Great Film overall

Best movie ever!

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

A first I thought this was an Allied Artists production: overblown script about the building of the titular railroad, Edmond O'Brien in the lead.... but no, it was a Paramount production, one of their A Westerns that seem overblown, despite an appealing cast, including Dean Jagger, personal favorite Zasu Pitts, Sterling Hayden (at the start of his "I'll say the line, but don't expect me to care" phase) and a spectacular railroad crash that used two actual engines. Ka-boom! Cute ingenue Kasey Rogers is spying for bad-guy Hayden (for a competing line) because she thinks D&RG people killed her brother, but she and O'Brien keep making goo-goo eyes at each other when they think the other isn't looking.I wasn't terribly impressed. It looked like a DeMille Western epic from the 1930s, but without the mythic characters, and it's too visually perfect, shot on site in the clean air of Colorado by former cameraman Byron Haskins and ace Technicolor specialist Ray Rennahan, meant to show off the the bright, accurate colors of fresh paint and clean clothes and green leaves that Technicolor could bring to the screen, like a mid-30s Warner Brothers short. I'm more interested in story and character than sheer spectacle, and the story and characters here are standard, while the spectacle (train crash aside) had all been done before. That leaves the outdoor photography around the tracks, and while the natural scenery is frequently beautiful, an hour and a half is pretty long for a travelogue. Despite the talent and effort, it winds up a pompous, overblown B Western.

Denver and Rio Grande is directed by Byron Haskin and written by Frank Gruber. It stars Edmond O'Brien, Sterling Hayden, Dean Jagger, Kasey Rogers, Lyle Bettger and J. Carol Naish. Music is by Paul Sawtell and Technicolor cinematography by Ray Rennahan.Two railroad companies battle for the right of way through Royal Gorge - with murderous results...In truth it's without doubt that the scenery on offer here, and if you happen to have any kink for olde steam trains, are what puts this in the above average department. Plot is based around real instances during the advancements of the Denver and Rio Grande railway. It plays out for entertainment purposes as baddies against goodies and as a notable observation of what some will do to get their way. There's strands involving wrongful accusations, simmering passions and a whole host of train sequences snaking through gorgeous locations. There's even some amazing train carnage, which is thrilling and more potent as it's not model work on show. Cast are fine and turning in perfs that we accept as viable for our enjoyment - with a pat on the back for Zasu Pitts and Paul Fix who are playing out a cute and funny mature courtship in the making - and all other tech contributions are safe and appealing enough.Opening with a voice over narration set to scenes of the then modern D&RG railway, before whisking us back to its formative years, this is a nice nostalgia piece that overcomes its plotting failings courtesy of big heart and ocular delights. 7/10

