Purely Joyful Movie!

How sad is this?

Awesome Movie

There are better movies of two hours length. I loved the actress'performance.

Dark Intruder is directed by Harvey Hart and written by Barre Lyndon. It stars Leslie Nielsen, Gilbert Green, Charles Bolender, Mark Richman, Judith Meredith and Werner Klemperer. Music is by Lalo Schifrin and cinematography by John F. Warren.A murderous fiend is terrorising San Francisco 1890, so supernatural expert Brett Kingsford (Nielsen) takes special interest in the crimes.A pilot for a TV show that wasn't picked up, Dark Intruder is a whole bunch of spooky fun. Clocking in at just under an hour in length, the pic makes up for what it lacks in mystery inventiveness, with sheer schlocky shenanigans. Moody courtesy of the period setting, complete with lots of fog, shadows and gaslights, the narrative indulges us in gods, oriental mysticism and Sumerian demons, whilst a dwarf, a sinister fortune teller and a mandrake plant all add quirky qualities to the play. There's even a kicker at the finale, so as to not rest on its laurels.Recommended for sure. 6.5/10

Strapping bon vivant in gaslight San Francisco (played with self-amused assurance by Leslie Nielsen)--an apparent specialist in demonology--is called upon by the police commissioner to help with a serial killer case making headlines. It seems the cloaked strangler stalking the fog-enshrouded streets leaves behind a gargoyle head with his victims, causing the detective to think demonic possession may be involved. "Dark Intruder" (awful title!) isn't really an occult thriller at all; the explanation of the mystery (delivered in two parts!) is actually more outlandish or absurd than supernatural. Meant as a TV pilot (with a 59-minute running time), the movie is sloppily-directed, over-decorated and features numerous genre clichés (a brazen claw clasping a railing after our hero has walked passed, the shadow of the monster looming over a door, etc.). However, Nielsen is good, the sound effects are creepy, a fight scene at night is well-staged, and there's a decent (if familiar) visual at the end featuring an elaborate make-up effect. Charles Bolender (as Nielsen's impeccably-dressed little person manservant) is a terrific addition, but Judi Meredith's nervous bride-to-be is useless (and she sounds dubbed to boot). Not terrible, but really only for curious thriller-buffs. ** from ****

This fast-paced film breaks no boundaries, and yet remains a solid little chiller-thriller with an amusing central performance from Leslie Nielsen. This is one of those films which they just don't make anymore, an old-fashioned thriller in which Nielsen and his friends try to work out the motive of a murderer and stop him killing again. It's all very conventional, and yet there is something about it which raises it above average. Perhaps the atmospheric scenes of a shadowy mutant stalking about in the shadows, murdering people, which brings to mind one of the better versions of Jack the Ripper. Or maybe it's Nielsen himself, who brings a lot of comedy to the film, perhaps practising for his later roles as a comedy star in hits like the NAKED GUN films.Here, Nielsen plays a character who acts like an American Sherlock Holmes, although this man's identity and history is never revealed to us (this was to be the pilot for a never-made television series). His character isn't very well developed, which is probably a flaw in the script instead of with Nielsen's light performance. I mean, he keeps on disguising himself as to protect his identity, but for what reason? If Nielsen's character had been fleshed out a little more it would have given us a stronger lead to identify with - as it is, we don't really feel or care for him throughout the film.The plot keeps us guessing by dropping clues in every ten minutes or so (the film only runs for an hour, so we never have long to wait), and even draws in some occult science - including a horrible statue, made with flesh and bone, which feels "hot". The twist ending is surprisingly downbeat, and all the more effective (although Nielsen's closing jokes seem to be rather misplaced). The makeup for the deformed killer is quite good, and there's a wonderful transformation sequence where a man dissolves from being handsome into a clawed fiend. The violence, unfortunately, is kept strictly offscreen, although there are a couple of fight scenes which involve Nielsen getting scratched by the killer's clawed hands.Mark Richman is very good in a supporting role and reminded me of a young Charles Dance - his blackouts here are especially unnerving, when we don't know what they mean. The only false note is with the insubstantial female lead, who literally does nothing for the film's short running time except scream occasionally. A sign of the times. There's even a dwarf servant in there for good measure. This light, easy entertainment is never made anymore, and I really do miss it after watching films like this. DARK INTRUDER is an engaging, and best of all, fun thriller, an oddity which deserves to be tracked down.

As a second feature in 1965, this arrived with little fanfare and was probably dismissed by most viewers. Since it was a discarded pilot for a series called " The Black Cloak'' that was never picked up, the studio probably figured they could a make a buck or two on it. But then when people saw it they realized that like the 1966 Chamber of Horrors ( which had some similar plot elements) , this was a little masterpiece of moody economical horror. Mark Richmond and Leslie Nielsen are terrific as the villain and hero. The creepy black and white photography is atmospheric and the tone is one of dread and impending doom. I saw this once in the theater 41 years ago and I would love to see it again. Why not release this on DVD ?