Who payed the critics

Close shines in drama with strong language, adult themes.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

This is a dark and sometimes deeply uncomfortable drama

Danny Devlin (Fahey) and his buddy Ziggy Rotella (Russo) are in a small-time gang, and they decide to rob 1.2 million dollars from mob boss Gianni Grasso (Miano). However, Mo (Busey), who works for Grasso, double-crosses him by talking to Danny and Ziggy. Grasso's men go after them, and eventually Danny, Ziggy, and Gillette (Williams), the third gang member, end up in small-town Rosalia, where Danny grew up. It turns out his mother died and left him the family dairy farm, and it's in her will that he must tend to it. While back in his old stomping grounds, he reconnects with past family members such as Mel (Thomerson), Daniella (Wood), and his brother Burl (Madsen), who is the sheriff in town. Will Danny go straight, or will the temptation of future heists and crimes be too strong? When we first saw that there was a movie that had this amazing cast, obviously we were intrigued. And the icing on the cake comes when you're watching the opening credits, and after the extensive list of familiar names, the final credit is "Directed by Joey Travolta!" (I added the exclamation point. Sadly that's not on his actual screen credit). You'd think, "how could this possibly go wrong?" Well, unfortunately, Detour falls prey to Lone Tiger (1999) Syndrome, which we've talked about before, which means that just because a movie has an impressive cast, doesn't mean the movie itself is going to be any good. Sometimes it's even a substitute for good writing and direction, and they hope the audience won't notice.Joey Travolta seems to be more talented in front of the camera than behind it, as evidenced by his role in Wilding: The Children Of Violence (1991). Disappointingly, Detour is just one of many 90's Tarantino knockoffs. It tries too hard to be cool, and every other scene has some annoying "alt-rock" song of the time on the soundtrack. No one in the cast of fan favorites can save the uninspired writing. Busey and Madsen come off best, however - Busey slightly more low-key by his standards, and Madsen does what Madsen does, that is, look bored and contemptuous of even having to be there. But somehow when he does it, it totally works. Fahey goes a bit over the top at times, and even though this is supposedly an action movie of some kind, there are scenes of farm work - yes, FARM WORK - when other stuff should be going on to capture the viewers' interest and imagination.The movie also falls prey to some other common DTV pitfalls, such as the fact that many scenes are underlit and it's too dark to see anything. That just adds to an overall junky look and feel. But on the bright side, Gary Busey wears pajamas the whole time, and James Russo has an evil hat. Take for instance a scene in a kitchen where Fahey and Thomerson are talking. On top of the refrigerator, there is a can of a Mr. Peanut product that we think are called "Zonks", but it's too dark to really tell. This can of Mr. Peanut Zonks (?) steals focus from the supposed drama going on. "Does that really say 'Zonks'?" "I don't know, I can't read it...I hope it says Zonks...but I've never heard of Zonks..." "Maybe they're only sold in Canada." "Who is a better mascot, Mr. Peanut or the Pringles man?" "Mr. Peanut, because he has a top hat, a monocle, cuffs, a cane, and can do things, like dance around. All the Pringles guy has is a mustache". That's OUR dialogue, not from the movie. In other words, Mr. Peanut out-acts some of our favorite people this time around.An amazing, once-in-a-lifetime cast is squandered because they didn't have good material to work with. Ultimately, this is wasteful of the talented cast, so avoid this Detour into lameness.For more action insanity, please visit: www.comeuppancereviews.com

Danny is brought into a scheme by his trusted friend and confidant, Ziggy Rotella to steal 1.2 million dollars from a warehouse safe owned by tough mob boss, Gianni Grasso. But the inside job turns out to be a trap set-up by Ziggy's informant, Mo Lasker. The safe has already been cleaned out and worse. Grasso and his thugs show up to catch the apparent thieves. Guns are pulled, bullets fly and Danny and the gang narrowly escape a brutal shoot out. Now on the run from Grasso and his cruel son, Rosy, Danny decides to go his own way and takes refuge in his hometown of Ellenso, a place he ran away from ten years ago. This movie rocks and if you rent it or buy it, I promise you won't be disappointed!!!

I thought this was just going to be a macho movie full of shooting, explosions, cursing and loud music. But when Danny returned to his hometown for what waitress Inga said was the first time in 10 years, the movie went in a whole new direction (temporarily). The music became more mellow though not necessarily my taste. The pace of the movie became more comfortable and I found myself starting to enjoy it.After a big robbery in New York City, with the usual action,it is not clear just who has the money. Mo tells Ziggy on the phone that Danny must have it, though Mo is the one having sex on a big pile of cash. Ziggy comes to Danny's town, and he is soon followed by the boys that Grasso sent. Eventually, Grasso has to come himself, in a great big limo.Danny, meanwhile, has to deal with the death of his mother (although he didn't get the message, his return came, coincidentally, just in time for the funeral). He is left to run the family farm and the family's dairy business (he doesn't want to do either). His former girlfriend Britt has married Danny's stepbrother Burl, who is the bumbling sheriff.There is quite a bit of comedy in the second half. Ziggy and his friend are staying with Danny, but they must wake up bright and early after Mel, whose only way of making a living is running Danny's farm, is promised that Ziggy will help out. Burl also must deal with an emergency after he has decided to turn off his police radio, so the dispatcher uses a bullhorn (not realizing Burl is standing right in front of him). Mo was also funny with his date. And Grasso and his boys seem to have little conscience when they kill people. A lot of the comedy is associated with the emergency Burl had to respond to.I liked the scenes with Danny and Britt the best, as well as scenes where Danny spent time with his niece Daniella. There was also a parade near the end where Inga and Daniella were beauty queens, and that was fun too (in this type of movie, though, do you think a parade will go smoothly?). And while I didn't like most of the music, I think the music will be a highlight for a lot of people.

Raymond Martino hasn't got bad movies. I like "Skyscraper", "Da Vince's war" and "To the limit". He wrote a script to "Detour" and this one directed Joey Travolta who acted in "Da Vince's war" and "To the limit". The plot of "Detour" is very simple. Two bandits - Danny (Jeff Fahey) and Ziggi (James Russo) decided to rob a famous mobster Grasso. But they're didn't know that the man who suggested them this business,Mo (Gary Busey), has already robbed Grasso. But Grasso think that Danny and Ziggi made this. And he started to hunt for them. There aren't too much shots in this movie as in "Skyscraper" and "To the limit" but the plot here much better then in "Skyscraper"