I like the storyline of this show,it attract me so much

Great Film overall

There are better movies of two hours length. I loved the actress'performance.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Let's see, a bunch of unlikable characters doing unlikable things. Throw in an absurd story line, and you have a loser of a film.There wasn't a single character I cared about or had any sympathy for, including the "hero" of the story. Even as a "B" movie, this was bad. With so many other movies out there, please, don't waste your time on this one. Why it got made is a mystery. Why it failed so badly at the box office isn't. It got limited release in theaters, and was on disk 5 weeks later. That should tell you something. As does the 0% critic score and 9% audience rating on Rotten Tomatoes.Need I say more?

John (Scott Eastwood) is from a poor surfer family. His parents, Shelia (Rita Wilson) and Trick (Jeff Fahey), run a struggling surfing shop. His brother Ben (Chris Brochu) catches his girlfriend Donna (Kim Matula) with Miguel. Later, John finds Ben shot dead in the head on the beach. At a later time, John is a Marine in a foreign desert held prisoner by an Arab woman. The flashbacks reveal a tale of revenge, deceit, betrayal, guilt, and dread.The story is a grinding muddle. Scott Eastwood may be more photogenic than his father but lacks his inner intensity. He doesn't have the charisma to take over a movie. It could still work as a harden family crime drama but the future story takes away whatever tension is left. Once the reveal is done, the movie struggles for another half hour. Then there is a final twist which only leaves the story feeling silly.

If you've seen the film, this review is for you. While Dawn Patol is a flawed film, it's an ambitious attempt to explore serious and universal themes, set against a backdrop of the wars in Iraq and Afghanistan and the economic meltdown of 2008. The themes include racism, sexism, parenting, what it means to be loyal to friends and family, the search for purpose and the sense of alienation, connection with others and the search for self-identity. Most of the action revolves around Scott Eastwood's John, who has a problem connecting with his parents and who doesn't have a girlfriend (while his brother Ben has sex with every female within his eyesight). He lives with his parents and makes a meager living repairing surfboards, although he's doing arguably better than his father and his father's friends, who have lost their jobs in the recession. The problem with the movie is a script with situations and dialog that veer into territory that is unintentionally campy. The editing is less less than stellar. As a result, there are some facets to the story that are probably going to be overlooked:The film title has a triple meaning. It refers to a military patrol, to surfers who hang out with each other in the morning while waiting for waves, and to the early morning discovery of the dead brother Ben, the budding surfing star and golden child to his parents, on the beach.The location of the movie takes place in the water, on the beach and in beach towns, except for one out-of-joint scene when John, is supposed to be in Afghanistan. The scenery, though set within sand dunes, is obviously the same scenery used earlier in the film for the beach, particularly late in the film. While this may look like an expedient way to portray a desert-like setting it's also a metaphor linking cultural warfare to physical war: John is a fighting the same battle, whether at home with his parents or in a far away war at the behest of the government, a battle that pits the desire to find self-identity with the need to connect with with someone or something larger than himself. The underrated actress Julie Carmen plays a pivotal role as the mother of the slain Miguel. Eventually she's revealed as a wealthy, enigmatic, potentially criminal Hispanic living the good life. It's a life in a house behind gates that are the bars that lock her into a prison of her own making. She also serves as a counterpoint to the stereotypical low-life Mexicans we see at the start of the film, where John is hanging out with his father and Ben.She puts on clothing meant to disguise her identity (presumeably in case she decides to kill John). She morphs into someone else: a Middle Eastern woman, who, like an aggrieved Muslim, insults John by striking him with her shoe. And where do Mrs. Rivera and John find themselves when he reveals he killed Miguel? On the same sand dunes at the beach that also served as the stand-in for Afghanistan.By the film's end, John's search for his own identity, for acceptance by his parents and for a deep connection with someone else has led him, sadder and wiser, to the place where that search began, a state of alienation.

I was so impressed with this effort that I finally signed up for an IMDb account just to write this review. Bravo for all except some military mistakes with the wardrobe. In the scenes where he is wearing the dress alpha, the green coat has hash marks on the sleeve. Hash marks are worn only after 4 years of service. Hash marks are added every four years of service thereafter. Later dialog reveals that the son had been missing just over a year when the funeral took place. Also, I wasn't clear how his hand got bloodied. But these are minor details to an otherwise high quality production. I am looking forward to more products like this. Thank you for sharing your art.