Pretty Good

Pretty good movie overall. First half was nothing special but it got better as it went along.

While it doesn't offer any answers, it both thrills and makes you think.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

This United Artists release in 1957 was certainly a timely one for the headlines. I well remember back in the day the Labor Racketeering hearings in the US Senate headed by John McClellan with Robert F. Kennedy as the counsel and his brother and next president also sitting on the committee. Organized crime's involvement with labor unions was a big news at the time.In the fictional union talked about in this film which we never learn what it is or what industry it is for, honest president Dick Foran is framed for the murder of his friend whom he was sending to the state's attorney with information. The mobbed up vice president Douglas Kennedy then takes over and the strong arm tactics against the membership and the businesses begin.Fortunately for Foran the state's attorney is Brian Keith who is a man of conscience who actually wants to see justice as opposed to rolling up convictions. Even though he's being mentioned for governor Keith starts questioning his own conviction first with a voice identification of Foran.Said identification was bogus the product of comedian Buddy Lewis who works in mob clubs. Also derelict Elisha Cook, Jr. after giving perjured testimony is killed. It's a race against time as the mob starts plugging up potential leaks in their usual fashion.Besides those mentioned three women have prominent roles. Phyllis Coates as Keith's wife and Beverly Garland and Beverly Tyler as a pair of B girls who are witnesses against Foran.Chicago Confidential is a well paced B picture with an impressive cast giving a good ensemble effort. A historical curiosity as well given the time the film was made.

A cast of familiar faces appear in Chicago Confidential, a 1957 B movie. The stars are Brian Keith, Beverly Garland, Dick Foran, Elisha Cook Jr., John Hamilton, and Phyllis Coates. The latter two stars were in the TV "Superman" in case you don't recognize their names.The story is told with a narration, semidocumentary style. This type of film was popular for a time, but to me, it's very dry and too "Dragnet." A union accountant who has been keeping two sets of books calls DA Jim Fremont (Keith) and announces he is bringing in proof that the mob has infiltrated the union and is stealing from it. As could have been predicted as he starts walking to the DA's house in the dark, briefcase and folders in hand, he doesn't make it.The bad guys set up one of the good union guys, Artie Blaine (Foran) to take the fall for the murder, and they do a decent job of it, using a drunk (Elisha Cook, Jr.) who finds the murder weapon as a witness to go to the DA once they clean him up. Then they discredit Blaine's fiancée (Garland) on the witness stand. The noose tightens.Fairly formulaic, with a couple of interesting things - one is an impressionist, and the other is the use of a machine that recognizes speech patterns.I interviewed Beverly Garland some years ago, so I always try to watch her films. She was a vibrant, funny, wonderful lady with a million stories. It makes me sad that she's no longer with us, but at least we can enjoy her film and TV work. For me she's a bright spot in "Chicago Confidential."

It was only 3 years since the award winning "On the Waterfront" dealt with union corruption. In 1957 we see it again in this film.An honest official is framed for the murder of the secretary of the union. Has the underworld really taken control of the union! They use it for all sorts of corruption including the importation of call-girls.As the D.A. with designs on becoming governor, Brian Keith begins to have his doubts regarding the verdict. The bodies really begin to pile up here as the underworld will eliminate just about anyone who knows the truth.This is certainly a timely film dealing with subject matter that was relevant in the years to come and may very well be relevant in today's world.

The "Confidential" part was meant to piggy-back on the popular appeal of the lurid magazine of the same name, while the labor racketeering theme tied in with headline Congressional investigations of the day. However, despite the A-grade B-movie cast and some good script ideas, the movie plods along for some 73 minutes. It's a cheap-jack production all the way. What's needed to off-set the poor production values is some imagination, especially from uninspired director Sidney Salkow. A few daylight location shots, for example, would have helped relieve the succession of dreary studio sets. A stylish helmsman like Anthony Mann might have done something with the thick-ear material, but Salkow treats it as just another pay-day exercise. Too bad that Brian Keith's typical low-key style doesn't work here, coming across as merely wooden and lethargic. At the same time, cult figure Elisha Cook Jr. goes over the top as a wild-eyed drunk. Clearly, Salkow is no actor's director. But, you've got to hand it to that saucy little number Beverly Garland who treats her role with characteristic verve and dedication. Too bad, she wasn't in charge. My advice-- skip it, unless you're into ridiculous bar-girls who do nothing else but knock back whiskeys in typical strait-jacketed 50's fashion.