You won't be disappointed!

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

A flu epidemic has reduced the local police station down to a skeleton crew. Hope arrives in the form of four recruits - - that's no hope mind you...Carry On Constable introduced the wonderful Sid James to the series, he would become one of the most beloved actors to Carry On film fans. Ironically "Constable" finds James somewhat removed from the type of character he would become known for, it's a restrained role and showcases his acting abilities as an official figure type, the glue binding the whole play together.The fourth film in the Carry On series retains the more genteel comedy factors that had imbued the previous three outings, though this would be the first to show nudity! Four policemen's bums gleaming bright! A scene that provides a splendid anecdote in Kenneth Williams brilliant book, Just Williams (I urge anyone interested in classic film/TV/radio/stage to check it out).Plot basically pitches the four recruits, Williams, Leslie Phillips, Charles Hawtrey and Kenneth Connor (brilliant as usual as a superstitious sort) into a number of chaotic physical situations mined for laughs. Back at the station Sgt. Frank Wilkins (James) is pulling his hair out at the ineptitude of his new charges - and that of his ignoramus boss, Inspector Mills (Eric Barker). Joan Sims is on hand to steam the collar of Kenny Connor, just as Phillips lusts after any female form, while Hattie Jaques provides a glimpse of her tender character acting side as the station's sensible soul.There's some drag dressings played for good laughs, a whole bunch of scenes where the not so intrepid coppers get taken for fools, and a few deftly scripted lines guaranteed to raise a smile. Elsewhere there's a raft of super character actors in cameos who beautifully portray the classic eccentricities of the Brits of the era, so take a bow Irene Handl, Esma Cannon and Joan Hickson (wonderful as a posh drunken lush). Never riotous or bawdy, "Constable" is still a fondly thought of entry in the long running series, as are most of the black and white productions. It shows a group of film makers very much of the time and using it to the max. Lovely. 8/10

If Carry On Constable seems to remind you of America's Police Academy movies it should. A generation before that American troupe of players took on law enforcement as a satirical subject, the Carry On crew did the same to the London police force.It's an epidemic in the precinct and most of the good cops are down with the flu. Both Inspector Eric Barker and Sergeant Sid James are in need of personnel so four men and a woman recruits from their Police Academy are assigned. Law enforcement in this district is now in the capable hands of Leslie Phillips, Kenneth Williams, Kenneth Connor, and Charles Hawtrey. Let's not forget Joan Sims who is clearly the best one sent from the Academy.Sid James made is Carry On debut in Carry On Constable and really gets into the spirit of things. But I would have to say that Kenneth Williams really polishes up the twit character he would use so often and so well in these films. He believes that British law enforcement is waiting for him and the new ideas he brings to the job and can't understand why no one sees his potential. Check the situations he's involved in and you'll have no doubt why.One of the better Carry On films, not to be missed and this one will make you a fan of the series.

I've recently been working my way through these earlier, black-and-white CARRY ONS, finding them a breath of fresh air after the stale sauciness of the later entries. CARRY ON CONSTABLE, while proving less imaginative and well-made than some of the other entries made around the same time (such as NURSE and REGARDLESS) is still a fun little film.Sid James joins the series as a likable sergeant forever at the mercy of his stuffy superior (a wonderfully straight-laced Eric Barker). After a flu epidemic, he takes on five new recruits (Williams, Connor, Hawtrey, Phillips and Sims) who soon get into all manner of pratfalls. The cast are good, even if the jokes aren't (most of them are over obvious, such as the bit with the out-of-control police dog). Even the predictable ending lacks bite when compared to the genuine thrills that concluded the later CARRY ON CABBY.There's more of an emphasis on sweet romance here than crude gags, which is a pleasure. Williams plays the smug one, Hawtrey is accident prone and scene-stealing, as ever, while Sims plays it relatively straight and Phillips chases skirt wherever he can (Shirley Eaton memorably pops up out of the bathtub in one scene). Connor is unfortunately saddled with a superstitious character who ends up more irritating than amusing. There are better CARRY ON films out there, but compared to the ones being made a decade later this is pure class.

With a flu epidemic decimating the ranks of the local bobbies, the police are forced to quickly take on some new recruits who in other circumstances may not have quite made the ranks – a decision made by Inspector Mills and then dumped on Sergeant Wilkins to deal with. However not even Wilkins' low expectations are met when at least a handful of the new recruits turn out to be barely able to manage themselves, never mind the wider community.This is quite an enjoyable little film that is never funny but manages to be amusing if you are in the mood for a light, dated comedy. The story is simply a rerun of Carry on Sergeant in the way that an efficient Sergeant (in this case Sid James) is charged with turning a bunch of bumbling, inept recruits (this time into the police) into an effective unit of men, encountering much amusing bumbling along the way (with even some of the same actors playing the same sort of characters). In this regard it is pretty much a cookie-cutter of a story but to look down on the film for being unoriginal and basic is to really miss the point when it comes to the Carry On films. Aside from the poor story, the film is actually quite amusing but never really made me laugh more than once or twice; certainly those not in a forgiving mood will dislike this because it doesn't have much life to it but those looking for a movie for a wet Saturday afternoon will maybe enjoy it.The cast are a selling point and do manage to do quite a bit with the basic material even if they don't raise it that much. Sid James has a minor role in his first Carry On film and, although he is a good presence, he is less effective than he was in other films. Barker is a nice straightman and holds up that side well enough while the main comedy is brought off by the recruits themselves. Connor repeats his "uptight and resisting love" performance to reasonable effect. Hawtrey and Williams do good work with their usual stuff (Williams playing upper-class early in the series) while Phillips makes a nice addition with his usual stuff. Sims and Jacques are OK but have very little to do around the edges but are nice filler.Overall this is nothing special but it is amusing in its own way despite never making me laugh. The script does throw up a few nice touches and is cheeky rather than smutty or anything like that and, despite being a rerun of Carry On Sergeant, it is still enjoyable in a rather amusing and light sort of way.