So much average

best movie i've ever seen.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

An old-fashioned movie made with new-fashioned finesse.

CASSE-TETE CHINOIS (Chinese Puzzle, 2013) is the third film in Cédrich Klapisch's series on globalization and growing older. It began with L'Auberge espagnole, which saw Xavier Rousseau (Romain Duris), a 25 year-old university student and aspiring writer, spending a wild year in Barcelona with other exchange students from throughout Europe. The second film Les poupées russes revisited Xavier as he turns 30 and has still not established a writing career or found a stable relationship. Its happy ending with Xavier settling down with former Erasmus companion Wendy (Kelly Reilly) seemed to augur well for the future.But as Casse-Tete Chinois opens, we find that Xavier's relationship with Wendy collapsed ten years into their marriage. Wendy has left Paris for New York, where she has met another man, and takes their two children with her. Xavier follows them to New York to be closer to his children, but Wendy has turned cold and hostile. His lesbian pal Isabelle (Cécile de France) is also there, and Xavier has helped her and her lover have a child. On the threshold of 40, Xavier finds that his life is just as complicated as ever. The film follows Xavier adjusting to a new life in the United States, searching for a flat and a job, and dealing with a bitter custody battle. With all this on his plate, his old ex Martine (Andrey Tatou), now a import-export businesswoman dealing with organic products, drops in with her two children too.In commenting on this series of films, Cédric Klapisch has said that he wants to capture the fact that Xavier's and younger generations are very mobile, and for them it's commonplace to go to another country to work/study or enter into a relationship with someone of a different nationality. Here this mobility is explored through several French people in New York, and New York with its wealth and myriad immigrant communities is treated as a very distinct place from the United States in general. Nothing at all is seen or heard of the Spanish flatmates from the first film, who at least got a bit part in the second film. I think that's rather a shame, we could have at least got a few lines of dialogue about how William (Kevin Bishop), whose marriage to a Russian woman was the whole setup for the second film, is getting on.I enjoyed revisiting some of these characters again after nearly a decade, and Duris's acting is admirable: his Xavier remains the manchild we know and love, but he captures the impact of the years. Cécile de France is again so convincing in her role that one wonders if she really is like this in real life. The script, however, strikes me as rather weak. There's a strange side plot of adultery, where a character appallingly cheats on their lover and the other characters hardly object, and it ends up with almost the exact same scene of everyone racing to an apartment to warn the trysting pair as in the first film.Still, the series as a whole remains worth seeing and an important commentary on the contemporary world. I hope Klapisch will continue Xavier's story in a few more years.

I've seen this movie yesterday and was disappointed. Especially since I really liked the first and second prequel. I am always turned off by a movie that is badly edited, badly scripted and does not really have a good story to tell. If one keeps close attention one will notice many illogical situations. Not everything needs to be logical in a movie but it is better not that obvious. For example, I encourage everybody to keep a close look for pregnant and non-pregnant women, for the main doors to the houses when children's are picked up and delivered, and for some awful dialog when somebody reveals "something very personal" nobody cares about. There is much more like this. This movie could easily feature as a bad TV soap opera. Just see for yourself. The only thing that kept me in the movie theater were a few scenes that are really funny and some camera work for which movies by Cédric Klapisch are famous for. By the way, the music is excellent.

This movie really surprised me. Having loved L'AUBERGE ESPAGNOLE and connecting with the characters and then re-connecting with them in fun- filled Russian DOLLS, I was expecting the third film to slowly wind down their stories. After all, the characters are boring grown ups now, with kids and responsibilities, so how much more fun can they be. But to my surprise, this film was just as much fun, was just as full of joy and energy as the first films, Having lived a life pretty close to the age of these characters, I felt an even deeper connection with these characters in this film. True, their lives have become much more complicated, but their stories have become richer, their worldview bigger and their lives deeper and so much more meaningful. Klapisch uses many of the same devices, many similar situations that made the first films memorable, but because the central characters are now so well fleshed out, we journey with these characters as fellow travelers, not only thru New York City (as we did in Barcelona and St. Petersburg) but thru life. I hope this is not the end of the series. It would be a wonderful to travel to more places with these characters and wonder where Klapisch will take them (and us) next.

I haven't seen the two previous movies by the same director and actors preceding this one, but all by itself I loved this one. It is funny, witty, interesting and unusual. I understand the previous two movies portrayed the lives of characters at an earlier age. Now they are around 40 years of age, they are in NYC and they have different set of problems. I participated in a Q&A with the director at the end of the movie and I understand what he is trying to portray is a generation of people who are more mobile, who aren't afraid of mixing with different cultures, live in different countries, deal with the challenges presented by this new country. Movie has a very very positive, upbeat look at things. And it is very refreshing to have this positive outlook considering how many movies feeds of drama and difficulties almost to a degree, which makes them unrealistic. Life is not so bad and things don't go that bad in real life. You might get lucky at things. This movie has a positive, realistic look at life. I could easily relate to it. Loved it, highly recommend it. Especially if you want to laugh a bit and feel good about life. And there is nothing wrong with that.