Clever and entertaining enough to recommend even to members of the 1%

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

No one suffers more in movie after movie than Ann Harding. The suffering is gloriously acute, intense and wonderfully relentless.

An enjoyable movie if you can suspend belief that Ann Harding can disguise herself as an older woman. Thankfully the story moves on beyond that concept. I found the Robert Williams role to be the most interesting part of the film and why I would recommend it, beyond that it does star Ann Harding and Leslie Howard. Without going into the story too much he plays a character that we do not know whether to like or not. There is a lot of gray in who he is. The same can be said for the Leslie Howard character. I have watched a number of movies from the thirties and this is one of the ones that I would recommend watching if you have a chance.

Ann Harding disguises herself as a dowdy nanny--tough job, and she doesn't quite bring it off here, she's too youthful and pretty--to be near barrister Leslie Howard, likably doing one of his oh-so-British-gentry romantic leads. It's the lightest of trifles, with some lapses of logic, and after the deception is revealed, the movie drags on needlessly for a half an hour or so. But Harding's always a pleasure to watch, even if she doesn't quite convince in either of her British (Mayfair and Cockney) accents. And a plus, as noted by others, is Robert Williams, who's so marvelous in "Platinum Blonde." He had a Spencer Tracy down-to-earth quality that shines here, and he's a natural light comedian (though his character's somewhat off--are we supposed to like him or not?). Nice production values, amiable supporting cast, and was there ever a greater year for clothes than 1931?

What a bore. Every bit the "creaky early talkie", DEVOTION (1931) is stagey and the soundtrack is full of dead air and awkward silences. The story concerns "wallflower" Ann Harding disguising herself as a middle-aged governess in order to get closer to Leslie Howard (whom she secretly loves).The movie is a chore to sit through. I've never really been a fan of Ann Harding, and she looks ridiculous in her old lady disguise. Seen nowadays, the movie is so preposterous and overdone as to be unintentionally funny. Harding's whole plan comes off as really creepy to a modern audience.And why is Harding, a daughter in a fairly well-off family, doing chores with the servants while her parents and sisters entertain guests in the parlor? Is she the black sheep of the family? Is it a Cinderella situation?The movie's not a total loss, however.Robert Williams's naturalistic acting practically jumps off the screen, in contrast to the rest of the cast. Williams's bright future in Hollywood was cut short when he died shortly after this film's release in 1931. He had a natural way of delivering his lines that really stands out in DEVOTION, even though he only has a few scenes. If nothing else, this film gives viewers a rare chance to see Williams at work.