ridiculous rating

People are voting emotionally.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

A carnivorous reptilian humanoid brute of local legend (played by some poor zhlub in a laughably hokey and obvious rubbery suit) terrorizes a tropical resort after fishermen using dynamite awaken it from its many decades of slumber. It's up to fetching herpetologist Annie (an appealing turn by the fetching Kathyrn Witt) and skeptical no-nonsense sheriff Keefer (a likable performance by William Steis) to kill the bloodthirsty beastie. With fumbling (non)direction by Cirio H. Santiago, a plethora of dippy dialogue, a meandering narrative, poky pacing, infrequent and flatly staged monster attack set pieces, mild cheesy gore, zero tension or spooky atmosphere, loads of exotic local color tossed in as complete filler, and a priceless rousing conclusion with a commando unit of army guys opening up a king-sized barrel of raw hurtin' on the creature, this amusingly silly and schlocky piece of pure celluloid flotsam sure ain't remotely good, but still manages to be pretty enjoyable and occasionally quite sidesplitting in its hopelessly blatant ineptitude. The cast struggle gamely with the incredibly inane material, with especially admirable work by Laura Banks as bitchy and greedy resort owner Cahill, Frederick Bailey as obnoxious and opportunistic journalist Ike (Bailey also came up with the extremely asinine story), and striking blonde hottie Leslie Scarborough as vacuous pin-up model Gabby (the luscious Leslie removes her shirt and bares her beautifully bountiful breasts for the flick's yummy obligatory gratuitous topless scene). Ricardo Remias' bright cinematography gives this picture a slicker and more attractive look than it deserves (the effectively moody fog-shrouded nocturnal scenes are quite impressive). Ding Achacoso's shivery and syncopated score does the funky trick. A real tacky hoot.

Mmm… the poster artwork looked alright; too bad the feature didn't draw out the same excitement. 'Demon of Paradise' isn't the complete pits, but for most part is quite an flatfooted cheapjack co-American/Philippines monster feature, which treads water for too long and then amusingly erupts in the unimaginative final quarter. Philippine exploitation director/producer Cirio H. Santiago ('Cover Girl Models', 'T.N.T. Jackson' and 'Naked Vengeance') manages to keep you fascinated, but I don't know how. Maybe it's those cheap looking explosions. Yeah it could be. Caused by no other than the creature? No really it's plain stupidity. I don't know why they want to destroy it. I could've sworn when it's bobbing out of the water it likes to wave (not clawing), asking to jump in so it can hug you to death. But wherever it is about, for some reason there's dynamite and then explosions seem to follow. Maybe the director was adding those bangs to wake-up the viewer from the miserable dialogue exchanges and mainly limp acting. One scene involving a helicopter and the creature efforts to get up close for a ride is embarrassingly shonky. No wonder why he went all out in the final twenty minutes, but this creature could've been mistaken for a machine since all of the punishment it encounters and still it doesn't bleed. Where's Arnold Schwarzenegger when you need him. But more than one grenade thrown at the same time will get you a result. BOOM! Really there wasn't enough buzz. Everything here is a cut and paste job with the story lazily mixing 'Jaws (1975)' and 'Creature from the Black lagoon (1954)' together. The prehistoric underwater monster (formed by some superstitious groundwork) is a lousy looking rubber suit, and the rest of the make-up FX is quite tatty. Performances come across rather drab, but Laura Banks, Frederick Bailey and especially Leslie Scarborough kick up plenty of spruce. The music score was painful.Pointless trite, but watchable.

Some fishermen using dynamite manage to blow themselves up and an undersea lizard man starts attacking people. Stuff blows up every once in a while.A woman decides to promote her resort in the area of the monster sightings to people into the Loch Ness Monster, the abominable snowman, and the yeti. She hires an obnoxious reporter as her PR man. A bunch of people do show up. She has a monster egg hunt, and there's no payoff for this: we see the hunt begin, but do not see them find either the egg she hid, or a real monster egg (if there were any). The hunt starts, and then all of a sudden it's nighttime.One woman takes her top off and goes swimming. She has a nice figure. Nothing happens to her, which is OK, but there's not even any suspense in the scene.At one point the monster somehow jumps up out of the water, grabs onto a helicopter, and pulls it down into the water. This was pretty hilarious. Then the copter predictably explodes.Inexplicably, the monster is bulletproof. Grenades, however, are capable of decapitating it. Is there more than one? You'd think so, but I don't know.Not worth watching at all. You're much better off with the Creature from the Black Lagoon series, and Humanoids from the Deep. The back of the video box states "Come along on this tour and get it all., plus an unadvertised bonus: 84 minutes of monstrous terror." If the movie is 84 minutes long, how is its running time a bonus? If it is advertised by that blurb, how is it unadvertised?

Someone wakes me up when something starts happening. Otherthan Kathryn Witt's form fitting 80's jeans I see no reason to botherwith this stinker. Seems to have been fashioned as an excuse toshoot a bunch of footage with one of those helicopter enginepontoon swamp boats & discussion scenes at a Hawaiian touristresort during an off-season winter lull. I also love how thehero/heroine are thrown out of the resort one scene & the nextthey go back to have a drink. THEN they get thrown out again, andare back four scenes later since that was the best set they had.I love low budget horror trash as much as anyone else, butsomething ought to happen every once in a while, and if you aregoing to have an attractive woman play a herpatologist in a horrorfilm she had better be seen at least topless & getting far more outof her career than she bargained on, or you have blown it.As for the monster suit, heh, I thought it was kind of fun to seesomeone not even bother to make something that looked "realistic" -- Kind of like Lamberto Bava's MONSTER SHARK, butwithout any point to it & lacking that movie's ridiculousentertainment value.Best line: "It takes two to mate." [Flushing sound]