Wow! Such a good movie.

Truly Dreadful Film

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

After watching a movie as thoroughly bewildering as German gothic horror Castle of the Creeping Flesh, I log onto IMDb to see if any of the reviews (all seven of them in this case) are able to satisfactorily sum up what I have seen; I can't say that anyone has successfully hit the nail on the head with this film (and I'm not about to change that).Directed by Adrian Hoven (Mark of the Devil), the film is like some kind of fever dream: disjointed, occasionally trippy, with stilted dialogue, moments of eroticism, gore and outright craziness. The muddled plot involves an aristocrat, the Earl of Saxon (played by Euro-horror regular Howard Vernon), who is attempting to bring his daughter back to life, the poor girl having been raped and killed. A group of revellers arrive at the Earl's castle and stay the night, after which I became totally lost, suffice to say that the film attempts to compensate for the fact that it makes little sense by chucking in lots of female nudity and quite a few scenes of real open heart surgery (all of which comes as quite a surprise for a film made in 1968). There's also a savage attack by a wild bear (played by a man in an unconvincing bear costume).Imagine a Mario Bava gothic horror as directed by Jess Franco on an off day, and you won't even come close to appreciating what an inept mess of a movie this is.

Totally incoherent and horribly slow with unrelated close-up surgical footage literally thrown in without context. Howard Vernon's butler is the always interesting Vladimir Medar from one of my favorite Euro-horrors, Harald Reinl's Die Schlangengrube und das Pendel aka Torture Chamber of Dr. Sadism and most of the Karl May Winnetou/Old Shatterhand epics. The location, a real castle as in many Euro flicks, is wasted. The two leads, husband and wife Michael Lemoine and Janine Reynaud are always professional in their films but the script flops badly and leaves them adrift. Reynaud's upper-class, haughty, immobile look (she was a model also) adds some beauty and style to this junk as she did to her sleazy Franco films. I always admired her looks and on-screen personality.

The sleaze-loving Austrian director Adrian Hoven is probably best remembered for writing, producing and co-directing the notorious Exploitation gem "Hexen Bis Aufs Blut Gequält" aka. "Mark of the Devil" (1970) and its vastly inferior sequel "Hexen Geschändet Und Zu Tode Gequält" ("Mark of the Devil 2", 1973). This earlier Gothic Horror/Exploitation effort, "Im Schloss Der Blutigen Begierde" (aka. "Castle of Bloody Lust"/"Castle of the Creeping Flesh") does not share the notoriety of Hoven's Hexploitation films, but is enjoyable in a very different way. "Im Schloss Der Blutigen Begierde" must be one of the cheesiest, inept and unintentionally funny Trash-Horror films I have ever seen, and I am a very regular consumer of low-budget cult flicks.This very bizarre little flick starts at an orgiastic party hosted by the arrogant and malicious Baron Brack (Michel Lemoine). After taking a ride, fate then leads the Baron, as well as five of his guests including the sexy sisters Vera (Janine Reynaud) and Elena Lagarange (Elvira Berndorff) to the castle of the very sinister Count Saxon (cult-star Howard Vernon)...The film, which has an utterly confused and incomplete storyline, features some of the most inept and hilarious lines of dialogue. Howard Vernon's character, for example, shows guests around his castle and tells stories about his ancestry, only to proclaim thereafter that his beloved daughter "died half an hour ago". Other than Howard Vernon all acting performances are hilariously inept. Howard Vernon was a great cult-actor, who blessed many of the films (great and awful alike) of Spanish Exploitation deity Jess Franco; he had a great, incredibly sinister screen-presence. However, in this film he is hardly given anything to do but grimace and talk nonsense. Michel Lemoine has very weird eyes, but his performance is abysmal, as are all the others. Janine Reynaud (known for Jess Franco's earlier works) and Elvira Berndorff are very nice to look at, however, and they regularly have their breasts exposed. The cast also includes Vladimir Medar, who is best known in German-speaking countries for participating in many of the cheesy Karl May-adaptations.The film has somewhat of a pioneer-quality, as it is very sleazy and very gory for a pre-1970 film. We see breasts in every other scene, there are orgies and rapes, and some very graphic gore during surgery. On the side, the film features one of the most popular 60s Eurohorror themes, the 'mad scientist kills women in order to restore the life of one woman' story, which had formerly been the topic of such masterpieces as Georges Franju's "Les Yeux Sans Visage" ("Eyes Without a Face", 1960), Giorgio Ferroni's "Il Mulino Dalle Donne Di Pietro" ("Mill of the Stone Women", 1960) or Jess Franco's "Gritos En La Noche" ("The Awful Dr. Orloff", 1962). Vernon's role here has some similarities to that of the eponymous Dr. Orloff in Franco's film, only that Franco's film was great, and this one is a hilariously inept mess. The setting and photography are actually quite nice, but the inept dialogue and ridiculous story destroy any chance of a creepy atmosphere or genuine scares. It gets somewhat eerie towards the end, but by then the foregoing ridiculousness is dominating the film's mood. The only comparable film I can think of is Massimo Pupillo's "Il Boia Scarlatto" ("The Crimson Executioner", 1965), which offered an equal amount of unintentional hilarity. Overall, "Im Schloss Der Blutigen Begierde" may be the most inept European Gothic Horror film I have ever seen, but it also is highly entertaining. Along with the Italian Giallo, European Gothic Horror films are probably the most stylish, elegant and fascinating sub-genre Horror has ever brought forth, and there are plenty of masterpieces to see in the field, especially films from Italy (e. g. everything by Mario Bava, Antonio Margheriti, Riccardo Freda, etc.). If you want to see a good (but disturbing) film by Adrian Hoven, check out "Mark of the Devil". "Im Schloss Der Blutigen Begierde" is undeniably total crap. However, it's inept charm is irresistible for Cult-Horror fans with a sense of humor. This film is unintentionally hilarious from start to finish; it may be an awful excuse for a film, but I cannot remember when I was more entertained.

Watched this film recently, it may have been controversial stuff in the 1960's but seems a bit tame by todays standards. The infamous rape scenes were well shot and although not the most pleasant subject, suited the storyline well and did not prove cringe-worthy or upsetting. There may well have been one or two continuity errors but these did not detract from the story for me. This has been described as a shocking film, all I can say is I must have been watching a cut version then. The gore content is pretty much a lot less than most horror films, the nudity displayed seems tame by todays standards and although I would not let children watch it, as adult late night fare it was an enjoyable horror film and not as bad as I was led to believe. Dated by todays standards but watchable if you enjoy traditional horror films of this era.