Plot so thin, it passes unnoticed.

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

Exactly the movie you think it is, but not the movie you want it to be.

First of all, my respects to all the people involved in this short filmed movie and especially to Nicole Conn for her brilliant idea. Never have I seen a story expressed through a standalone picture, so well. The narration was almost dreamy, the poems used were ecstatic especially Dowson's tormented poem for his only lost love...Cynara. The photography was beautiful and I have the feeling that being a bit blurred was the fault that made it so beautiful. A perfect one would be so unrealistic... I mean we don't watch Star Wars here, but a confounded love story. The costumes and the set were a delightful thing to watch addressing the Victorian era perfectly (one cannot argue if have read Jane Austin, Sarah Waters, or watched BBC adaptations of this era). The cinematography was intoxicating…. from where to start and where to finish. The story is as simple as you could ever imagine being. Two women meet in an ocean inn and start to share each other company… a sculptress and a writer. Both seem to be unsatisfied with their life. Cynara( the sculptress) is isolated in this place many years feeling lonely and bored and one might guess why her family sent her away( is it because of her homosexuality that her aunt knew? And was not something to talk about openly at that time). The writer was a tormented soul that was seeking peace within her (that's why she left Paris). These two characters instantly hooked. We see them enjoying playing chess, talking, walking, horseback riding in the beach. It must be noted that the horseback riding added so much value in this movie. Actually all the romance and flirting was expressed through these scenes. The fantasies that each woman had were fantastically shot. The two actresses portrayed wonderfully through their body and face expressions the transition from friendship to desire. The chemistry was so powerful and strong that one could characterize it as volcano explosions. The love making scene was utterly intoxicating and surely to say the best love scene ever filmed between two women. This short filmed movie can move free spirit minds and can even shake the quake and wake the life of conventional ones. Even if I am straight up to now because you never know in this life, I say that there is absolutely nothing wrong with love, passion and desire between women. By all means this movie is not soft porn as many claim to be…. And to be honest I enjoyed more the first 30 minutes than the love making scene. It's a pure drama romance that deserves to be watched especially from people who live for the moment. The rating is very unfair and unjust. Hopefully this movie will not apply to a specific audience as it is design to be. Personally I would love to see such projects coming out.

A very short movie indeed. Have to be honest here, but the first 30 minutes is terrible, no continuity or direction at all. Its like, its been put together piece by piece/frame by frame. You can see the love story evolving, but you can see easily that its staged, until...... the love making scene. This saves the movie, and save it, it does. It is beautiful and very well done. Its so well done, its not necessarily acting, cause the kissing especially is full on and you see tongues inside mouths, etc, and kissing each other breasts and full on nudity. Its explicit, but the 2 women are very beautiful too, which is better. If you are into erotic lesbian stories, I truly recommend it, but skip the first 15/20 minutes...maybe...

Criticism first: I did not know what to expect as I was given the DVD, so I was a bit run over, foremost by the fact that it was only 40 mins long. Being a photographer/writer myself I am maybe even too critical. The idea was/is brilliant and timeless, BUT: it would have deserved a better quality (meaning the film material), much better editing (a lot is lost with sudden cuts, music bisected etc), better tuning of voices & soundtrack so the 2 do not destroy one another. I was pretty irritated by the soundtrack at first because it was simply too loud over the voice-overs. The Praise: as said above, the idea is fantastic. The poetry used is delicious, and even Conn's own is very good, seamlessly interspersed with Byron and Dowson: A-plus. The costumes were beautiful, a lot of variety in so short a feature, detailed perfectly down to the jewellery of the period. Have a look at all the jackets/cravats on Hellman and the dresses on Nemeth. The cast! I have never before seen 2 such beautiful women paired in a film. On the one hand we have Nemeth's utterly feminine beauty, full curves, delicate face, all so befitting for the role she plays. On the other, we have Hellman's sculpted, lean, muscular perfection, crowned by her face. Unfairly to Nemeth, someone so stunning she would put Greek Gods to shame. Together, a perfect pairing for the girly heroine and the Byronic hero. Dreamy. Chemistry enough.The scenes: Conn obviously wanted to fulfill as many fantasies as she could get into under 40 mins. Again, the idea with the clay and the whole b&w vision is brilliant, as is the quoting of the poetry. Horseriding on a beach, already great: seeing Hellman ride, greater! (She could ride; kudos to Nemeth's horse, because she couldn't - mine would have trampled her) Seeing both together barebacked on one horse, what more could anyone ask (Isn't that also a male fantasy?). The chess scenes, fountain etc are also nice; another great scene is the "dream" scene on the revolving stand (ahem: it would have been so much better if that one had rotated smoothly and if it had been cut so one does NOT see what it is) Again, undoing of tight stays & corset is about as Victorian fantasy fulfilled as there is. Another thumbs up. I would have found it more romantic/realistic if they had actually undressed each other instead of a cut from fully clothed to shedding a morning robe fully naked. Hm. The love scene was especially in the beginning more sweet than arousing, I found the choreography a bit off. Too artistic there, maybe. Due to the fact that they later inter-cut several different scenes and patched like a quilt, it lacks a bit of flow, continuity. Some awesome material there, though. Brownie points for being looong. However one would think that, having some very explicit scenes where it does not feature, they could have done without the blanket between them in the tamer ones. Soundtrack: takes some getting used to, but if you give it a chance you will discover it was, like the rest of the film, lovingly written and performed, with a very good tune. The poetry: Conn obviously is a fan of Byron, choosing some of his most famous poems, She Walks In Beauty, The First Kiss of Love, and Maid of Athens. Dowson's more tormented Sub Regno Cynarae to complement this works beautifully. Conn's own Naked Heart manages to capture the sentiment of the period nicely (made me think of anatomical lessons in whitewashed medical theatres, hm)I didn't want to descend to pure fandom, but I thought what MAKES this film literally is Melissa Hellman. She manages to carry off cross dressing as something enhancing beauty, not awkwardness. If I am not mistaken it is her voice we hear re-awakening lines from Byron and Dowson, making them shine again. It is her whom we see as the B&W (almost stills) vision of Cynara while she sculpts. The riding I already mentioned. Simply a breathtaking presence on screen. Finally, this would have deserved to be a full feature film with more dialogue and a bit more plot. As a love token to someone as Conn intended it I guess, it is perfect (what did you get on your last b-day??) For being done in 1996 it was a milestone and there is still nothing that could compare. Before you see this, take the time to have a romantic candle-light dinner with someone special first, read up on Byron, on the 19th century, buy some roses and get into the mood. Watch it twice so you get over the flaws you'll notice the first time. A thing of beauty is a joy forever. I wish they'd do a sequel, preferably with the same cast if still available.

If you are into romance that leaves you breathless, this is the movie for you. The two lead actresses Johanna Nemeth and Melissa Hellman are a delight to behold. The two of them have a chemistry on stage that is undeniable. The scenes leave you on the edge of your seats waiting for the next moment.Two woman come together in a time when being a lesbian was not talked about. The time is 1883, the women meet at a isolated inn on the ocean. They begin a friendship that includes lovely scenes of horseback riding on the beach, and quiet times together playing chess. There are scenes where each of them has a fantasy about the other that are so erotic that it leaves you undeniably aroused.I have had to buy 3 tapes of this movie because I will never tire of watching the love scenes that truly portray what love between two woman can be.... sensual, soft, erotic, sexy and over the top.Is this movie worth buying... yes a thousand times yes... it is the most erotic love story of two woman I have ever seen... except in real life (wink) ;-) Buy it you wont be disappointed... I can not wait for Nicole Conn's next venture... and if she needs any help we are so there....