Disobedience
Disobedience
R | 27 April 2018 (USA)
Disobedience Trailers

A woman learns about the death of her Orthodox Jewish father, a rabbi. She returns home and has romantic feelings rekindled for her best childhood friend, who is now married to her cousin.

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Reviews
Steinesongo

Too many fans seem to be blown away

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Ameriatch

One of the best films i have seen

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GurlyIamBeach

Instant Favorite.

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Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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aguilastina

I loved this film, it was a simple love story. I don't know why some viewers say it was slow, I disagree, I don't think there was a scene that should have been left. The sex scenes were very well shot, you can relate and feel the different way the main character experienced both. The light and the darkness at key moments are also telling us something about the way they feel. I think you will not be disappointed with this movie if you, like me, love simple story telling. I totally disagree with people saying opinions about the writing and technical stuff... most of them are trying to pretend they know something... but what matters here and what always should matter, is the story and the way is told, and that my friends, is the great thing about this movie.

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Red_Identity

This film is very handsomely directed and executed, with some strong performances at its core, although it also feels like it could have been a truly great film had there been more to it. Overall it's definitely effective.

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Scott-101

Rachel Weisz stars as a Rabbi's daughter returning to an Orthodox Jewish community that's shunned her because she didn't want to adopt their ways. This is a common problem in Orthodox communities when people choose a different belief system than the one they were raised with. It presents a myriad of challenges to navigate and this film portrays it with the utmost delicacy.The film has a brilliant pseudo-horror vibe with the voyeuristic looks that her disapproving peers inflict upon her with as she sits with them at dinner or walks through the streets alongside them. The film is advertised as a film about a lesbian relationship, but it's really a film about free will because being in a pre-marital sexual relationship, dating a secular jew, even having secular Jews in your friend circle or getting an education all lead to the same end result of shunning anyways. Perhaps it's my experience in this type of community, but the film is beautiful, spot-on, tense, sexy , and treats each of the three leads (Rachel McAdams and Allesandro Nivola) and their character arcs with a great sense of resepct.

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earthboli

I wanted to like this movie. It's rare that A-list actresses sign on to play lovers, and rare to see romance between women on the big screen. But a lot of things didn't quite fit, from the editing, to the storyline, to the music, to the pacing.The score: whimsical at times, even in dramatic/tense scenes, which felt completely inappropriate. The score seemed like it belonged in a bizarre children's movie, but yet the singing scenes were very dark and sad/somber-sounding. This movie clearly took itself very seriously, so why the carnival music in parts? The cast: good acting overall, no complaints. The story: decent premise. A Rabbi's death brings together old flames in a strictly orthodox Jewish London community, and tensions rise, as well as feelings. But the end...no thanks. Editing/pacing: abrupt at times and feeling disjointed, yet also slow and lingering too long in scenes that dragged. So many directors think that if you are slow and have long, tedious scenes, you will be considered a genius for being artsy and understated. That just isn't how it works. Character development: eh. This movie really would have benefitted from more than just a few words about the past, but scenes depicting more of the history and story between the women. I want to see more depth with these women, but it does end up feeling one-dimensional due to the script and/or editing.In sum, even today, in 2018, 9 out of 10 movies about women who love each other end with suicide/murder, a woman going back to a man, a woman cheating on her partner with a man (or woman), or some other equally unforgivable outcome, and I say unforgivable because movie producers love to portray gay/bi women as tortured and unable to experience a healthy same-sex relationship. Guess which one this movie falls under, because I won't spoil it...My advice, skip this and re-watch Carol. I felt like this one wasted my time.

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