast only. The drilling was not successful in my opinion. (4/10)Violence: Yes. Sex: No. Nudity: No. Language: No.

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mkooistra

This movie definitely has something for everyone; a brilliant story containing lots of very fascinating "what-if" scenarios, built around some unique and complex concepts. The main character's struggle with his personal demons keeps you sympathizing with his desire to right his perceived wrongs from his past.While the character portrayals by the two veteran actors (Danny Glover and Bruce Greenwood) were as exceptional as you would expect, it is the sharp-witted character of Maggie (Natasha Calis) who instantly captured my heart.Wonderfully written and beautifully shot, the twists and turns within the movie keep you on the edge of your seat until the end.

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