Dirty Deeds
Dirty Deeds
| 18 July 2002 (USA)
Dirty Deeds Trailers

Set in 1960s Sydney, this is the story of an Australian gangster whose booming business, buoyed by the influx of U.S. soldiers in town for R&R during their tours in Vietnam, attracts the attention of first the Chicago mafia, and then their East Coast competitors.

Reviews
Hellen

I like the storyline of this show,it attract me so much

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Brightlyme

i know i wasted 90 mins of my life.

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Huievest

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

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Invaderbank

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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jotix100

"Dirty Deeds" takes a nostalgic view of the Sydney of the late nineties as we are taken along to meet a local gangster who is ruthless against his enemies, or the people trying to invade his territory. The action takes place in King Cross, an area where night life was the main attraction.David Caesar and his cinematographer, Geoffrey Hall, created a film that seems to have been shot in that era, as they have given the movie a faded look that works well with the story they are telling. The film has some funny moments that come at unexpected moments. The inside joke seems to be about how to really make a good pizza, something that might not have been done at the time.The film makers have to be congratulated in bringing a brilliant cast together for the movie. Bryan Brown plays the kingpin Barry Ryan with equal amount of meanness and humor. Mr. Brown is an actor that is always consistent in anything he does and he should be seen more often. Toni Collette is one of the best actresses working in films, who is at home in drama as well as comedy, and she has a rare opportunity to show her talent playing Barry's wife, Sharon. John Goodman is good as the American mafioso who is outsmarted by his Aussie counterpart. Sam Worthington is fine as the naive Darcy and Kesty Moressi also does a good job as Margaret. The only one that has nothing to do is Sam Neill."Dirty Deeds" works well as a drama and a comedy because there are elements of both in it thanks to the way David Caesar presents his material on the screen.

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mfsor

Yes, it's awful. As to say not one redeeming feature. It was just an opportunity for a bunch of Aussies to have fun without having to do any acting (John Goodman or no) and the scriptwriter to not have to do any writing, and the photographer to not have to see anything, and they stick in Toni Collette as if that is going to help. Who are these people that give a movie like this a rating of 7? Are they people without any critical consciousness? It's just a combo of cowboy=car chases without the horses or the vehicles, just filming people reciting lines that somebody thinks have some sort of meaning to them when they in fact have nothing. Is there any set of standards that anyone adheres to?

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Max Easton (walking_cliche)

'Dirty Deeds' is a great Aussie film on par with top Aussie films such as 'Gettin Square' and 'Swimming Upstream' that hasn't received the respect that it deserves. This film is thoroughly entertaining, perfectly representing Australian culture and giving insight into 1960's Australia. Veteran Aussie actor Bryan Brown puts in a strong performance as hard arsed Barry Ryan with great performances by Toni Collette and John Goodman.Why the Australian people are so critical of films made in their own country continually shocks me. Yes, at times 'Dirty Deeds' was a tad predictable and the characters in the film were mere extensions of the actors themselves, but to the man on the street, this is a clever film with a strong sense of Aussie humour highlighted by it's setting in 1960's Australia.'Dirt Deeds' deserves an 8 out of 10. Two marks deducted for it's predictability and it's slightly disappointing ending thrown in as a 'feel good' denouement.See this for: the superb camera work, the bush jail, Toni Collette and Bryan Brown, the romantic tension between the four mains.

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Stephiems8

Truly, when will we Australians ever stop wanting to sell this "ocker" cliche thing to the world? I think the world 'gets it already' right? It's like the writer got himself a copy of an "Aussie slang cliche" guide and applied EVERY slang cliche in the book in almost alphabetical order! I mean what's that all about? Even words that haven't been used since the 40's. I am 46 years old and I have lived the sixties and seventies in Australia. People JUST DIDN'T TALK LIKE THAT! Sure we would use the occasional slang phrase or two, but nothing like the amount coming out of Bryan Brown's mouth.Then the acting...Bryan Brown's character truly couldn't scare a chicken. He was trying to play the 'tough guy' instead he looked and acted more like an fast-talking and obnoxious ol'drunk! His scene in the gym was sad. He couldn't punch his way through a wet paper bag. His expression was'nt tough and menacing, rather one of frustration nad bitterness..The opening 'Vietnam scene was hilarious! Vietnam? more like Dubbo! Its squeeky clean cinematography made it look like a cheap ad for Pizza Hut. In fact most of the movie was shot like a television commercial with all it's cliche characteristics. The car chase was so badly shot. I'm sorry but cars racing at 15-20 kmph don't exactly put me at the edge of my seat. I've seen better car action on bumper car rinks.Sam Neil at his worst can't be good for his career. Tough corrupt cop? Right.John Goodman and offsider just as bad. Cardboard characters with zero dimension.Newcomer Sam Worthington needs a few years in acting school he DOES have an excuse.Toni Colette was ridiculous as Brown's wife. I must admit that did surprise me as I have always been impressed with her.The opening scene featuring Brown and crew with sledgehammers should have been alot more intense. They looked like a bunch of feeble old women as they smashed their way around the club. Half of them couldn't pick up the damn hammers. No impact whatsoever. Overall besides being one of the silliest movies in Aussie Film history, this film lacked substance, story, dimension and direction.A most embarrasing and weak attempt at an Autralian 'Gangster movie'.

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