To me, this movie is perfection.

Most undeservingly overhyped movie of all time??

A brilliant film that helped define a genre

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

I've always liked Tom Walls' farces – this is a more straightforward comedy, full of frothy sometimes witty dialogue and period furnishings with music veering from staid British dance band to hot American and a corny yet cogent script. Mind you, it also had an innocent bystander shot by hoodlums at point blank defending "a string of duds" from being stolen.Mysterious and confident cracksman robs to order for almost purely altruistic reasons, but takes great exception when he's embroiled with and considered by the police to be the head hoodlum of a rather nasty gang of thieves so decides decidedly to clear his alias. It's inventive and predictable at the same time, interesting and so-so – basically I enjoyed it! It was the first time of viewing, I really wouldn't mind taking another crack at it and viewing it again sometime. Tom Walls is urbane and monocled, Lilli Palmer is elegant and shrewd, Noel Madison is snarly and impetuous – and everything else runs true to form too. There seems to be even more of an age-gulf between Lilli and the rest of the cast which was ignored of course so we have to accept it too and put any qualms we may have down to our collective post-rock and roll cynicism. The other star of the picture is Art Deco – for example the "hotel" and its interiors and furniture where a lot of the story is based is quite breathtaking at times in its poignant gleaming beauty. Not so long ago this fashion was sneered at, now that it's becoming more obvious we're living in a completely styleless age the focus on the past only gets sharper.And yes, that's clearly a sound mike seen dangling in the ornate mirror in Lilli Palmer's apartment at 46 minutes – even that's interesting to view! Enjoyable stuff, but probably only to those of us who appreciate British pre-War comedies.

The Wonderful Lilli Palmer was very young when she made CRACKERJACK and she was a marvelous actress and a fabulously beautiful and charming actress and this film was just the beginning for her. She was rather unique in British films since most of the so called Gainsborough gals of the time were British such as Margaret Lockwood, Phyllis Calvert, Patricia Roc, Sally Gray, etc and only Miss Palmer, German born, went on to an international career and worked in Hollywood as well as in France and Germany over the years, coming back to British films from time to time. She was unique among the all British group of gals making names for themselves in the late 30s and 40s in British cinema. She married Rex Harrison, had a son with him and happens to be my favorite all time actress.

The film begins with a scene in which a plane is hijacked by a gang of criminals and some precious diamonds are stolen. However it is not the gang that gets away with the loot but rather the master thief and modern day Robin Hood, Jack Drake, who has beaten the gang to it. Meanwhile, the latest craze in London is the memoirs of a thief, who goes by the pseudonym of "Crackerjack." When a string of precious pearls is stolen at a society party, Crackerjack is suspected, owning to a number of idiosyncrasies of the culprit, which are also mentioned in Crackerjack's book. But who is Crackerjack - is he Jack Drake? And will Jack get away with his philanthropic thieving?This film is good entertainment but nothing special. The sort of story that the film uses involving gangs of criminals, stolen jewels and princesses (or a Baroness in this case) has been used so many times before - even by Tom Walls himself - that it needs something special to make it work. There are a few fairly uninventive twists in the plot - the people you least expect turn out to be criminals and so on. All of it leads to a rather formulaic showdown towards the end of the film. Nevertheless, there are a few good surprises which add interest to what would otherwise be a fairly average film. For me, the most disappointing thing is that we know who Crackerjack is for almost all of the film. I think it would've added a whole extra dimension to the film if the answer had've been denied us until the end - and it would've justified the existence of the "Crackerjack" book, which, as the film stood, was totally peripheral to the plot.Tom Walls makes a wonderful gentleman criminal; almost as great as James Mason, but in a different, more old-world chivalrous way. His name on the bill was what made me decide to watch this film, and he is definitely its strongest link. The rest of the cast are nothing special and I found Lilli Palmer a tad annoying but an acceptable leading lady. Overall the story is sufficiently engrossing and consistent enough to make this reasonable viewing - but only slightly above average.

This an early attempt at the gentleman thief idea and it works beautifully. The film offers much elegance, wit and sophistication, just like its two stars. If only Hollywood produced this type of film today.