Such a frustrating disappointment

Good concept, poorly executed.

An action-packed slog

The film makes a home in your brain and the only cure is to see it again.

This is a quite fascinating French movie, that I wouldn't call great but is a throughout good watch nevertheless.Thing that really uplifts this movie is its directing. It makes this a great and beautiful looking one. It has a great directing style, that provides the movie with a great overall atmosphere. The movie at times picks a surreal approach and the story is being told and developed slowly.And while the movie is intriguing to watch throughout, I still wished it had a somewhat better story to work with, or that it got told just a little bit better all. Because the movie picks a more stylish approach, this really starts to go at the expense of the story. Not everything gets developed properly and some things just don't get resolved at all. In the end this is a movie that will leave you with more questions than answers. This doesn't really ruin the movie or anything and it's still a good and intriguing watch but I feel that with some more story and some better development this could had been a so much better and more memorable, unique little film. To me, the movie now is just too empty, to leave a big impression, let alone a very lasting one.It's also quite hard to say what audience this movie is really for. It's one that tells the story from the perspective of a young boy but I really wouldn't call this a children's movie. It's also not really a coming of age flick and its more being a drama-thriller, told from the mind and viewpoint of a child, which still leaves the question to what audience this movie is aimed to. A simple answer would just be movie-lovers, fore this is also really a movie that isn't just for everybody's taste. Some people might find the lack of pace and occurrences too much of a miss, while others will surely be able to appreciate the style and approach this movie is taking. The movie doesn't feature the best acting I have ever seen in a French movie and I actually thought at first that this was one of those movies that used non-professional actors, to make the movie and story work out more as a realistic one. But as it turns out all of the persons involved are actually actors, with more working experience in the business. A bit disappointing but those who don't speak or understand the language will hardly have any problems with it.Nevertheless I still really foremost liked this movie, due to its fine directing approach, which kept this movie a good and intriguing watch throughout.7/10http://bobafett1138.blogspot.com/

Using dreams as a means of expressing a character's hidden fears and desires is an old trick, and Claude Miller overdoes it; there are probably more dream sequences than actual events in this movie. Some of them are startling (one involving a severed talking head, another a machine-gun massacre), but the story is boring (you don't have to be a detective to figure out the truth), and the kid is boring, too, with a fixed stare that never changes throughout the film (though it's probably not his fault, but Miller's). "La Classe De Neige" belongs in a subgenre that could be called "the world from a child's point of view", but doesn't make its way into the top of the list. (**)

