If you don't like this, we can't be friends.

Disappointment for a huge fan!

The film makes a home in your brain and the only cure is to see it again.

One of the most extraordinary films you will see this year. Take that as you want.

The fourth film in the long running British comedy series, Constable sees Sid James making his Carry On debut as Sergeant Frank Wilkins, whose police station has been hit by a flu epidemic leaving him relying on rookie officers to make up the numbers. Fresh from training college, PC Charlie Constable (Kenneth Connor), PC Timothy Gorse (Charles Hawtrey), PC Stanley Benson (Kenneth Williams) and PC Tom Potter (Leslie Phillips) make a series of blunders that look likely to result in Sgt Wilkins' transfer to another station. In order to make up for their mistakes, the four newbies attempt to track down and arrest a tough gang of thieves they believe to be holed up somewhere nearby.Constable sees little bit of cheeky innuendo ('You stupid constable!, 'I've lost my pussy') and gratuitous bare flesh (four bare male backsides and Shirley Eaton in her underwear) creeping into the Carry On formula, making this one a stepping stone between the more gentle comedy of the earlier films and the more ribald humour of latter entries. For much of the running time, though, the film is simply good-natured knockabout fun, consisting of a series of amusing episodic scenes, with a little romance thrown in for good measure, the whole thing coming together for a predictable feel-good ending designed to leave the viewer with a warm glow. As always, the likable cast put in winning performances, and as silly as it all undeniably gets, it's hard not to have a reasonably good time.

I've recently been working my way through these earlier, black-and-white CARRY ONS, finding them a breath of fresh air after the stale sauciness of the later entries. CARRY ON CONSTABLE, while proving less imaginative and well-made than some of the other entries made around the same time (such as NURSE and REGARDLESS) is still a fun little film.Sid James joins the series as a likable sergeant forever at the mercy of his stuffy superior (a wonderfully straight-laced Eric Barker). After a flu epidemic, he takes on five new recruits (Williams, Connor, Hawtrey, Phillips and Sims) who soon get into all manner of pratfalls. The cast are good, even if the jokes aren't (most of them are over obvious, such as the bit with the out-of-control police dog). Even the predictable ending lacks bite when compared to the genuine thrills that concluded the later CARRY ON CABBY.There's more of an emphasis on sweet romance here than crude gags, which is a pleasure. Williams plays the smug one, Hawtrey is accident prone and scene-stealing, as ever, while Sims plays it relatively straight and Phillips chases skirt wherever he can (Shirley Eaton memorably pops up out of the bathtub in one scene). Connor is unfortunately saddled with a superstitious character who ends up more irritating than amusing. There are better CARRY ON films out there, but compared to the ones being made a decade later this is pure class.

The first carry on of the 1960s is based on police force. It has good strong screenplay and seems to be proper made film. It's important to stick to good script for film series which beginning and proving successful. It stars legend Sid james in his first carry on film which is notable for this. He's chief officer having to manage his misfits (the misfits being Kenneth williams, Kenneth connor, Leslie phillips and Charles hawtrey's characters) but has problem of being responsible to stern chief constable Eric barker and stern fellow constable Hattie jacques. It is the last Leslie phillips carry on film before he went on to star in other comedies like doctor films. There are good gags like Charles hawtrey and budgie and there are various situations that constables face and mess up like helping little lady across road. Filmed in black and white, maybe film seem different in colour. Police uniforms are black and white.

This was the fourth of the Carry On series and although dated by the police uniforms is one of the best simply because all of the regulars are equally well used and for once Sid James is kept under control and used as a foil for some of the situations which works well with his expressive face. Kenneth Williams is still in the intellectual role which eventually gave way to the over-the-top persona in the later films. Leslie Phillips gels well with the others ( even better than he did in Carry On Teacher )If anything this film underuses the female stalwarts with Hattie Jacques and Joan Sims being love interests.