Highly Overrated But Still Good

A story that's too fascinating to pass by...

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

An old-fashioned movie made with new-fashioned finesse.

Divergence tells the story of three men: A reckless hit-man simply named Coke (Daniel Wu), Suen Siu-yan a police officer whose fiancée has been missing for 10 years (Aaron Kwok), and Barrister To, a lawyer (Ekin Cheng) who works for a mobster. While conducting a routine witness transfer Suen Siu-yan feels the wrath of the hit-man Coke, after barely escaping with his life he starts further investigation into the case, the prize being Barrister To's gangster boss. At this point, three seemingly unrelated lives converge into a hailstorm of bullets and bloodshed.If it sounds like typical Hong Kong action flick thats because it is. Everything about this film, at a cursory glance, is typical. The Acting is well-done, and the cinematography and Direction is also good, and the action is good too. But there is still something lacking in Divergence. I had to watch this film twice to figure out what was missing. On the second viewing I figured it out. This movie has no heart. It has everything that makes a good action film but in the end, you just don't care about the characters. The film makes all the stops and covers all the bases, and it should be a great film. But sadly, it's not, I was hoping for a great gunkata thriller but I was sadly disappointed.

Great script, Excellent cinematography, Good directing, and Superb performances is what i have to say about this film. Before watching this film (even though i'm a fan of Aaron), i didn't expect too much out of this film because i gave up on HK cinema long time ago. However it surprise me, it's nothing i thought it will be. This film receive bad rating and comment from IMDb user, i can totally understand it. The people who will appreciate this film will not watch this film because they are expecting an usual hk action flick. The people who seen this film are people who enjoy hk action flick, which this one will disappoint them. I wouldn't consider this to be an action movie, it actually a drama. This story is not selling the cop and thief theme like the thousands of hk movie dose, it is about the connections of people with different backgrounds and occupations, and also the relationship of the main characters. Unlike all the hk movies, the characters in this film seem real. There are no true protagonist or antagonist, it depends on the viewer's judgment. Each character have their good side and bad side, and they are dynamic. Throughout the film we see the "Divergence" of the cop and the killer, the options they have and the path they chosen and it taken them to their destiny. It will take one of them to just to think before their action, the result would be totally different. The lawyer character was not explored as much as it should of, but there are good reason behind it. The script is well written with all questions answer at the end (some user said the question wouldn't answer, maybe if you actually see the film and think about it) with a little twist too. Also we see characters development in this film which is a rare in hk cinema. The direction wasn't at its best but is good enough to go with the story. It kept a good pace and intensity through out the film, but there are rooms for improvement. The cinematography is great, it create a theme/style with the greenish look. Some of the overhead shots look great and the chase scene is wonderful. The best scene is the roll back scene, great creativity, the first time i seen on screen. However, i think some of those cheesy CGI scenes are unnecessary, just use directing technique will make it look more real and stylish. And last, the performance. A great supporting cast, most of the great actors in hk are in the supporting cast. Ekin did a good job as the lawyer, even though their ain't much screen time for him but the ending he did great. Daniel's killer character have it's playful side and deliver that performance. Of course our golden horse winner Aaron, the cop character is the most difficult to play in this film and the script give a great challenge to who ever play the part. The character is not just a sorrow cop whose girl friend is missing for 10 years, for the ten years he come up to a "divergence" and he have the option to forget about it but he didn't. Which in this case it drives him to near insanity. Aaron's performance is dynamic, never overact the character to become an insane character, there is alway that ray of light at the end of the tunnel you can see in this eye, and it is that light that kept him sane. The viewers can relate the character's mind with the depth of the performance. Overall i give it a 9 out of 10, definitely the best hk film of the year and best performance in a male leading role. Bure Li

