I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

i know i wasted 90 mins of my life.

A Brilliant Conflict

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

COUNTER-ATTACK is a WW2 movie with a unique perspective; the hero is a Russian soldier, played by Hollywood star Paul Muni, best known for his turn in the original SCARFACE. The setting is a bombed-out basement, where Muni takes refuge among a group of German soldiers, one of whom he suspects is a disguised officer; he must seek to identify the man to learn of Nazi plans. Like many older Hollywood films that are based on plays, this one is somewhat stagey and talky, although the premise is a suspenseful one. I did find that it had dated somewhat and there's not quite enough in the way of tension and plot twists to keep it going, so it flags at times.

Most of "Counter-Attack" takes place in a collapsed factory building in which 2 Russians and 7 Germans are trapped. Ordinarily, in a picture of this type, the action comes to a screeching halt and the film becomes a talkathon. But the story benefits greatly from the presence of Paul Muni, one of America's great actors, as the Russian soldier who is holding the 7 German soldiers captive until rescuers arrive.The Russians are trying to drive the Germans from Russian soil, and have sent a handful of paratroopers ahead to gather information on troop movements, and the group is trapped after an explosion at a factory doubling as a German messaging outpost. That the film does not perish from Death by Dialogue is a tribute to Paul Muni's superior acting ability as well as an excellent script. If it comes on soon, catch it and see if you don't agree.

After the fall of the Soviet Union in 1991, East European sources began putting World War II stories on film. And, some movies that had been made since the 1970s were being released in the West. As a result, most people in the West for the first time saw the contributions Russia had made to help win the war. These films tell stories about the war on the Eastern Front, and the ravages of war on those countries and their people. But there were some movies made much earlier in Hollywood about Russia's fighting Germany. Americans living during World War II would have seen those films. They were produced to show Americans the heroic efforts of the Russians as allies in WW II, and to win public support for the U.S. programs to supply arms and weaponry to Russia. But, unlike other movies produced during the war years, the films on Russia's conflicts with the Germans were not shown as reruns in theaters or on TV beginning in the 1950s. No sooner had the war ended, when Joe Stalin began his power grab to control and enslave many eastern European countries and to oppress and murder his own people. Thus, the former ally in war was now an enemy in peace and a threat to western democracy. So, reruns of wartime propaganda films about the freedom-fighting Russians would conflict with the news of the day and the horrors reported on the Soviet oppression. The Cold War was on.But now the Cold War is more than two decades behind us. With modern technology we can transfer movies from film to DVDs. And, so older films too are now available. One of the best of those is "Counter-Attack," starring Paul Muni. The movie came out in 1945 and is based on a play that ran on Broadway in 1943. A very strong point of the film is that it doesn't portray German soldiers or Russians as buffoons or as ignorant. Indeed, the dialog of the Russians in the early scenes, and of Muni throughout the film, is of intelligent, discerning individuals. While the Germans are the enemy here, none of those individuals portrayed is seen as uneducated. They do come across as menacing and clever. The plot is excellent, and the directing and cinematography are exceptional. Muni plays his role perfectly, and several of the Germans are very good. This is a good propaganda film that put a WW II ally in good standing with Americans. If all Russians were like Muni and the rest of his special unit, we knew we had a competent, tough and capable ally. One worth fighting for and with. This movie is a welcome addition to my WW II film library.

An engrossing WW2 film set somewhere on the Russian Front with Paul Muni as a member of a Russian assault team who is trapped in a collapsed building with seven German soldiers, one of whom is an officer. Along with him is Margarithe Chapman as a Russian partisan. His character is in the lead part of a big Russian counter-attack that is to be launched across a river on a bridge that's being built eighteen inches under the surface of the water. The setting in the collapsed building with the German soldiers whom he has captured and is trying to extract information from is beautifully done with tension and humor amidst fading light, all captured by cinematographer James Wong Howe, one of the greats of B&W photography (and color, too if you've seen Picnic). Maybe Muni was a tad bit better in I Am A Fugitive From A Chain Gang, but he's awfully good here as a crafty Russian fighting sleep deprivation and fading light. The Germans are great as well, each getting enough lines to establish himself. Margarithe Chapman's part as Muni's comrade captures the idea of equality in the ranks among men and women. She's tough but tender.