Dark Blue Almost Black
Dark Blue Almost Black
| 24 March 2006 (USA)
Dark Blue Almost Black Trailers

Jorge is a young man whose plans for the future are put on hold when his father has a stroke. For seven years, he diligently nurses his father and works as a janitor while studying part time to get a business degree.When Natalia, his childhood crush, returns from a stint studying abroad, Jorge begins to yearn for something better. He is desperate to find a new and better job, but finds that no one will hire him because he has experience only as a janitor. Antonio, Jorge’s older brother, soon to be released from jail, is an opportunist who has never gotten along with their father. In prison, at a theater workshop, Antonio meets Paula, a beautiful young woman in jail on drug charges. Paula has a problem because she flirted with another inmate's boyfriend.

Reviews
CheerupSilver

Very Cool!!!

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Steinesongo

Too many fans seem to be blown away

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Redwarmin

This movie is the proof that the world is becoming a sick and dumb place

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ClassyWas

Excellent, smart action film.

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Claudio Carvalho

After a prank followed by an argument with his father, who is the janitor of the building where they live and wants his son to follow his profession, the teenager Jorge (Quim Gutiérrez) witnesses his father having a stroke. Seven years later, Jorge is graduated in management with self-study, but he is stuck in life, working as janitor and taking care of his handicapped father. Jorge seeks a better job in the area he graduated, but he never lies about his duties as a janitor and the health of his father in the interviews; consequently he does not succeed in getting a new job. When his childhood girlfriend Natalia (Eva Pallarés) returns to her apartment after finishing college, Jorge has an inferiority complex but they stay together. Meanwhile his older brother Antonio (Antonio De la Torre) is in jail and falls in love for the inmate Paula (Marta Etura), who wants to get pregnant to be entitled to move to the nursery and escape from the violent mates. When Antonio finds that he is infertile, he asks Jorge to help Paula to get pregnant. Meanwhile his best friend Israel (Raúl Arévalo) discloses a secret about his father while snooping the building on the other side of the street.'Azuloscurocasinegro" is a sweet and very pleasant movie with a good and original story, but the conclusion is weak. Most of the characters are somehow prisoners: Jorge in his mediocre life; his father on the wheelchair; Antonio and Paula in jail; Israel with his dysfunctional family in his father's house. Natalia is her past relationship with Jorge. The lead character Jorge actually lives in a limbo, stuck in his guilty and inferiority complex with his father. This is the second great work that I see of the gorgeous actress Marta Etura, unfortunately unknown in Brazil. She is an excellent actress and I love to see her beauty and charm while acting. My vote is eight.Title (Brazil): "Azul Escuro Quase Preto" ("Dark Blue Almost Black")

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Balazs Csaszar

I tend to go and see quite many Spanish movies these days. There are more and more reaching the theaters of Budapest, which means the demand for them must have risen. No wonder, since they are very special in the aspect that they can deal with dramatic, sexual and tense situations with ease by always splicing a good deal of black humour, some playful and lovable credulity even into the darkest of plots. However, Darkbluealmostblack stays very stark and grave even with the efforts of trying to tune it down a little bit with a few honest laughters and gigs. A young, shy but capable adult having to take care of his crippled father from virtually no money while his brother is in prison trying to strike up a relationship with a female inmate who only needs somebody to have a baby with is just a little too much misery crowded in one tiny spot of the world. And this is just to start off with. Daniel Sanchez Arevalo took it way too seriously this time making the movie really turn from dark blue to black. It is definitely not going to light your day up. So, be careful with choosing your company for this one.

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Seamus2829

Make no mistake about it, this first feature by Daniel Sanchez Arevalo is one to seek out, if you've long admired the films of Pedro Almodovar. It mostly deals with a group of Spanish twenty-somethings, who are hemmed in by life in one way or another. The characters seem to move through life, getting by not always with the best methods, but surely the best intentions. Without revealing much, there is one character that plays wet nurse to his invalid Father (victim of a stroke years earlier,after a Father/Son argument), a ner-do well Brother in jail for a crime that is never made known,his girlfriend he meets in theater studies,who he wants to get pregnant so he can get out of prison earlier,and a host of other oddball characters. The film gets good use of indoor photography,with certain colour schemes being used as a visual metaphor. There are other things I could reveal, but won't spoil the fun. Although the film has been picked up for American distribution, you'll probably have to do a bit of searching out for it.

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Flagrant-Baronessa

Jorge (Quim Gutiérrez) is stuck in a dead-end job and with an unrequited long-term love for the girl next door. His father has suffered a stroke and needs constant supervision, which Jorge alone manages. His brother is in prison. His best friend is contemplating his sexuality. In short, he is the epitome of a "nice guy" – the kind who is too nice to lie, cheat or think in even remotely self-serving paths. In Arévalo's directorial debut, we are offered a slice of his protagonist's life – to no discernible end, but still a worthwhile watch.The latter can best be attributed to the film's preference of continuity to climaxes. It offers next to no culminations, 'key' scenes or satisfying plot development and instead presents a highly low-key story that takes a gentle yet unflinching look at a young man's life. Quim Gutiérrez is handsome, affable and intrinsically good as Jorge, giving a sweet little performance that is just a smidge to humourless to wow the audience or even go the extra mile. None of the other actors are particularly noteworthy, although Raúl Arévalo caters to the comedy part which undoubtedly elevates the whole film above generic drama formula. Make no mistake however – it is no comedy.Azuloscurocasinegro is also one of the calmest films I have ever seen. seen. It is neither boring nor slow, but the pacing is peaceful and there is an underlying tranquility in the seamless intercutting of scenes, without resorting to dreamy cinematography or soothing nature shots. I suppose that is another way of saying not much happens in it, which is certainly quite true, but there is some emotional poignancy to be found, some sex scenes to be 'enjoyed' and above all remarkably insightful dialogue to be shared. It delivers little gems by the bucketload, puffed full of actual wisdom – best of all, it never feels forced. In the end, Azuloscurocasinegro is quite forgettable, but a sweet viewing nonetheless.7 out of 10

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