City Beneath the Sea
City Beneath the Sea
| 21 April 1953 (USA)
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Two adventures dive for treasure off the coast of Jamaica.

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Reviews
Spoonixel

Amateur movie with Big budget

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Joanna Mccarty

Amazing worth wacthing. So good. Biased but well made with many good points.

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Murphy Howard

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Brennan Camacho

Mostly, the movie is committed to the value of a good time.

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JohnHowardReid

Though competently directed by the currently "in" idol, Budd Boetticher, this is a fairly routine adventure/romance. Robert Ryan seems miscast as a laconic, two-fisted (thanks to a double in his fight scenes) hero, but Anthony Quinn is even less sympathetic as his greedy partner. The girls, Mala Powers and Suzan Ball, seem determined to be picture postcard pretty, but little else. In fact, nearly everyone's clothes in this seedy outpost in the West Indies are always remarkably clean and shiny. However, as usual, it's the villains who come off best in both writing and acting. Indeed it's George Mathews who ascends to the top spot in his Hollywood career as the ex-captain Meade. And Technicolor is also cleverly utilized (by cinematographer Charles P. Boyle) to give "A" stature to a basically "B"-budget picture.

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Chris Gaskin

City Beneath the Sea came on BBC2 one Saturday afternoon some years ago and I was pleased I taped it. This has never been released on video so I was glad I kept this TV copy.Two divers come to Jamaca to recover some gold on a sunken ship off the coast. One evening, they visit a club and meet two girls and both subsequently fall in love with them. Rivalry then breaks out between the two men over who will keep the gold when retrieved. The ship sunk near the ruins of an underwater city (not Atlantis) and the locals are against the men recovering the gold because the city is one of their tabu's. Not surprisingly, danger looms when the city collapses as a result of an undersea earthquake, trapping one of the divers. He is rescued by his mate and neither of them get the gold in the end.Despite being a bow budget movie, the underwater scenes in City Beneath the Sea are not that bad.The cast includes Robert Ryan and Anthony Quinn as the divers and Mala Powers and Susan Ball as the love interests. This also stars George Mathews and Woody Strode.Watching this movie is a good way to spend just under 90 minutes one afternoon or evening. Very enjoyable.Rating: 3 stars out of 5.

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bob the moo

Two deep-sea salvage divers, Brad Carlton and Tony Bartlett, arrive in Jamaica for a job. They are contracted to recover gold from a cargo ship that has just gone down with all it's hands. They search the co-ordinates they have been given but find nothing. Taking time off from the job, Brad begins to fall for the captain of the ship they contracted and dreams of a quieter life, while Tony is approached by the (supposedly dead) captain of the sunken ship with the real co-ordinates and an offer of a cut of the gold if he salvages it without telling the ship's owners.The exotic location, the beat of voodoo drums, beautiful women, comradeship, sinister villains, what else could this be but a B-movie! Even the gaudy colours from the very start reveal this to be what it is. The plot is pure B but is still reasonably enjoyable. It is strongest at the start where Brad and Tony are together, whereas for the middle section they follow separate stories and the film sags a little bit. The ending is OK but seems to lack real excitement or tension. The central relationship between the two men is interesting when it is tested and I wish that the film had explored this more – as it is, it appears to break and be mended in a matter of minutes without much detail.The direction is on a par with the quality of the film. The underwater scenes are quite flat and are clearly as near to being in a real sea as I am right now. The limitations of whatever soundstage or tank they filmed them in means that the scenes all occur in small areas, which again takes the edge off a little too much. The setting of the film calls for an exotic feel but the majority of the cast are American (white) actors. Even in a scene where voodoo dancers dance round a fire it is clear that the skin of those involved is very pale, this is maybe to be expected from the period and in shows in the fact that the non-white support cast are credited with names like `half-caste woman'. It makes no difference to the quality but does make it feel a little fake.The main drawing point for the film is the strength of the two leads, although this is diminished by their separation in the middle section. Quinn is larger than life and a fiery character, he hogs the attention and the only weakness is that he fails to bring out the complexity that he suggests in his character when it is needed (the final third). Ryan is a talented actor and underplays next to Quinn. His presence alone kept me watching although it is undeniable that this is below the quality of his most memorable work. The support cast are OK and fit the B movie billing much better. So in place of characters we get `feisty girl' `bloated villain' `pathetic crooked businessman' etc. They all do OK and never forget their station.Overall this is a watchable B movie that has all the little touches that make it such. The plot could have been used a lot more effectively in regards the friendship of the two divers but it is watchable nonetheless – mainly due to good performances by both Quinn and Ryan.

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Glad-2

Universal-International studios. Two tough American buddies (Robert Ryan, Anthony Quinn). Sunken treasure off the Caribbean. Plots about scuttled ships and sunken gold. A thuggish sea-captain. Giant squids. A set-piece bar-room brawl. Even voodoo drums. Tacky colour. You can almost picture the lurid cover of the 10-cent paperback novel the film was based on. All that's lacking is a real femme fatale.Bud Boetticher was a cult director in the Don Siegel/Sam Fuller vein, later acclaimed for the series of sparse but superb western quickies he made in the late 1950s with actor Randolph Scott (Ride Lonesome, The Tall T, Westbound, etc).Irresistible and well made.

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