Tied for the best movie I have ever seen

People are voting emotionally.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

. . . sums up the structure of this laid-back British documentary about Warner Bros.' Looney Tunes. Running nearly an hour, LT director Chuck Jones serves informally as the host of CHUCK AMUCK. However, if AMUCK were an American elementary school kid, it would be prescribed Ritalin for its short attention span. Perhaps this is not a bad thing, given the subject matter. However, like Kurt Vonnegut's "Billy Pilgrim" in the novel SLAUGHTERHOUSE FIVE, this AMUCK story seems to have become "unstuck in time." Frequenters of LT shorts collections will hear such seminal stories as producer Leon Schlesinger lazily lisping his way into Daffy Duck's voice, or producer Eddie Selzer opining that there could be no humor in bullfights, all for the Umpteenth time. Many of the Usual Suspects, such as LT voice artist Mel Blanc and LT writer Michael Maltese, will pop up here. AMUCK features extended clips from WHAT'S OPERA, DOC? and RABBIT SEASONING. Jones himself gives four or five character-drawing lessons. What's not to like?

This tribute to Chuck Jones, the least threatening Warner Brothers animation genius around and no less brilliant for it, gets off on the wrong foot, meandering toward its subject with insipid BBC narration. But after five minutes the decks are cleared and Chuck is given a platform to reminisce, to expound, and to theorize. His words are rehearsed and calculated as well as insightful - the recent TCM doc "Chuck Jones: Memories," based on an interview he gave over a decade later, reiterates many of these anecdotes almost down to the phrase. The latter work is more artful and more intimate, but this one gets the edge - for his comments on the need to 'respect the single frame' which is just about the most essential quote on film-making I've ever heard from anybody, and for the generous nods to the team that worked behind, above and alongside him - to isolate Chuck Jones from this milieu is like writing a one-man show about Tommy Douglas, and there are gems galore to be found here.

Ostensibly a documentary about legendary animator Chuck Jones (made for British TV at the time of the opening of the Museum Of The Moving Image - which I visited in 1999, when it was about to be closed down!), the film is something of a mixed bag as, despite the title, it isn't really an exhaustive biography of the man but a generic documentary about the art of animation. Having said that, his explanations into the design of the various classic cartoon characters was undeniably illuminating but it deals only intermittently with his career and his numerous collaborators - spending too much time on childhood recollections and an over-extended introductory sequence, which serves as an advert to the Museum more than anything else! - though we do get to see some shining samples from his celebrated work for the Warner Bros. studio during their 1940s and 1950s heyday (mainly from DUCK AMUCK [1953], appropriately enough). Therefore there is, perhaps unsurprisingly, no mention of Jones' rather disastrous move to MGM in the next decade - where he was involved with the substandard latter-day Tom & Jerry cartoons (though he also contrived to make THE PHANTOM TOLLBOOTH [1970], a quite good intellectual animated feature in the vein of "Alice In Wonderland" and "The Wizard Of Oz").

This movie is a good film about the life and times of esteemed animator Chuck Jones. The one who made many of the cartoons that we know today (Wile E. Coyote, Road Runner, Pepe LePew, Sniffles the Mouse, and the list goes on.) He also contributed to every major Looney Tunes character we know today except Tom & Jerry. This movie is like Chuck Jones: Extremes and In Betweens, so all those who enjoyed that will most likely enjoy this. This would be a film recommended to all cartoon-lovers or people interested in anything about Chuck Jones. This might also be a good family film for those who wish to know and enjoy the "Merry Melodies" characters created and contributed by Chuck Jones. This is an o.k. movie that gives a good account of Chuck Jones life and I would recommend it to anyone interested.