Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Close shines in drama with strong language, adult themes.

The first scenes of the movie are pretty authentic, but later everything gets a bit affected. Unfortunately the movie is made for the topic to high glossy. Especially the language doesn't match with the Hamburg "ASSI-DIGGA" Slang. Moritz Bleibtreu is like in "Free Rainer" disappointing and hasn't got his brilliance like in "Im Juli". Denis Moschitto acts for the figure Chiko to intelligent. Over all it is a well worth seeing movie with good dialogs and a good alternation to the Hollywood movies. I would rate the movie with a 6.8 – with a few more "DIGGA" it would have been a 7. The first scenes of the movie are pretty authentic, but later everything gets a bit affected. Unfortunately the movie is made for the topic to high glossy. Especially the language doesn't match with the Hamburg "ASSI-DIGGA" Slang. Moritz Bleibtreu is like in "Free Rainer" disappointing and hasn't got his brilliance like in "Im Juli". Denis Moschitto acts for the figure Chiko to intelligent. Over all it is a well worth seeing movie with good dialogs and a good alternation to the Hollywood movies. I would rate the movie with a 6.8 – with a few more "DIGGA" it would have been a 7.

The director is very clearly influenced by Scorsese and other crime movies from the USA. You could call it his "Mean Streets". Bare in mind that this is the first feature length movie he did (I'm sure many will follow).Produced by Faith A., you can also see his influence (his first movie "Kurz and Schmerzlos", a sort of translation as summary line above, literally it means, short and painless) in this movie. It's a really good movie, not without faults though. Violence and swearing don't count as faults though. As some cinema-goers stated they didn't like the violence in the movie, but I'd like to disagree. The violence isn't as explicit as it could be. But violence is needed in a picture/movie like this, to ground it.Far away from a masterpiece this is still a good addition to the crime-thriller.

Berlinale was full of surprises this year. The festival program was read through again and again, but still the selection of films was difficult like before, randomness was the easiest way, so my pre-made film list looked quite different at the end. In the Panorama section of the festival, I came across Özgür Yildirim's feature film debut Chiko, produced by Faith Akin. His name created an urge to see the film as I am deeply interested in the Transnational German Cinema.Özgür Yildirim is a young director from Hamburg. He tells a dark story about loyalty, friendship, rage, revenge, drugs, passion and alienation in a youth gang in Hamburg. The main character Isa Cakiroglu (Denis Moschitto) is called Chiko by his friend circle in Hamburg. This circle is made up of young people with migration background, speaking the famous sociolect. They like action, excitement, fame, expensive cars and especially power. Of course, money is the key in order to get the things they dream of. Money is power, money is respect.It is quite clear that Özgür Yildirim was inspired by films like Scarface, Goodfellas and Reservoir dogs. „Chiko" has a high tempo; it proceeds too quickly without characterization of figures and ends like other films of that genre. Furthermore, the film uses too many clichés about young immigrants, which the audience from this side of the world apparently enjoys.Still, Denis Moschitto fits very well with his own charm and masculinity; Volkan Özcan as the loser one and Reyhan Sahin are very promising as new faces. Moritz Bleibtreu is fascinating as usual.In the discussion after the premiere at the Berlinale; Özgür Yildirim, Volkan Özcan and some of the crew were on the stage to answer the questions. The director is a smart, enthusiastic, witty person. The overall reaction of the audience was positive; people enjoyed the funny dialogues. A person in the second row came up with the idea that violence in the film may cause more violence among the young people. The "violence" theme and especially violence among young people with migration background is quite popular nowadays. Do such films really have a negative effect on young people? The answer came from one of the back rows: These guys are not presented as heroes to be admired; why should anyone be bothered seeing such nice, hot guys on the screen? Public premiere tickets of Chiko at the Zoo Palast were sold out quickly and the film created a lot of excitement among the audience. To my mind, it is enough reason to go and see this film.

Although it is the first movie of Özgür Yıldırım as a director, it reflects the desires and dreams of young people who have nothing to lose in their lives very well. Chiko reminds me Tony Montana, an emigrant and trying to be the leader of narcotic ring. Chiko, in the middle of 2 nationality, German & Turkey, shows all characteristic of both cultures. Director shows emotional and drastic scenes basically with small camera tricks like the style of another Turkish director grow up in Germany,Faith Akın. He leads and guides the other young Turkish directors on the way of showing the life style of young and unemployed people got bored of regular daily living and always looking for an extraordinary lifetime. I think it is worth to be watched. I assure that you will feel their expectations from harsh life very closely.