one of my absolute favorites!

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Is this a great movie? No. There is no real plot and no acting to speak of. But it's a great reminder of how movies were pre-Deep Throat.Obscenity laws forced nudie filmmakers to make it appear that these movies promoted public awareness.Hence, this is done as a pseudo documentary. Not unlike some of Russ Meyer's very early flicks. (Mondo Topless, etc.)There's plenty of T&A. Full frontal female nudes abound.The guy's are naked too, only you don't see anything.What is striking about this movie is how hot the girls are. It's a fun movie to watch, but don't expect anything close to porn. It's really just hot girls lounging around in different places at the nudist colony.It's so innocent it's great!

Quite honestly, this film is crap. It's laughably written, woodenly acted, badly filmed and dubbed, and contains only a wisp of a plot. It's also pretty boring. And yet, I couldn't look away! Must have been the wall-to-wall nudity, the whole raison d'etre of this turkey.It's quite refreshing to see so many beautiful naked women circa 1961. There's no silicone to be found, and these women look happy, healthy and well tanned. Watching them cavort for the length of this movie is a pleasure, but it's the only pleasure you'll get out of this lame duck.The nudity must have been racy in its day, but today it's strictly PG. There's plenty of breasts and buttocks, both male and female, but none of the nasty bits. In fact, all the nudists either cover their genitalia with some object - a newspaper, a towel - or, they deliberately turn their hips away from the camera as they walk by. At one point there's a volleyball game taking place: the team with their backs to the camera is completely nude, but the team facing it are all wearing swimsuit bottoms. It's pretty silly stuff, but the charm lies in seeing such an abundant display of T&A in such an old film.The plot, if anyone actually cares, concerns a female reporter going undercover at a nudist camp to gather material for an expose in some creepy guy's newspaper. She gets into it and becomes one of them, so the creepy guy decides to go undercover as well to write an expose of his own. He eventually gets converted to the cause, and never takes his trunks off the entire time. Oh, and somehow they announce that they love each other at the end which comes completely out of nowhere, it's ridiculous.This is an utterly cheesy yet slightly titillating flick.

I think that the comments from other reviewers about this nudie-cutie are a little too harsh.This Film is fluffy & contrite yes;but exudes an American ideal of paradise at the time of the Kennedy pseudo-crusade of 'Camelot'.Meaning that America was then riding the crest of a wave of optimism.This Film seems to capture some strange,incongruous 'feel-good' factor that epitomises this.It has the Pine Trees of Florida,the blue of the everglades & the flesh tones of the Sunny Palms Lodge.The music soundtrack is atmospheric mood-jazz & 12-bar blues.Tiki-stone gods & white Chevrolets all add to the genre. We had a similar Film in Britain at the same time: 1961 called 'Naked As Nature Intended' but Cornwall isn't as HOT as Florida (in both senses of the word). I would recommend people not be put off seeing this Doris Wishman gem.It is well worth the current price of a DVD. Having watched this film recently;it has lost none of it's 'feel-good' impression on me.The 'dubbed' dialogue:- I assume is still the original actors?.This gives the film extra charm because the background noises i.e. birdsong,typing clatter are all on the same track.

Ever watch a dull, plotless movie just to see naked women?Director Doris Wishman is known for pushing genre conventions to the limit, and here she combines wall-to-wall T&A with a phenomenally predictable storyline and a stunningly silly ending. (A few naked men, too, but they're not the focus.) The unrelenting wholesomeness may be shocking if you're familiar with Wishman's later, far seedier work.