good back-story, and good acting

Admirable film.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

Congo Maisie (1940) This is one of ten in a series with mostly different casts based on the same character (Maisie), and so it's got its formula aspects. The plot is ostensibly about a showgirl (Maisie) hiding out on a small steamship in West Africa. It has nothing rough and tumble about it (it's not Warner Bros., but MGM), and the falseness (and obvious studio sets) are a problem from the getgo. The star here is Ann Southern, who is a "star" and who has spark, but she doesn't quite click into the part here. Exaggerated expressions and a slightly ludicrous situation don't mix well. The fact she is constantly made up to perfection and dressed in fancy city outfits just makes it more stupid. It's necessary to point out that some of the smaller parts are played by African (African-American) actors, and they are treated with miserable disdain, or they are made to be hysterical and "primitive" in a way that's just hard to watch. If all of this isn't enough, there is a comic absurd ending to the whole thing (during the uprising). And it reminds you that this is a lightweight movie, and you can't take it too seriously. Which also means there might be other movies to watch.

MGM's Tarzan sets got some extra use when in Ann Sothern's Maisie series she did an African film Congo Maisie. The plot which was recycled from Red Dust would get recycled again for Mogambo only that one was actually done on African location.Ann Sothern stows away on the wrong boat, she has a job in a coastal African town, but this boat commanded by J.M. Kerrigan is going upstream to a small settlement, a research facility where married couple Sheppard Strudwick and Rita Johnson. Even further into the wild is another former doctor now rubber plantation magnate John Carroll and all three go visiting there.Where both an outbreak of witch doctor fundamentalism and an attack of appendicitis on Strudwick puts the whole party in jeopardy. But not with the ever resourceful Maisie using some tricks she learned from when she was a magician's apprentice.Using her Maisie character as a bridge between what Jean Harlow and later Ava Gardner did with same part, Sothern is light, breezy, entertaining and very wise in a street smart way. The Maisie series went on for about a decade and Sothern's ingratiating and affable personality was the reason why. We could all use a wise Maisie in our lives.

This film is worth watching if only for one supremely silly moment when Ann Southern dressed in a Carmen Miranda head dress subdues a native rebellion in the African jungle by singing "St. Louis Woman" (pronounced here "Lewis") to the sole accompaniment of jungle drums and then doing magic tricks to the amazement and eventual pacification of the natives. Shot on MGM sound stages in 1940 with a large crowd of extras speaking mumbo-jumbo and wearing outlandish quasi-African costumes, it's a sad reminder that once upon a time this sort of nonsense was the only kind of employment available to African-American actors in Hollywood.

Quick-witted, fast-talking, wise-cracking and often penniless, Miss Mary Anastasia O'Connor undauntedly takes her nightclub act on the road--usually the very long road--persevering, and performing by the stage name of Maisie Ravier.Chapter Two of the resulting ten-film series bearing her name, and recounting her saga, finds her itinerary set in the wilderness of the Congo, hence "Congo Maisie" (MGM 1940).While much of its cast (including J.M. Kerrigan, E.E. Clive, Everett Brown, Tom Fadden, Lionel Pape and Nathan Curry) appears in its story's periphery, the lion's share of this jungle tale concentrates upon its second leads (Rita Johnson, as Kay McWade, and Shepperd Strudwick, as Doctor John 'Jock' McWade), its leading man (John Carroll, as Doctor Michael Shane) and, especially, its ever-lovely leading lady (Ann Sothern, as Maisie Ravier).This time around, Maisie books her nightclub act at a remote village up river from a western African port. Again impoverished, she cleverly stows away upon a river barge to attempt to reach her destination but is soon discovered by its renter, Doctor Shane (John Carroll).Evicted from his quarters, but remaining on board, she pawns trinkets for morsels of breakfast, about which time it is learned that the barge must dock for several days because of rising waters.Stranded from the raft, Doctor Shane reluctantly "rescues" Maisie, by inviting her to accompany him on a three- or four-mile hike through the uninviting wilderness to the nearby fortified medical research station, which he once managed.Here, Maisie is welcomed by its current operators, Kay and Doctor John McWade (the pretty Rita Johnson and the kind and gentlemanly Shepperd Strudwick). Miss Johnson is often cast as a "foresaken first wife" or "a possessive and haughty other woman." Here, she combines the types in gentle fashion, forlorn from her station in life, and seeking the advances of a handsome suitor.And Maisie, with her present bag of resources and presence-of-mind perception to figure the score, suddenly finds herself with her hands full, facing the breaking down of her hosts' marriage, a patient in need of emergency surgery, treacherous weather conditions, an impending attack on the fort by tribal natives, simultaneously, while trying to resolve her feud and feelings for Doctor Shane, before the raft sets sail again.