I don't have all the words right now but this film is a work of art.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Two obscure Spanish language films have been shoved together with newly cheap film footage to try and create a new movie. The 40's footage of two movies from Chile look expensive but dated compared to the cheap new film added featuring John Carradine. Attempts to tie the two films together are unsuccessful and the the result is boring. With American International successfully producing modern frights on a budget, this looks like paper machete to their Styrofoam like sets that could be torn down and put back together to resemble whatever location castle the writers chose to set the story in. The first story us a loose re-telling of The Suicide Club, the second a weak attempt to create thrills for what appeared to be original. Carradine narrates both tales in what appears to be the only new footage with bad dubbing covering up the obvious Spanish by the original actors. This appears to have been barely released at all, although I did locate a few pictures of actual posters and lobby cards. At least there is a nice title sequence that reminded me of Charles Addams drawings. Not really horror, this barely has any chills and any attempts to create a proper Gothic setting are destroyed by the obvious theft of two long forgotten films.

"Curse of the Stone Hand" bears a 1964 copyright, but this two-part anthology consists of footage derived from a pair of atmospheric Chilean titles made by Argentine directors nearly two decades earlier. The first half is taken from 1946's "La Dama de la Muerte" (The Lady of Death), from director Carlos Hugo Christensen, an adaptation of Robert Louis Stevenson's 1878 3-part anthology "The Suicide Club" (roughly half its original length), while the second half (at the 34-minute mark of this 57 minute feature) consists of 1945's "La Casa esta Vacia" (The House is Empty), from director Carlos Schlieper, reduced to about 30 percent of its footage. The final product was created by schlock director Jerry Warren, with himself and 'Hugo Christensen' listed as co-directors. Warren tied these stories together through some newly shot sequences depicting a stone hand, which supposedly signifies a curse. John Carradine was no stranger to Warren ("The Incredible Petrified World," "Invasion of the Animal People," "House of the Black Death," "Frankenstein Island"), but for his three brief scenes, received second billing under actor 'Ernest Walch,' an Americanized pseudonym for Ernesto Vilches (from "La Dama de la Muerte"), who not only died in 1954, but was also listed ninth in the cast list, under the more simplified moniker 'Ernest Vilche.' Carradine, along with Katherine Victor and Bruno Ve Sota, only appears in the final reel, as 'The Old Drunk,' relating how he spied on a married woman cavorting with her husband's brother, totaling less than two minutes screen time (Victor gets one additional scene, confronting the husband, conveniently seen from the back). Warren's butchery makes for very dull viewing, even worse than "Invasion of the Animal People," another waste of Carradine's exceptional talents. "Curse of the Stone Hand" made its only appearance on Pittsburgh's Chiller Theater May 4 1968, followed by second feature "Frankenstein-1970."

I saw this film once, on the late, late show, when I was in high school. The only part that stays with me is an interesting segment that suddenly makes the previously dull movie come to life, when a group of men are holding a meeting of some kind. I remember exclaiming out loud, " Wait a minute, this is Robert Louis Stevenson's story The Suicide Club!" It was the only part of the movie that actually made any sense, and held my interest, as it was based on a strong literary source, and professionally acted and directed, in contrast with the typical Jerry Warren goofiness of the rest of the picture.My impression of Jerry Warren is that his movies were just one slight step above the level of Ed Wood's productions. The hilarious sequence in Invasion of the Animal People, where a psychiatrist solemnly questions Katherine Victor about the argument that led to her daughter leaving the house in a snit, and later encountering a UFO, is like something you'd see on Saturday Night Live, along with the bit where the police surgeon demonstrates to his colleagues the structure of the inner ear, using a Halloween prop skull.

Curse of the Stone Hand (1964) BOMB (out of 4) Here's another history lesson for you fine folks, this time we take another look at the incredible hack Jerry Warren who really is the worst director ever. What Mr. Warren would do is buy foreign movies, cut them in half, hire John Carradine to film a couple new scenes and then add narration over the foreign elements of the film. Warren would then release these films as something "new" but they always turned out horrible and that's no different here. A mysterious stone hand is causing people to kill themselves but who cares? The "stone hand" only shows up twice and really doesn't play a part in the film. Warren took a Mexican film and another one from Chile to edit together and on their own both films appear to be quite good but with 2/3rds of them edited out there's really nothing this film is good for.