After Aaron Kwok won the Golden Horse, the Taiwan's equivalent of the Oscar, for best actor, I got interested in this movie to try to figure out how this pop star who was considered a long shot by many people won the prestigious award. The first impression I got after I finished was, and I remembered clearly, sitting at my sofa, staring at the blank TV screen for a couple of minutes, and saying, "What just happened?" No, I was not blown by it. The opposite occurred. I was confused.The movie was a typical Hong Kong movie, with the usual grittiness and stylishness. It had its moments, but sometimes, for some strange reason, it felt slow. Maybe there was not the ridiculous amount of gunfire, car chases and explosions that we viewers of Hong Kong thriller films are most familiar with and what I am most fond with. Maybe the love line story was so unnecessary that it dragged the movie down. Whatever the case, the mysteries and the search for the truth got my attention and got me excited...till I reached the twist. The twist right before the ending was a little surprising, but in retrospect it became obvious because too many clues were given that even a 2 year old could guess it (not recommended for 2 year olds- they are too young to be subjected to bad films). Still, it could be forgiven because an effort was made and it was a decent twist, no matter how predictable it was. However, here was what killed the moving- the ending. Nothing good could be said about it. It felt like they were trying to make this movie sophisticated by leaving so many questions unanswered. The problem was, those questions were not rhetorical or philosophical questions that might make one reexamines one's life. Instead, those questions were questions about the plot; the ending made the writers look stupid and left the movie feeling unfinished. Not enough clues were given in the film to help the viewers to try to answer the questions that were left. I tried to answer those questions, but after a few moments of pondering, I gave up and started swearing at the writers for wasting almost 2 hours of my time and the favors I have to pull to borrow this movie. There was no way to answer them and it was dumb to even try.I could not say nothing good came out of this film. I finally understood the formula for the voting panel at the Golden Horse Awards. 2 words: star power. The guy was once part of the legendary 4 kings of Hong Kong pop music and even though the status had became history and he was struggling for the past few years, he still have draw power. Letting him win would be a feel good story and let people talk about it for days; it could boost popularity for the show, which saw its ratings down from last year and had been on the down side in recent years. This was not to put down Mr. Kwaok. He did a good job and it might arguably be the best performance of his career. However, compared to the other nominees, his performance still felt weak. I guess everything was for the ratings.My only advice: do not watch it just because Aaron Kwok won the Golden Horse for it. It is a meaningless piece of work and your time would be better devoted elsewhere.I give it 6/10, because an effort was made and only the ending sucked.

Divergence is the latest crime thriller to come out of Hong Kong's film industry, and all films of this genre will nonetheless be compared with the grand-daddy of them all - Infernal Affairs, which set a very high bar. Given that this film is produced by the same team, you'd expect the same high standards. While production values are similar, I'd leave it to you to decide the end verdict.If you're expecting a strong cops and robbers storyline, then you might be disappointed. This film is heavy on relationships between the characters, their degrees of separation, and their duality. Which may not be a bad thing, but I find the dwelling on sappy moments and flashbacks a bit overboard, and at times, the audience was laughing at the improbability of these moments.This movie unites Aaron Kwok and Ekin Cheng together for the big screen after the comic fantasy movie Stormriders. Kwok plays a cop who lost his girlfriend under mysterious circumstances 10 years ago, and in the first 10 minutes, lost a key witness to a sniper, played by Daniel Wu, who always seem to be playing nothing but baddie roles these days. However, Wu's sniper character knows that in his career, he is both the hunter, and the hunted, and at times want to prove to Kwok that he makes a better cop. Ekin Cheng's a lawyer who defends the innocent, or so it seems. While he's aware that his clients are sometimes guilty, is he idly standing by? Thrown into the mix are characters like Cheng's wife, played by the lovely Angelica Lee, who bears a strong resemblance to Kwok's girl, and thus making him a stalker of sorts, Eric Tsang as an underused pathologist, Ning Jing (the only movie I saw her in was the remake of Shanghai Grand) as a bald assassin agent, and Lo Kar Leung as Cheng's client who has shady underworld links and a pop star son, who gets kidnapped.At times you might feel that the movie plods along, while you might already have been able to unravel the mystery mid-way. This could be due to the sappy moments I mentioned earlier, and taking centerstage is how Kwok's cop character refuses to give up looking for his girlfriend. You can understand how the character feels if you're in the same shoes - loving someone so deeply, and yet having zero closure. And when you think you see her again - is it really her, or had amnesia played a part, or has she deliberately forgotten the past? While the audience found the scene of revelation and Kwok's reaction to it funny, I felt the opposite - sometimes when the truth is revealed and you can't handle it, you shut down. Really. Trust me, I know. So if I were in his shoes, that'll probably be what will happen to me too.However, this film does have moments which can iconify it (sort of like the Tony-Leung-pointing-a-gun-at-Andy-Lau's-head moment in Infernal Affairs). The "long run to the fish market" scene is tense, and so is the finale where 3 characters have a standoff, which actually yanked the rug off my feet.I felt that if this film focused tightly on the plot, and lose some peripheral characters, it might just live up to its potential, and I don't think we'll see any sequels to this one.