I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Overrated

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

"Cobra Verde" is a collaboration between West German and Ghana from 1987, so this one will have its 30th anniversary next year. The primary language in here is German and director Werner Herzog and Klaus Kinski collaborated here one final time to make this movie. It is not the first film that takes the two to exotic places obviously. The movie runs for 110 minutes approximately and has Kinski play a man who is in charge of supervising slaves, but then he is sent to Africa where he is the only White guy among so so many Black people. Of course, the blonde hair (slightly gray already by then) helps in creating the big contrast in physicality. I cannot say I am familiar with any of the other actors here. Herzog directed of course, but he also wrote the script and for that he adapted Bruce Chatwin's novel. While I love Herzog and Like Kinski, I must say that this film felt a bit like a poor man's version of some of the other work from the duo such as Fitzcarraldo (never been too big on "Aguirre"). The story dragged on quite a few occasions and I must say that overall I did not feel that this was a really exciting movie. Insanity always played a major role, in front of the cameras and certainly also behind the cameras with the volcano that is Klaus Kinski. I would not say that this is a good choice to start getting into Herzog's filmography. I am not at all saying that it was a failure, but it just left me hoping for a better movie and it's far from the best Herzog and Kinski have come up with together. But why would you want to start with this one as it's also a fairly later career effort from Kinski and he was already 60 here. Only 3 Italien films should follow until his death less than five years later. I guess he was probably past peak already for this one too. I don't recommend the watch. Thumbs down.

a Herzog film. same rules, same message, same Kinski. but different for the manner to explore levels of solitude. for the African frame. maybe, for splendid end. the key is deep science of Kinski to use character possibilities. to create , step by step, not an image but symbol of soul desert. the mixture of art and craziness, the passion, the look, the inspired science of Herzog to transform each scene in part of an ash circle, the large and stormy touches who transforms the plot in heart of a parable, the hero, out of classic definition, the atmosphere, all represents not exactly ingredients/parts/virtues of film but resurrection of a gray romanticism and its marks for define solitude, fall and search of existence sense who exit from artistic formulas.

In the Nineteenth Century, in Bahia, the bandit Francisco Manoel da Silva aka Cobra Verde (Klaus Kinski) is feared and respected by the locals. He is hired by the lord Octavio Coutinho (José Lewgoy) to work as henchman in one of his plantations of sugar cane, supervising the slaves and the production of sugar. When the three daughters of Octavio are pregnant of Cobra Verde, he is sent to Almeria, in the West of Africa, to negotiate slaves with the crazy African King Abomey, in times when this trade was prohibited by Great Britain. The loneliness associated to the fact of being the only white man in Almeria drives Cobra Verde to insanity."Cobra Verde" is boring and non-sense, and certainly the worst movie of Werner Herzog that I have seen so far. Watching this movie actually gives the sensation of seeing a samba-school in the carnival of Rio de Janeiro, with absurd inconsistencies like, for example, the blonde Klaus Kinski performing a Brazilian; the Brazilian and African characters speak German, but the natives sing in their dialect; the title "Don" is not used in Brazil. Last but not the least, Klaus Kinski insane character seems to be a déjà vu of Don Lope de Aguirre. My vote is five.Title (Brazil): "Cobra Verde" ("Green Snake")

Director Werner Herzog and actor Klaus Kinsky did many films together. They were all spectacular because of Herzogs direction and they all had an intensely insane looking leading man because of Kinskys solid performances. Cobra Verde was their last collaboration together because three years after making this film Kinsky died. He left a great legacy as an actor and Cobra Verde is a prime example of that.The story is about Francisco Manuel (aka the Bandit of Cobra Verde) a bandit who goes from town to town looking for a strange new world. Basically everyone fears him because he is untamable, like a wild beast. One day, he gets a job taking care of slaves in a Sugar Cane field and he gets to live in the same house as his boss, the owner of the fields. Cobra Verde being the bandit that he is has his way with not one, but all three of the bosses daughters and gets them pregnant. The boss, looking for a way to get back at Cobra Verde for what he did, sends him on a mission to Africa to buy more slaves. Of course the bosses real intentions are to get Cobra Verde killed in the journey. What they don't know is that Cobra Verde is not a person who easily gives up and hes a tough cookie to kill. And so begins Cobra Verdes journey into the hot, deadly and colorful depths of Africa.This movie, like many of Herzogs films is a journey into the unknown. I love how Herzog does that in all his films. Transporting us to strange places that truly exist, but are so wondrous and amazing that they have a surreal dreamlike feel to them. On Fitzcarraldo and Aguirre we went deep into the Amazonian Jungle, but on Cobra Verde we get to see the heart and soul of Africa. Once the movie gets to Africa (on its second half) things get really interesting and you will find yourselves completely immersed in the African culture. From the injustices of slavery to the savagery of African tribes. It was all new, strange and different to me because Herzog really went in there and found incredible real life locations in which to shoot Cobra Verde. Its as if Herzog searches out these incredible places, dives deep into them, and then brings them back to us via his films for us to enjoy. This movie is epic in scale and it shows in every single frame of film. We get hundreds of extras in many scenes. One particular scene stood out and its the one in which Kinsky trains hundreds of African women all dressed in their war attire and marching while singing their war songs. It was fantastic and epic and I loved every second of it. Not only that but its even more amazing when I learned that this huge looking film only cost two million dollars to make! I was unaware that a film of such grand scale could be made with so little money. Hollywood could learn a thing or two from Herzogs style of film-making.Klaus Kinsky once again turns in an intense performance as the titular character. He certainly goes in a journey from being a bandit to becoming the king of an African tribe. I really got to like his character because he is a guy who literally does what he wants and has complete freedom over what to do with his life. Nobody tells this guy what to do, but once he sets his sites on achieving a goal (and its usually something pretty daunting) he goes all the way to make it happen.Even when he accepts the responsibilities and challenges involved in going to Africa and taking slaves back to Brazil considering that slavery is almost completely abolished, he does it with a sure hand, ready to face whatever situations life might hurl at him. And Kinsky does all this with his own brand style, that crazy look the wild hair. In one particular scene in which he is training thousands of African women to go to war he goes completely ballistic trying to teach them how to properly handle a shield and a spear. I've got a few complaints though, this movie has a few loopholes and unrealistic situations. I think a lot of it has to do with Herzog trying to evoke a feeling of otherworldliness and strangeness but in one particular scene Cobra Verde has to send a message from on place to another and he does it via thousands of people standing in line doing these secret signals with white flags and one person duplicates the message until it reaches the other person hundreds of miles away. This scene might lend itself for a beautiful and strange image, but its completely unrealistic! But I was willing to let it go for sake of artistic liberty. Another thing that grated me the wrong way was how one of the African kings spoke perfect English, as well as all his followers. The scene would have been a lot more believable with the king having a translator, but as it was filmed, its hard to believe that a king in the middle of Africa would speak English, and much less have all his thousands of followers understand him and cheer him. Again, a minor set back in a great film.Like many of Herzogs films, the pace is sometimes slow, but when Herzog wants to amaze you he will. There will be moments of heavy dialog, and slow situations and then Whamo! Herzog will hit you in the head with something truly amazing. Trust me on this, this movie has many surprises up its sleeves! And you wont be disappointed if you enjoy movies that take you to strange new worlds.Rating: 4 out of 5