Stylish but barely mediocre overall

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Charles "Charlie" Prince (Daniels) is a Hong Kong cop who travels to L.A. in order to bring arch-criminal Chang (Mann) back to his home country to face justice. The tenacious Prince will stop at nothing to achieve his goal, because the arrest of Chang is personal to him. His "cowboy" attitude initially rubs his temporary partner Jenson (McLeod) the wrong way, but naturally they learn to work together. Naturally both men are Martial Arts masters, which surely is a coincidence. Somehow Prince finds time for romance with Diana Tang (Byun), but Chang and his army of goons are going to prove difficult to stop: their criminal network is vast and their firepower is huge. Will Prince and Jenson finally achieve their goal? While Deadly Target has all the hallmarks of mid-90's PM that we've come to know and love, such as constant Martial Arts fights, mindless shooting, car chases/cars flipping and blowing up in the middle of the street, exploding helicopters, and more mindless shooting, an element seems to be missing here. It's not in the top tier, with movies such as Rage, Last Man Standing, Recoil and The Sweeper, and it doesn't have the nutty/wacky factor of Wilding or Night Of The Kickfighters but it's a serviceable outing nonetheless, most likely, once again, because of the charm of Gary Daniels. While we've seen almost all of Ken McLeod's filmography, somehow Daniels always steals the show. The presence of Susan Byun as the love interest was basically pointless, but if not for her, there would be almost no women in the whole production. Max Gail as Captain Peters was the classic WYC (White Yelling Chief) - too bad they couldn't get his lookalike Peter Boyle to do the role. Ron Yuan, Aki Aleong, and Al Leong fill out the cast of familiar faces and names (well, if you watch a lot of 90's DTV action product).While that comfortable feeling of "dumbness" is achieved very quickly, what with Daniels beating up many people while wearing a leather jacket in an extended fight scene early in the film, during that same sequence, not only is there mindless shooting, but it looks like GENERIC shooting! It looks like footage of a guy shooting a machine gun that could have been taken from any source was spliced in to fire mis-matchedly at Gary Daniels. We're not saying that's the case, but director Driver should have taken more care to make sure it didn't look that way. But on the other hand, it's really funny and we laughed, so all's well that ends well. Interestingly, while Charla Driver has served in just about every capacity a person can while working on a film during her years with PM, this is the only movie she directed. Maybe that's why the vibe is a little different, while all the main elements of PM are present and accounted for.At least during the fight scenes, there appears to be some sort of baby powder on people's heads, so when they get kicked or punched, the light picks up the flying particles. Also, while many movies have the time-honored sax on the soundtrack, Deadly Target bests them all by having a live sax player. Not only did he provide the smooth jams, but we can actually see what he looks like. Additionally, Gary Daniels proves once and for all that you've achieved true awesomeness as a human being if you can wear a vest with no shirt underneath as casual, everyday wear. Your body, your muscles and your confidence level must be so unimaginably high, you can pull it off. See also: Lorenzo Lamas. Finally, there's an old Chinese gangster in the film named Mr. Zao. Presumably his first name is Po Po and he was named after the classic Kevin Federline song of the same name. Yes, the old man was named after the song. Not ridiculous at all. Think about it.In the end, Deadly Target does provide all the kicking, punching, shooting, Gary Daniels, and blow-ups that fans want, but lacks that little bit of extra something to tie it all together. It's still worth seeing though.

"Deadly Target" is overall about as bland and generic as its uninspired title. To be fair, there are a few good things in it. The production values are pretty good; the movie looks glossy (thanks in part to photography by PM Entertainment honcho Richard Pepin), nothing looks particularly cheap, and the lighting gives the movie a moody feel. Also, some of the martial arts fights are not bad. Not up to fights in Hong Kong movies, but still fairly exciting. However, the movie's other action sequences (car chases, shootouts) come across as really flat and unexciting. Part of this is due to the really tight feeling of most of the movie, with the camera jammed up close instead of stepping back and letting us see everything. But the real problems come with Daniels' character. His character is kind of a pr*ck in several scenes, making it hard to warm up to him. Also, after the first twenty-five minutes, Daniels' character does next to nothing towards his pursuit of the bad guy for the next fifty minutes! The movie may not be totally free of merit, but it should only be seen during a boring weekend - make that an ESPECIALLY boring weekend.

I saw 'Deadly Target' in a hotel room in Zhuhai, China. Evidently, Cinemax Asia has no budget for films that have been made by anyone actually in the film business. 'Deadly Target' is an instant classic for those of us who are connoisseurs of terrible films. The name itself is a give-away as to what is in store: atrocious acting, directing, writing, fighting, etc. etc. 'Deadly Target' may be the actual nadir of film possibilities. I loved the train-wreck of it all. The best part is that the usual homoerotic undertones of buddy-cop movies are so misplaced in this film that the sexual chemistry is hotter between the mismatched police 'partners' (pun intended) than between the pseudo-Adonis Aussie and his unattractive female Asian lover. It would have made a great gay-friendly comedy. Sadly, we have one less good comedy and one more crappy Cinemax hotel offering.

Not as good as the later Gary Daniels/PM movies, but still decent. The fight scenes are good, though it is obvious that no contact is made a few times. A decent car chase, a cool hero in Gary Daniels, and overall good and plentiful fights make this worth at least a rent. The guy that plays Gary's partner is an impressive fighter.