hyped garbage

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It’s sentimental, ridiculously long and only occasionally funny

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

In Paris, the obstinate and tough judge Jeanne Charmant-Killman (Isabelle Hupert) investigates a corrupt and powerful corporation that is embezzling public funds and its president Michel Humeau (François Berléand) is arrested and sent to prison. She uses the hearing to collect evidences against the board and lobbyists, and sends one by one to prison. Meanwhile the group sabotages the brakes and the steering wheel of her car forcing her to have the protection of two bodyguards. Then they use a promotion to try to persuade her to stop her work, moving her to a bigger office expecting competition and friction with the also competent and honest judge Eryka (Marilyne Canto) but they become close friends focusing the same objective. Meanwhile her personal life is affected and she breaks off with her husband. When her husband apparently jumps off his apartment, Jeanne has to come up with a decision."L'Ivresse du Pouvoir" is another great movie of Claude Chabrol with a plot that recalls the style of Costa-Gravas. The story is extremely realistic about corrupt corporations involved in embezzling public money and a judge that becomes obsessed in sending the responsible to prison and make a difference in the corrupt justice system. All the cast has stunning performances, but the awesome Isabelle Hupert has another top- notch performance contrasting her fragility with the strength of her character that unfortunately is a fictional judge. My vote is eight.Title (Brazil): "Comédia do Poder" ("Comedy of the Power")

Few things are as satisfying to hear as "Do you know who I am?" when the person saying it is a self-assured business kingpin and the person he's saying it to is a prosecutor who is about to publicly nail the kingpin's hide to the courthouse door. All those swaggering peer-to-peer dealings -- private exchanges of huge amounts of money, stock manipulation, cheating employees of their retirement funds, obscene executive salaries, back dating options, boardroom favors, living the good life on the shareholders' nickel (think of a $6,000 shower curtain) -- suddenly have consequences that the company's high-priced legal teams can't rationalize away. In the case of Claude Chabrol's Comedy of Power (Ivresse du Pouvoir, L'), massive corruption reaches to the top of a quasi-Government corporation. "These funds are at the disposal of political leaders. It's only normal and it happens everywhere," says one worldly, cigar smoking official. The person who plans to pull down this corrupt heap by going after the leaders is Investigating Magistrate Jeanne Charmant-Killman. Her nickname is "the piranha." Isabelle Huppert plays her with charming, relentless amusement. The film gradually moves from the immensely satisfying techniques of senior executive humiliation to our slow involvement with Charmant-Killman as a person. All the confidant, comfortable, aging men in their well-cut suits (many with the red thread of the Legion of Honor sewn in their lapels) attempt to bluster, or flatter, or condescend their way out of her office. She delights, and so do we, in reducing them to self-pitying prison inmates. Jeanne Charmant-Killman is a woman with issues, but we're all for her even when her relentless drive begins to affect her marriage. Her husband, a doctor from a good French family, for some reason doesn't appreciate being referred to as Mr. Jeanne Charmant- Killman. Those issues may have to do with men in power, but there are larger issues, too. "It's not the image of justice I care about," she says at one point to her more flexible superior, "it's justice." It's not too long before the brakes fail on her car, her office is vandalized, she has bodyguards and we all learn that the corruption goes higher than simply a company's executive suite. How do things end? Let's just say that sincere outrage is usually boring in a film. With Comedy of Power we have witty disillusionment to be satisfied with, and with the hope that this world has more Jeanne Charmant-Killmans. Claude Chabrol as the director and Isabelle Huppert as Charmant-Killman give us a vastly entertaining black comedy of venality and schadenfreude, something that's dark, witty, assured and not completely cynical. What could be better than that? Well, how about nailing all those politicians who earn modest salaries as our elected representatives and then wind up as millionaires shortly after they retire from office. Somebody send for Jeanne Charmant- Killman. The DVD transfer is fine. There is an interesting extra which discusses how the movie was made. The idea came from the Elf Aquitaine scandal in France, which was uncovered in 1994. The executives of this huge oil firm were caught in the middle of the biggest fraud since WWII. They used the firm as their own piggybank, spending huge amounts of the company's money on everything from political kickbacks to expensive mistresses, jewelry and villas. French magistrate Eva Joly uncovered the rock and smashed a large number of the scurrying bugs. Chabrol says at the start, with tongue in cheek, I think, that any resemblance to actual events and people is entirely coincidental.

Saturday June 17, 9:30pm The NeptuneAn invitation to the home of a great chef requires no knowledge of the menu beforehand; it will surely be a culinary delight. The latest offering from the great French filmmaker Claude Chabrol, A Comedy of Power (L'lvresse du pouvior) is just such a feast. A powerful French magistrate is on the prowl against corporate corruption to the occasional dismay of her less than honest superiors. Issabelle Huppert stars as Jeanne Charmant-Killman, driven by her work at the cost of her personal life and ultimately her safety. Chabrol allows his powerful and richly composed camera-work to obsess on this exquisite actress throughout the film, who remains as remarkably beautiful now as she was in Michael Cimino's Heaven's Gate. As she blithely moves from office to home an air of tense anticipation builds with the constant looming threat of retaliation from the men of power she is morally charged with pursuing.

Claude Chabrol return to his form with this masterpiece. I saw it at the Berlinale and the battle for tickets was worth it. Chabrol directs his actors in a very subtle way; it is not the main plot points that arouse your emotion, but small moments in the game between Charmant Killman and her opponents. Although all opponents are deeply bad people, Chabrol succeeds in giving them "things" that make them human beings and recognizable characters. Including all supporting and even one-line-characters. Watch Killmans Bodyguards, for example. Watch how Chabrol begins and ends scenes - very unusual. Watch the juxtaposition of Killmans life as a judge and her private life. I won't say much about the film itself, as it is good to know nothing about it before. It's a wise film, "La Piovra" in a cinema version (and much shorter), dealing with a topic that is most important in our western industrial countries - silent corruption. Most times the corruption theme in films bores, but Chabrol and Huppert make it a joy.