Brilliant and touching

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

This movie feels like it was made purely to piss off people who want good shows

. . . there are some blatant departures from most of the earlier offerings in the Sylvester\Tweety Bird Looney Tunes series. By the time the opening newspaper headline and radio announcer montage concludes by stating that Tweety Bird's value is "one million dollars," most long-time fans will feel themselves totally at sea. Nevertheless, since CATTY CORNERED boasts a running time of less than seven minutes, many viewers will stick it out until the bitter end. And what is this sad conclusion, you might wonder. Zapping for Tweety, as Sylvester swallows the CANARY (just review the first half dozen Tweeties, if you need more evidence for Tweety's canary status), giving in to his natural instincts just as this anonymous town's mayor is lauding Sylvester for RESISTING said urges. If one were to make a comparison to this Denoument and the conclusion of its closest parallel in live-action features, it would have to be to director Martin Scorsese's TAXI DRIVER. Sure-fire political assassin "Travis Bickle" (Robert De Niro) similarly earns plaudits for defying his "natural instincts" in gunning down Jodie Foster's professional promoter rather than the election candidate. Great for Travis, everyone cheers (at least until John Hinckley, Jr., comes along. All the same, many will ask if there's a "hidden meaning" to CATTY CORNERED, given its strange over-evaluation of Tweety's monetary worth. Gunmen aside, Sylvester's voracious appetite for canaries during CATTY CORNERED and most of his other pairings with Tweety, can be seen as parallel to those of the current DC chief, when viewed in the context of Our Day's Current Events (as Looney Tunes director Chuck Jones has said more than once the output of "Termite Terrace" must always be interpreted). Germaine to this discussion is the claim of what said potentate bragged he could do at high noon in New York City's Times Square WITHOUT losing any support among his "political base." Each to his own, some viewers of CATTY CORNERED might shrug. Does this animated short's portent for Humanity really amount to more than the proverbial "hill of beans," given the fact that our star (aka, the Sun) is due to expand and burn Earth to a cinder in a billion years or so? Maybe we shouldn't sweat the small stuff, such as CATTY CORNERED. Either that, or we should review all 15 of its themes, as outlined here, to decipher its most prominent message.

The one thing I always remember from this cartoon involves a banana, cigarette, and a soup can. It is quite possibly the best sight gag in all Warner brothers cartoons. My dad was a smoker and once we saw this cartoon together that became an inside joke between us. I agree that nick was not as funny as Mugsy but he served the purpose of the henchman in this instance. As a lifelong owner(servant to) cats I always sympathized with Sylvester and thought Tweety was a brat that got what he deserved (well almost got)for goading Sylvester. By the way has anyone noticed the similarity between these cartoons and the Home Alone films? (think Sylvester as Marve, Yosemite Sam as Harry and Keven as Tweety)?

This time, gangster Rocky kidnaps Tweety. When the derelict Sylvester sees the famous canary in a cage, he decides to have a little snack. But getting past the gangsters won't be so easy."Catty Cornered" appears to be a midpoint for Rocky. In his early appearances, he was a tall caricature of Edward G. Robinson. Then, they made him smaller (or is vertically challenged the PC description?) and gave him more of a generic gangster look. Here he has a a competent assistant named Nick, but in later cartoons he had a dimwitted assistant named Mugsy.And that phrase "get the bird"? It's the reverse of "give the bird". Both phrases got used in the Looney Tunes cartoons.Anyway, an OK cartoon.

Tweety Bird has been kidnapped by mobster Rocky, who intends to hold the bird for a ransom of a million dollars. However none of this matters to Sylvester, who hears Tweety's cries for help from the street. He sets out to rescue Tweety from the mobsters - but only so that he can eat him for his lunch. However the mobsters prove to be tougher to get past than he expected.Generally I find the short films involving Sylvester and Tweety to be rather difficult to totally enjoy. Part of the problem is that I find Tweety quite annoying and, on top of that, often too much time is spent on him and not enough on the physical work of Sylvester. However the better cartoons of theirs are the ones where they have a twist to them that makes them stand out. Such is the case here where the twist is the fact that Tweety is kidnapped so that Sylvester has to overcome not only him but also the mobsters.The material is pretty funny - the usual gags also spiced up with the crime element. It made me laugh a few times and had a pretty good finish. The characters really help and their delivery is pretty good. Tweety is only used as a plot device and the film is better for it. Rocky and Nick are tough and funny but both are fairly limited by just being spoof characters who are one dimensional jokes rather than well developed ones. However Sylvester is great and he makes the material a lot funnier than it was on paper - a sign of a good character.Overall, even those who usually see the limitations and repetition within the Tweety cartoons should fins this to be an enjoyable outing - the spice added by the plot twist makes it more interesting and less prone to being spoilt by an annoying little yellow bird!