Denver & Rio Grande is one of those entertaining 1950's "B-plus" Westerns -- that is a "B" picture cast but top-notch "A" production values. This Technicolor oater about a right-away shooting war between rival railway companies actually qualifies as a minor classic of the genre. Not for the dramatic acting or Frank Gruber's average screen play, but because of high powered action sequences in, on, and around authentic 19th Century railroad rolling stock, all enveloped in gloriously scenic Colorado Rocky Mountain locations.Unlikely leading man Edmond O'Brien is one of yours truly's favorite actors, whether he is in a lead or a supporting role. But Eddy looks somewhat uncomfortable in his Western togs, even a little peaked at times, as if all that Rocky Mountain sunshine and fresh air disagreed with his constitution. Could be he was wishing to be back in one of those dimly lighted, smoke-filled, noir bars which were his more typical cinema habitat. A much more familiar face to the celluloid Western environment, tall, stiff actor Sterling Hayden is cast against type here as the ruthless leader of the bad guys. You may have thought Hayden was stiff in his more typical heroic roles, but as a villain in Denver & Rio Grande, he's so wooden it's difficult to distinguish him from one of the telegraph poles. Dean Jagger, as real-life railroad builder General William J. Palmer, adds a touch of class to the cast, but doesn't have much to do. He looks like he's about to go to sleep through most of the picture, but as always, he has his moments. On the other hand leading lady Laura Elliot (aka Kasey Rogers), best known for her role in popular TV sitcom Bewitched, shows a little spark as the General's pretty secretary with a grudge against O'Brien. The ever reliable J. Carrol Naish, often seen as a gangster or a cynical cop, refreshingly gets a sympathetic, clean-cut role as the nattily attired railroad construction engineer. But never mind, the real stars of this picture are gorgeous Rocky Mountain scenery and the thrilling, nostalgic steam locomotives.If the dramatic acting of the fine cast did not seem up to par, you can blame flabby direction by director Byron Haskin, who was more of a special effects technician than a director anyway. But once the action sequences start, Haskin is in his element. Denver & Rio Grande is nothing if not action-packed, and isn't that what we all love in Westerns? When the two railroad companies get serious about going after each other, they employ military tactics along with prolific volleys of (mostly inaccurate) gunfire from railroad cars to take and re-take miles of track and telegraph stations. One of the top action scenes is the actual "head-on collision of two bull locomotives", as it was heavily advertised at the time of the picture's 1952 release. The result is not disappointing, though Haskin cheated a bit with a dynamite explosion at the point of impact to make the shock of collision more spectacular. He really had to. Those old locomotives were such solidly constructed masses of steel, they could have just bounced apart without showing much apparent damage or the desired boiler explosions. By the way, as a minor point, this much ballyhooed train wreck does not happen at the climax of the movie, as stated by Leonard Maltin and others. It is one of the events building toward the climax, and it occurs quite some time before the end of the picture.Denver & Rio Grande is a nicely turned out Western. The sets are very good, though most of the scenes are filmed in the great outdoors. Costumes are true to the time, place, and occupation of the characters. Particularly impressive were the authentic looking six-gun leather and the colorful variety of hats. The chubby O'Brien liked to foster an everyman image, and he did little to improve his unglamorous looks. Here his rough working man outfit includes a floppy black hat which looks as if it has been roundly stomped on by a couple of overweight saloon floozies. But it is the trains steaming around the mountains, the water tanks, stations, piles of cross-ties, telegraphs, and other supporting railroad equipment that really grab the eye. The excellent train sound effects made all of this as stimulating to hear as to see.For all its flaws this is a highly entertaining picture. If you are a fan of exciting, flavorful Western action with chugging, puffing, hissing, clanging, whistling, steaming, smoke-belching, greasy, sooty, oil-dripping, jerking, screeching, cinder-flinging Nineteenth Century trains -- and how could anyone not be -- Denver & Rio Grande will take you where you can find it!

This film begins with some very bad narration. Not only is it unnecessary, but the guy's voice sounds very phony and it adds nothing positive to the picture. It also comes off like an advertisement for the Denver & Rio Grande Railway! The film is a completely fictionalized account of the building of the railroad. In this story, forces of evil (a competing railway) are conspiring to stop the railroad from being built. So, it's up to a tough guy (Edmond O'Brien) to make sure the line is built--and O'Brien is more than willing to beat the stuffing out of anyone who gets in his way....or shoot him! He's one of the most pugnacious characters I've ever seen O'Brien play--a man who has all the patience of Bluto! Early in the film, two evil guys working for the competition attack O'Brien*. And, one of them (Sterling Hayden) shoots at O'Brien and accidentally kills his partner in crime--and blames O'Brien. Well, although O'Brien is acquitted in the case, he's lost his confidence and spends the next 15 minutes in the film coming up with excuses NOT to return to his job. Eventually, however, he does and it's back to punchin' and scrappin' to make sure the men do their part. As for the baddies, they dynamite the hills, rob the payroll and do lots of other things to disrupt progress.Now into this mix is a clichéd woman--a woman who KNOWS absolutely nothing but seems to think she knows everything. She and O'Brien instantly HATE each other--therefore you know they'll be in love by the end of the film. Another woman (Zasu Pitts) is in the film...for no discernible reason whatsoever. Pitts, I think, MAY have been intended as comic relief--but all her scenes had nothing to do with the plot and she's more an annoyance than anything else.So it any good? Well, not really. But the film has very nice scenery and my uncle (who watched the film with me) said this line makes a terrific trip--as he's done the trip from Silverton to Durango. So, at least we got to talk about how pretty southwest Colorado is...though we both got a bit bored by the clichés and silly writing in "Denver and Rio Grande".*By the way, although I love Edmond O'Brien films, the idea of him beating up TWO guys (one of which is the humongous and well-muscled Sterling Hayden) at the same time is quite laughable. In fact, I remember chuckling through this silly scene.