the leading man is my tpye

terrible... so disappointed.

Just perfect...

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Troubled police officer Gabriel Goodman (a solid and credible performance by Jon Bennet) finds himself trapped in some kind of bleak apocalyptic world. Several other folks help Gabriel out as he makes a harrowing descent into the abyss. Writer/director Douglas Schulze eschews graphic gore and cheap scares in favor of carefully crafting a extremely dark, eerie, and enigmatic atmosphere which becomes more increasingly grim and despairing as the narrative unfolds towards a truly startling and devastating surprise bummer ending. Moreover, Schulze makes inspired and effective use of familiar gospel songs and delivers plenty of disturbing religious-themed visuals (the shots of empty and abandoned city streets in particular are quite unsettling). Christina Sheldon makes a haunting impression as Gabriel's pregnant wife while Jeff Boerger cuts a freaky and frightening figure as a menacing Dark Angel. Bob Stewart's shivery score hits the spine-tingling spot. The crisp widescreen cinematography by Steven Oatley and Robert Skates provides an appropriately moody look. However, it's the stark presentation of the simple premise which gives this picture an extra jarring and unnerving edge. Recommended viewing for fans of out of the ordinary fright fare.

"The end of the world is the harvest, and the angels are the reapers". Matthew 13:39.With this caption starts the movie. However, this Bible quote is taken completely out of context. Because Matthew 13:40-42 says: "What you are about to see will make 'Men In Black' seem like 'Gone With the Wind'. Have fun." An Italian-looking cop finds himself as the only man left on Earth. (Well, maybe not the last man, but certainly the last big-nosed cop.) We are instantly reminded of classics such as "Quiet Earth" and "Omega Man", except, of course, that these movies weren't made by people who normally do porn during their office hours. The cop sees that the streets are deserted - and I had to wonder at this point how the hell this low-budgety little film's director managed to shoot deserted street scenes! That stuff isn't exactly cheap or easy to film. Maybe they gassed whole neighbourhoods, dumped the sleeping inhabitants into special Z-movie containers, and then did a quick take before the real cops (the Irish-looking ones) smelled something was fishy.Anyway... Our brave cop turns out to be an atheist who used to be a believer, hence we know he must be: 1) punished for being an atheist, and 2) converted back into believing. But before this can happen, he needs to go through a series of chilling scenes that should have you trembling with horror. He meets all sorts of badly dressed demons, angels and dull men, while scenes weave into each other with elegant ease. The editing is masterful. It is sublime. It is pastiched-together with the kind of glue one gets for free in school, but the result is some damn thing to behold! These demons are just as dull as the humans he meets, but at least the humans will talk to him - even though he's a cop - which is more than can be said for the angelo-demons, the arrogant uncommunicative bastards that they are, who seem to be playing a very, very clever game of hide-and-seek with our confused cop. (Though not as confused as us viewers.) He only gets to see glimpses of them, but they disappear before he can arrest them for bad costuming. At one point our cop finds a demon getting ready to decapitate a hu-man, and guess what the cop says? "Police Officer, drop your weapon!". That's my favourite scene. Why? Because the director so cleverly shows us that the cop still has his sense of humour intact, in spite of the awful predicament he found himself in - which I think is a very powerful message to make. Telling a demon to drop his "weapon", so that he'd avoid an even bigger jail term when charges of first-degree manslaughter are brought in, also shows the cop's compassion for all the demons of this world. He doesn't like them, of course, but he would like to prevent them from ruining their mortal, brief lives with a 25-ta-life kind of prison term.After that, there's more hide-and-seek, some flashbacks with a vaguely cute blonde that both dies and loses the cop's baby at birth in a badly managed hospital with only three staff members; there are many more scenes with innovative editing, and some more demons teasing the cop to try and find them in this maze that is called "Dark Heaven". In an earlier scene, a demon-angel tells the cop "Follow me!", but the cop fails to follow him well enough, hence doesn't catch him. That was just one of many rounds that demons and angels won against the hapless cop in this bizarre game of "catch-me-if-you-can".In the end, two demon-angels fight each other over something the director forgot to tell us about. The winner in this CGI-extravaganza of a duel is - SHOCK! - not a demon but the film's priest! This soooooo came out of left field. Congrats to the writer/producer/director, One called Schulze (THE One), for including all these totally unpredictable plot-twists. However, even this twist paled in comparison with the amazingly original and TOTALLY UNEXPECTED it-was-all-just-a-dream end-scene. Schulze is a visionary, that much is certain. I'm sure every woman who sees this film (i.e. all 8 of them) will want to have his babies when they finish watching the film. Let's just hope they can give birth in a better-equipped hospital than the one in DH...On a less serious note, the movie has a great soundtrack. Like porno music mixed with New Age meditation music mixed in with an amateur black metal Norwegian Satanic cult chanting "oooooooo". The look of the movie is terrific, too: you might be reminded of home-video footage you made while drunk at your last year's family reunion. The plot is complex; in fact it is so complex that only one man on Earth - and I think we can all agree none of us would mind if he was ever to become last man on Earth - can understand the plot and that is of course the movie's brilliant creator, Schulze. The One.Have fun.(Sick and tired of Euro-trash "classics", i.e. bad, overrated dramas? E-mail me if you want to read my totally altered subtitles of Ingmar Bergman's "Autumn Sonata", "Cries & Whispers", or "Passion Of Anne", but also the non-Bergman "Der Untergang".)

The first thing I noticed about "Dark Heaven" is that it probably would have made a decent "short film". It has that short film fest feel to it, and most likely would have scored well as such. The cinematography was above average, with gloomy shades of color through out, but the "special effects" were border line ridiculous. Director Douglas Schulze tells a believable story, although we've seen it all before (think: "Jacob's Ladder") and the acting is below average at best. If Schulze would have re-thought the final "showdown" scene between "good & evil" and left out the overly cheesy "slo-mo" battle, I'd bet he wouldn't have received all the horrible reviews. If nothing else, this film should be an inspiration to young film makers around the world, because if this can get distribution... Anything can.

Caught this flick the other night. Instantly captured my attention from the opening moments and has stayed with me every since. Powerful scenes done with what must have been a limited budget. No real recognizable actors (although I've seen the cop before). The girl who plays the cops wife is HOT! I like how the story was about something and not just a senseless slasher type movie. I would have liked to have seen more of the angels - they were the highlight next to way the camera was used. Definitely a cult classic in the making. I would highly recommend this film to all those looking for a cool low budget movie.