Cut and Run
Cut and Run
R | 02 May 1986 (USA)
Cut and Run Trailers

A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.

Reviews
Diagonaldi

Very well executed

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Nonureva

Really Surprised!

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Hadrina

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Lidia Draper

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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t_atzmueller

So, this is it: the finally of Ruggero Deodattos „Amazonia"- (better known as „Cannibal")-trilogy. Almost needless to say that "Cut and Run" in no way lives up to the standards of the infamous "Cannibal Holocaust" but then again, I dare say that no other movie has achieved that to date.Apart from some very gory scenes of carnage and mayhem (decapitations, gutting and a man being ripped into half), the location, Deodattos misogyny and condescending attitude towards the indigenous crew, "Cut and Run" and "Cannibal Holocaust" haven't got much in common. The later is a hardcore horror-film, containing what some have termed "animal snuff", yet actually had a deeper meaning, that criticized the 1970's Mondo-genre (exploitive and often partially faked pseudo-documentaries) and the Medias attitude toward what they considered primitive cultures."Cut and Run" is a more straight action-thriller about a surviving Jonestown leader Colonel Horn (Richard Lynch) who, with the help of an Indio tribe, rips off American cocaine smugglers in the Amazon and a couple of journalists (Lisa Blount and Leonard Mann) out to interview Horn and rescue the missing son of their producer (Willie Ames).What speaks for the film (apart from the rather heavy violence and gore, presuming this is your thing and the reason to come across "Cut and Run" in the first place) is a very hostile, depressing, even misanthropic atmosphere. This is another thing that "Cut and Run" and "Cannibal Holocaust" have in common. Lynch, as a mix between insane Reverend Jones and drug-peddling General Kurtz, plays the role he has been born to play; same goes for Michael Berryman, who plays a psychopathic killer-Indio; albeit, both only have a few minutes of screen-time. John Steiner is a sadistic, sneering drug-runner, nothing we didn't come to expect from Steiner there. The rest of the are bit-players who go through the motions, trying hard not to embarrass themselves or, like in the case of Karen Black, aren't given much to work with.If at all possible, Deodatto managed to make the local Indios look even more ape-like than in "Cannibal Holocaust". The grimace, rape and hop from tree to tree, one is instinctively reminded of the sub-humans in Ralph Bakshi pre-stone-age cartoon "Fire and Ice". Like a participant in "Cannibal Holocaust" said: "Deodatto killed apes, turtles and iguanas, but he treated the animals with more respect than he did the natives." Five points from ten – that's one for Lynch, one for Berryman, one for the atmosphere and two for the gore-content and special-effects.And, on a ps-note, watch out for a very young Eric La Salle ("Coming to America", here playing a jive-talking', purple fedora-wearing pimp which, we had presumed, had died out with 1970's blaxploitation film) and try not to watch out for Hugo Weaving in an extra-role – he's nowhere to be found in "Cut and Run"; his participation is an urban legend.

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Leonard Smalls: The Lone Biker of the Apocalypse

Oh my god, this is one is hilarious! Right from the get go, when we see Michael Berryman spring from a murky river and attack a native, we know this movie is going to rock.As usual with these Italian flicks, the acting is pretty terrible. The lead female is fairly decent though, considering the script.The plot is simple enough: a guy's kid is held against his will in the jungles of Columbia by some ruthless drug-dealers. A reporter and her cameraman go down into the 'green inferno' to save him. Along the way people get chopped up, mauled by crocs, sliced and diced and ripped apart. Definitely a gory action flick, kind of like "Contraband." The thing I really liked about this is that it includes all the violence and action of a flick like "Cannibal Holocaust" but there is no animal violence at all, which makes it a lot more watchable and fun.Yea, I'll be adding this one to the collection.8 out of 10, kids.

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BA_Harrison

Five years after he shocked the world with his controversial gut-muncher Cannibal Holocaust, director Ruggero Deodato returned to the jungle to deliver another dose of nastiness in the form of brutal adventure Cut and Run.In this entertaining slice of gory, exploitative action, Lisa Blount plays Fran, a TV reporter who, along with her cameraman Mark (Leonard Mann), travels to the Amazon where she hopes to interview Colonel Brian Horne (Richard Lynch), the supposedly dead right-hand-man of infamous cult leader Jim Jones, whilst also attempting to locate her boss's missing son Tommy (Willy Aames), who is being held in the jungle against his will by evil drug traffickers.Despite once again dealing with the themes of reportage and the media, Deodato stays clear of any attempts at a Cannibal Holocaust-style social commentary, preferring instead to concentrate on giving viewers a bloody good time (and I mean bloody!). Large amounts of graphic violence (which includes numerous decapitations and impalements, a disembowelment, and a guy being completely torn in half); frequent scenes of rape and female nudity (including welcome nekkidness from the gorgeous Valentina Forte); and a whole lot of nonsense involving a tribe of bloodthirsty natives (led by bald genre favourite Michael Berryman): all of this takes precedence over narrative cohesion, but it matters not a jot, 'cos you'll be having way too much fun to care.In addition to all the gory mayhem, we are also treated to a dreadful cameo performance from Karen Black, a nifty turn from ER's Eriq La Salle as a fedora wearing informant, an effective synth score from Goblin's Claudio Simonetti, lush cinematography by Alberto Spagnoli, and, perhaps best of all, a chance to see Willy Aames display his complete lack of emotional range in some unintentionally hilarious dramatic scenes.Nowhere near as horrific as Holocaust, nor quite as gruelling as Deodato's Jungle Holocaust, Cut and Run is still a worthwhile example of the jungle adventure/survival horror sub genre—just make sure that you watch the uncut version for full effect!

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aolaccountssuck

After Ruggero Deodato made Cannible Holocaust studios granted him with a budget, Because of it was a smash at the box office. Instead of doing a sequel he leaned more towards another movie. But the studios wanted something some what similar. So you get CUT AND RUN.CUT AND RUN staring Lisa Blount (AN OFFICER AND GENTLEMAN) and Willie Aames (EIGHT IS ENOUGH) is a bloodbath of fun. The story is written like any other Italien film from the 80's. In other words, if you are looking for something like Apacolypse Now, or a so called great film "Saving Private Ryan" or in the wrong DVD Section. This Story hold the Equivalince of Death Wish 3. Entertainment Value and thats it. But, hey, that is more then fine with me.The Film also Co-stars Karen Black and Michael Berryman (THE HILLS HAVE EYE'S) and appearances by Richard Lynch and Eriq Lasalle. A perfect line up to an eighty's EuroShock feature. The film mostly takes place in the jungle like most Italien films at the time. And our main characters find themselves in the middle of an intricate drug war, and drug slave camps that appear to be the descendent's of Jim Jones. The characters at first wanted to film a story but now once "stuff" hit the fan, are in the game of survival.The Uncut version has great Decapitations, People being split in half, rape, and torture scenes. It is also shot slightly above average, the camera move's to the feel of the film. Nothing like Sergio or Dario, but above average.The score is by Cluadio Simonetti (The first time Cluadio and Ruggero Worked together) and actually fell short compared to his prior work with Goblin. But still, falling short from greatness is not to bad.Overall if you are an Italy film fan, and you like Fulci, and Argento, this is one you will not like to miss. Also, this is a great film to introduce Italien EuroShock films to someone new. It's got an American Style to it that many can Relate to. I hope this has been help-full, enjoy. (Oh and the replay value is very high)

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