Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

By the time the dramatic fireworks start popping off, each one feels earned.

It is really hard to like anyone in David Morgan's me generation debut film about absolutely nothing. With all the people dropping dead in Africa and Syria where do people come off making movies as meaningless as this one. The lead female part, played by a Portland model, can't carry a film, and the character of the stupid gay theater manager, played by City Baby producer Timothy Whitcomb, feels like someone dug up from the 1970's trying to be Nathan Lane. The camera work is competent, but it never rises above antenna television. Production design was okay too, but nothing to write home about. I love indie movies and watch a lot of them, but this one felt really out of touch. Honestly, I couldn't tell you what this is about.

As US Indies go, this one's cup is certainly more half empty than full. Sure, not a terrible first effort, but really nothing here you won't see much better in many a student film. The problems really begin with the lead actor, the very beautiful but completely underwhelming Cora Benesh. A performance so lame you have to wonder what the director was thinking in casting her. Are people in Portland really this mindless or is she just someone David Morgan managed to get within his meager budget. And then there's the meandering story without any substance whatsoever. It leaves you wondering what the point was in making the movie. I saw City Baby at Dances with Films in Los Angeles. It didn't catch much fire there either, but I guess it will need to screen at more established festivals before it finds its way or not.

I totally agree with all of what "feelsgoodalot" said in their review. So, I will say ditto, and go ahead and expand on it. First off, I'm unsure why this film is getting lower user ratings in the 4s at the moment. What are some peeps wanting to make them rate this movie so poorly? Granted, truth told, as a local actor myself, I do know a few people in the cast, but with me, that can sometimes be a bad thing because I can be ultra critical of talent, especially with those that I know. That being said, there were many actors I didn't know before watching this piece, namely the two lead actresses, of whom I walked out of the theater completely enamored with their performances (as well as many of the others). The acting is fresh and natural. Not a weak link in the bunch. Yes, of course, just about everybody is pretty to look at, but these aren't just some hot models spouting their lines. They delivered complex and compelling performances that just rocked the screen. Plus, I did not know the director or DP, but this is a well-crafted film. Took a fairly simple storyline (at least appears so on the surface until you dig a little deeper into the brilliant subtleties that abound) and peppered it with rich camera angles, purposeful lighting, well-timed editing, and a layering of different moods. The local music and beautiful Portland backdrop were characters also all in themselves. Watch this movie and you will perhaps see people you will recognize from your own life. You may not agree with the characters' choices (for good reason), but you are bound to empathize with them, which is the true mark of any great film, even a sweet indie film such as this. I hear this movie is showing on the biggie again soon in LA at the Dances With Films festival. If you're around, I suggest you check it out. And if not, find it elsewhere and dive in.

I just witnessed this gem at a local theater in Portland, OR, where this movie is staged. Having gone to many independent films in the local area, I was actually a bit skeptical and my expectations were low going into it, due to having seen many recent duds. But boy, from the very beginning of the screen roll, I fell in love with this movie! The directing and shooting were stellar - I was truly blown away by the artsy yet purposeful way in which it was shot (at one point, there is a "rainbow" lens flare that protrudes subtly across the screen during a scene that was masterfully done - I wondered: was this a brilliant mistake or done on purpose? But then decided it didn't even matter, because it just made sense with the rest of the film and coincided with the hilarious "play within a play"). But digressions aside, it was also the acting that truly carries this film. Cora Benesh is so damn sweet and natural in her lead performance that you want to just watch her all day long. Jillian Leigh is stunning in a multi-faceted role. Andrew Harris brings us a complex portrayal of a seemingly dark douche bag, and Richard Keith and Dustin Rush knock it out of the park with their suave and fantastic performances as well. Great job, I'm a big fan! Three words: See. This. Movie.