Simply ,"la classe de neige" is Claude Miller's best work since "la meilleure façon de marcher" (1975,his debut).These works comprise intriguing similarities: both take place in a children community.The first movie,which featured the excellent Patrick Bouchitey and Patrick Dewaere,focused on two camp counselors ,and the dark side of their minds .Bouchitey's devils only woke up at night ,when he dressed up as a woman.His relationship with Dewaere was frighteningly intense and culminated in a violent scene in which the transvestite forced his pal to dance.Miller's sophomore effort "dites-lui que je l'aime" tackled deviancy again but he cheapened Patricia Highsmith's first-class thriller.Since,Miller made quite entertaining works ("garde à vue" which was remade as "under suspicion" ),endearing ones ("l'effrontée") ,and also pretentious ones ("mortelle randonnée" which was remade too).But he was never again able to equal his sensational first work,which seems as strong as it was a quarter of century ago.But in 1998,he really outdid himself,and gave a stunning work ,the first to be on a par with "la meilleure façon de marcher".Should you give another title to "la classe de neige'" ,it could be " cries and whispers" .The title is incredibly trite "skiing with the school" and reveals none of the horrors the movie depicts.Nicolas is a perturbed child probably because he's poisoned with protection by an omnipresent father;but it's not that much simple: the scene at the swimming pool shows another side of this monstrous daddy.The parents ' gathering before the class leaves for the mountains is realist to the core:I organized myself a lot of "classes de neige" and I can say I've met a lot of parents who fret about their dear little ones .Sometimes they refuse to sever the umbilical cord and the child -most of the time very disappointed- stays home.Whispers:Nicolas lives in his own world where his demons never leaves him alone.His only moments of peace occur when he confides to his teacher,Miss Grimm (what a name!)-see how he refuses to talk to his mother on the phone -,or to the young man to whom he says :"when you think too hard about something,does IT happen"?,scary ,isn't it?).He finds a pal but the secrets he exchanges with him are so morbid and so terrifying it cannot bring him any help.Most of the time,the adults whisper behind closed doors,the gendarmes outside the bus,the teachers in their office.Cries:we never see Nicolas scream, or even cry.His mind creates monsters ,at night when his nightmares come to visit him -these scenes make the audience think of an horror movie,which Claude Miller's work is not.He managed to blend dream and reality in such a subtle way that it's sometimes hard to tell them apart;take the central scene which climaxes the movie:Nicholas is out in the cold ,the snow's falling,and he cannot open the house's door.Then begins a series of dreams which show a child's fear of dying as never before.In the daylight,terrors do not fade away:Nicolas turns the TV screen into a mirror of his own horrible visions-this is not as strong as the nightmares scenes ,though,since this device has been used before-.Claude Miller does not do what the audience expects:a Hollywoodian treatment would have solved the problems ,with a family happy again and plenty of violins in the background.There's an extremely moving scene :on the highway,in the restaurant ,the boy sees a young mom change her baby's diaper,then the proud couple leaves the place,as Nicolas' s eyes catch what happiness may look like.The ending will leave you completely numb:you are in front of a huge hole ,you do not know exactly what happened .It's perhaps even worse than you think it is.A black fairy tale revisited by Bruno Bettelheim,a psychological drama, a thriller,"la classe de neige" is all this and so much more.Emmanuel Carrière's eponymous book is highly recommended.

This film is very exciting, touching, and beautiful. It belongs to one of my most favorite coming-of-age film. There are many reasons why I love this film so much. One of them is the terrific talents of Clement van den Bergh and Emmanuelle Bercot. I think it is very hard to play the leading role in this film. Nicolas is deeply troubled inside, and the actor has to keep it hidden inside to make it convincing why the kid has a lot of bizarre daydreams and nightmares. Though he has a sad face, he must not make his feelings too obvious. The actor has to make us understand that Nicolas cries for help all the time, but not by his voice or obvious expression, but by something hidden under his expression, something hidden in his eyes, and by his imagination. I think Clement van den Bergh is really successful in this difficult role.Bercot is also excellent. She does not portray a stereotyped teacher. She really makes this role her own by expressing feelings and emotions of vulnerable human, and that makes this teacher a real person, not only a character. I was quite impressed with her talent in the latter part of the movie after the news of the crime starts spreading.The story is really moving, especially when it deals with the growing friendship of the two boys, and the rollercoaster scene is strongly intriguing. More importantly, the atmosphere created in this film is excellent, and owes a lot to the superb cinematography, the haunting musical score, the appropriate location, and the rhythm of the story. The vast landscape is beautifully captured by the camera, and cleverly used to mirror the psychological aspect of the character. Each nightmarish scene is intense, and the scene when the boy is frozen to death keeps haunting me for a long time. This is one of the films which must be shown on the big screen so that its beautiful atmosphere can be appreciated fully; however, it has been shown in Thailand only once.This film does not only excel at creating the atmosphere, but also at creating the excitement. While seeing it, I couldn't guess what would happen next. I couldn't guess if the story would turn out to be one of those children films in which everybody understands one another at the end, or if it would belong to a serial-killer genre. Sometimes I couldn't guess if the scene was just a dream or reality. The ending, though quite brutal to the feelings of the characters, is done in a surprisingly delicate manner. This film should be viewed together with Festen, which partly deals with the same subject matter but uses totally different approach. Yet I think both films are similarly effective in their own ways.Though I can't say this film is innovative, original, or significant to the history of cinema, at least this film is really significant for me, judging by its tremendous impact on my feelings. Though this film deals a lot with painful experiences, I have to say I really enjoy the trip through this film. This trip is greatly rewarding.